I would love to know why not.
I would love to know why not.
https://saltiellawgroup.com/2021/10/%E2%80%8B%E2%80%8Bcan-yo...
In almost all cases I'd guess that artists whose style is being copied by many genAI users are getting way more exposure than in some alternate universe where midjourney didn't exist. But nobody looks at it that way, they just see somebody else making profit and think they deserve some.
if it was parody or commentary or otherwise found a new market, it might be allowed under fair use, but the fourth factor of fair use concerns the effect on the market value of the original
That said it is unclear if the connection is strong enough between a given artist and their replacement.
If I can make a voice over that sounds like Neil DeGrasse Tyson, why would I pay him to make the voice over for me? If I can make artwork in the style of X why would I commission X to make that artwork instead? Nobody cares if it actually was made by them as long as people think it was made by them. So "them" gets screwed because nobody will use them. We're obviously talking in very strict ones and zeros here with "nobody". Except for the nobody caring what you think you sound like
All content will be behind a subscription and the algorithm will say "you like Janis Joplin? Let's autoplay some close-enough AI artists that don't exist that we won't have to pay any royalties to!" You'll get an offer to upgrade to Double Pro+ for a special introductory rate to skip those tracks.
This discussion makes people immediately place themselves under the boot of technology and display active helplessness almost entirely because they can't handle the mentality that it's now a commodity to get what they consider a "unique artstyle". That you can be "unique" if you consistently draw a line in thicker shades around borders and use flashy colors in a way no one has decided to try yet, and that this style "belongs" to you being extrapolated to the point of your artistic hobby becoming the only reflection of your identity as a person. Sad for those who staked their lives around capitalistic ideals.
My children's children are going to have a few classic books that were illustrated by humans, but anything new or reissued won't be.
Magazines, articles, and covers that might have featured human illustration will be gone. It'll be too easy to throw pennies for "draw something topical to article title in the style of artist that appeals to target demographic".
Everything else is a derivative work which falls outside of copyright claims
How would you like the law to change? That’s part of the equation too
Of course there are models trained only on licensed materials already, which reaches the same result of the material creators obsolescence
It's not fair use because you want it to be, and it's not at all legally clear if this defence is valid in the case of AI training. But it's not clear it isn't, either.
This is basically what all the noise and PR money is about, currently, in hope that shaping the narrative will shape the legal decisions.
It's a bit of a quibble to differentiate between allowable infringement or exception, here, so i've edited original.
[note: 0xcde4c3db points out correctly that it does actually show up since 1976, but in a way the defers much of the definition back to case law, so same effect]
Even this is a bit murky though, as a district court has argued it goes beyond that.
https://fairuse.stanford.edu/overview/fair-use/what-is-fair-...
There are complications, but google can use thumbnails because essentailly they are used to "review" the website.
Has google sampled and hosted the whole image on their own website and made more iamges in the style of say mickey mouse, they would have been taken to town by the owners.
This is why there are no commercial movies on youtube (without an explicit agreement) and why DCMA takedowns exist.
One only needs to read the Supreme Court decision in Andy Warhol Foundation for the Visual Arts, Inc. v. Goldsmith. In this case, it was found to not be fair use, but with a forceful dissent from Elena Kagan. And this is just a straight-up use of a photograph / art-piece. Add technology to the mix and things get really messy quickly.
"Years later, Goldsmith granted a limited license to Vanity Fair for use of one of her Prince photos as an “artist reference for an illustration.” The terms of the license included that the use would be for “one time” only. Vanity Fair hired Warhol to create the illustration, and Warhol used Goldsmith’s photo to create a purple silkscreen portrait of Prince, which appeared with an article about Prince in Vanity Fair’s November 1984 issue. "
In both cases, we're relying on copyright. The companies are saying that you can access the models under a license. It's not too hard to circumvent that license or get access through a third party or separate service: but doing so would obviously be seen as deliberate circumvention. We can easily compare that to an artist putting up a click-through in front of a gallery that says that by clicking 'agree' you agree not to use their work for training. And in fact, it's literally the same restriction in both cases: OpenAI maintains that they can use copyright to enforce that people accessing their model avoid using their model to train AIs. Paradoxically, they also maintain that artists can not use copyright to block people accessing their images from using those images to train AIs.
Facebook has released model weights with licenses that restrict how those model weights are used. But I can get those models without clicking 'agree' on that license agreement. They're mirrored all over the place. We'll see what courts say, but Facebook's public argument is that their license doesn't stop applying if I download their software from a mirror. So I find it hard to believe that Facebook honestly believes in a fair use argument if they also claim that the same fair use argument doesn't apply to their own copyrighted material that they've released online (assuming that model weights can even be copyrighted in the first place).
This is one of my biggest issues with the fair use argument -- it's not that there's nothing convincing about it, in a vacuum I'd very likely agree with it. I don't think that licenses should allow completely arbitrary restrictions. But I also can't ignore that the vast majority of companies making this argument are making it extremely inconsistently. They know that their business models literally don't work if competitors figure out ways to use their services to rapidly produce competing models. If another company comes up with a training method to rapidly replicate model weights or to augment existing models using their output, none of these companies will be OK with that.
None of these companies believe that fair use invalidates license terms when it comes to their own IP.
And we should be pushing hard for the entire package (not to say that you're not, more just pointing out that this is a package deal) -- I am not a copyright maximalist, but I especially don't want a model where only artists and individuals are subject to copyright restrictions. I'm of the opinion that it is good for these companies to take a credibility hit for their hypocrisy and for us to make it clear that the fair use argument has to be something that applies to everybody. I hope that this hypocrisy is something that comes up in court if these lawsuits go through, and ideally I'd like it to become a sticking point where trying to have their cake and eat it too does hurt these companies' legal arguments.
I want limited copyright across the board, but a system with maximum fair use for companies like OpenAI and minimal fair use for consumers and individuals is worse than a system with expansive copyright for everyone. I think it's a good thing for companies like OpenAI to be unable to make selective arguments. We shouldn't treat their end goals as irrelevant.
It's also very true that there are open models that take a permissive approach, but those models are in my experience usually not the primary target of most criticism (outside of the "open models are dangerous" FUD). The linked comic explicitly calls out "profit-making companies that own the most-used channels of communication." I'm not sure the artist would phrase it this way, but I think reading between the lines the artist is very likely coupling together ownership with their complaint -- they are talking about the injustice of having their work appropriated into a form that is locked down and controlled and that exists for the benefit of the profit-making companies who want to own yet another channel of communication (in this case artistic communication itself). I suspect that part of that feeling of injustice does directly come from an understanding that as an individual anyone would be sued into oblivion if they tried to make the same arguments in the opposite direction.
Does that get rid of the fair use argument? No. But it is impossible to actually talk about the fair use debate in a useful way while ignoring the context of that debate. To just mention fair use and nothing else is leaving out a ton of context about why artists are mad, and about why this feels unjust to so many people, and about the regular inconsistencies in how these arguments are often applied. We don't have to get rid of fair use arguments, but I personally think it's more responsible to include that context. I worry that leaving that context out is playing directly into the hands of companies that are trying to create an outcome of selective enforcement for IP.
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It's a bit of a sidenote, but on the subject of truly open models, I will say that it is great that those models are licensed the way that they're licensed, but I'd still rather have legal recognition that algorithmically generated weights are not subject to copyright at all. It's nice when companies are permissive, but it also subtly implies that they have a choice whether to be permissive. As someone who favors expanding fair use, I would prefer that they not have that choice. I disagree with the application of any license to model weights, permissive or not. I think at best those model weights could be subject to a database license, maybe, but I'm honestly a little skeptical of even that: I think that model weights are a factual and reproducible artifact of training, not a creative work.
In this case it would be 'yes, I used this copyrighted work in a way that would be infringement were it not a fair use, but here's why it's fair-use.'
LLM text and images aren't.
OpenAI has one asset: GPT.
>Commercial use does not automatically make the use copyright infringement, but it is an important deciding factor.
https://saltiellawgroup.com/2021/10/%E2%80%8B%E2%80%8Bcan-yo...
If it's an infringement when OpenAI does it, it would be an infringement when a company with 1/1000th the value did it.