The first line saying that Lynch’s Dune is a “misbegotten botch job” is based on the authors definition of success in art which is box office returns. And yet here we are discussing a film that turns 40 this year. And there the Wired author is selling ads on the back of David’s work and disabling my back button to grab mailing list signups.

To gain an understanding of David’s approach to art, which is deeply inspired by Robert Henri’s book “The Art Spirit”, it’s worth watching The Art Life (2016). David is a believer in the artist alone in the room with an infinite supply of coffee and cigarettes, creating new ideas with pure creative freedom and the removal of societal pressures. There’s no doubt that his art and all art and creativity is derived from experience and experiencing the art of others. But the point is that for original art to flourish, there comes a time for the artist to seclude themselves and create without market pressures, the influence of popular culture and daily distractions. Us devs can learn much from him.

So I think Lynch’s Dune is spectacular in its originality and bold creativity. And I think looking to box office returns as a measure of success misses the long term value of that kind of originality.