All DMCA Notices Filed Against TorrentFreak in 2023 Were Bogus
torrentfreak.com
torrentfreak.com
[0] https://www.courtlistener.com/docket/66697744/yout-llc-v-rec...
https://digitalcommons.law.scu.edu/cgi/viewcontent.cgi?artic...
The part which is "accurate under penalty of perjury" is only that "the complaining party is authorized to act on behalf of the owner [...]"; it excludes the part which says "the information in the notification is accurate" from that.
Yes, it means that they can lie as much as they want on the "you are violating my copyright" part as long as they are truthful when saying "this copyright is mine".
Chewbacca is a Wookie, and the claimant is authorised to submit infringement notifications. Neither fact is necessarily relevant to the target of the notification.
- i am authorized by the owner of this piece of copyrighted work
- this copyrighted work appears at this url.
the first needs to be true under penalty of perjury. the second can be as false as you want with no repercussions.
If they're filing a DMCA claim then it indicates that (a part of) the video they're filing a claim against is "this copyrighted work".
But even if you were filing against a video directly, it doesn't mean you're claiming ownership of the video. It could just be one song on the soundtrack, Or a still photo shown without authorization, Or one of the actor's tattoos (seriously) that is the subject of your claim.
If you publish something you hold copyright on, and someone makes an unauthorised copy, I can't submit a DMCA claim against the copy without your authorisation. Even if the claim would be 100% valid were you to submit it, the courts may enforce that only you and your agents may actually make that submission. On the other hand, it's quite hard to prove that someone is acting in bad faith, rather than being earnest but entirely incompetent.
If you really think that a market environment should be able to fix this abuse of the legal system, finding a way through which torrentfreak would automatically profit from this should be a great goal to work towards.
They make excellent bait for precedent cases to to fix a broken system.
Penalty of perjury is criminal. We need a state AG to make an example out of someone. These notices are signed by a natural person, right?
If an organization files many claims that turn out to be false, they should be forbidden from filing further claims for a year, or face massive fines.
Absent a balanced number this would ultimately turn into another debate about the place of the DMCA itself.
Keep in mind even if you have and ideal 100% success rate on claims, recovering 100% of the deposits, it's still going to be thousands and thousands of dollars which used to be liquid now relegated to holding up the revolving door claims processing fees. Anything less than 100% just starts to make it an actual money pit instead of a financial annoyance.
You either have 100% certainty you are the rights holder and 100% accuracy, or you’re abusing the system. Full stop.
Give each rightsholder ten freebies per platform or whatever, but they should sure as hell be 100% accurate.
Sorry, but how can you be 100% certain in a system where fair use exists?
> The notice listed three URLs which needed to be “disabled immediately” along with a statement that the “information in the notification is accurate.” Unfortunately, we were unable to comply with the takedown demands because the URLs provided were not for TorrentFreak.com but an entirely different domain that we’d never heard of, under someone else’s control.
I don't consider that a reasonable disagreement, I consider that a bogus claim.
If they made the effort to remove that information why assume they left the contact info?
Either way this absolutely wasn't a case of fair use. They sent the claims to the wrong people.
I'm aware, but I don't see how that's relevant to these comments. Someone proposed a system to help with this problem (requiring a fee to file a takedown), and now we're discussing the issues with such a system. Those issues extend beyond the cases discussed in the article.
Not quite right. Using work without permission is not the same as infringing on the copyright on the work, and a DMCA is a claim of infringement. Fair use can only be used as an affirmative defense, as you noted; only a court decides whether a use of a copyrighted work is fair use. But formally, fair use is not infringement according to the Ninth Circuit in Lenz v. Universal Music Corp. (2015) [1]:
> "Because 17 U.S.C. § 107[9] created a type of non-infringing use, fair use is 'authorized by the law' and a copyright holder must consider the existence of fair use before sending a takedown notification under § 512(c)."
Not that the Lenz ruling helped very much in practice. To meet the Lenz standard, the sender of the DMCA notice can claim in court that they believed in good faith that the use of the copyrighted work was not fair use. The only part of the initial DMCA notice that the sender writes under penalty of perjury is the claim of being the copyright holder or someone authorized to send the notice on behalf of the copyright holder [2]:
> (3)Elements of notification.—
> (A)To be effective under this subsection, a notification of claimed infringement must be a written communication provided to the designated agent of a service provider that includes substantially the following:
[omitted]
(vi)A statement that the information in the notification is accurate, and under penalty of perjury, that the complaining party is authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.
In contrast, a party sending a counter notice - which they might be too intimidated to do in the first place, and otherwise happens before the rightsholder initiates court precedings - must dispute the initial DMCA notice under penalty of perjury [2]:
> (3)Contents of counter notification.—To be effective under this subsection, a counter notification must be a written communication provided to the service provider’s designated agent that includes substantially the following:
[omitted]
> (C)A statement under penalty of perjury that the subscriber has a good faith belief that the material was removed or disabled as a result of mistake or misidentification of the material to be removed or disabled.
The safest response by far for the recipient of the DMCA notice is to resign from contesting it i.e. let the service provider permanently remove the material.
[1] https://en.wikipedia.org/wiki/Lenz_v._Universal_Music_Corp.
Now, if I submit a DMCA notice against a Star Trek review (that has no Star Wars clips), that's an entirely different thing.
I think we should be extremely harsh on the latter.
Again, this is separate from the fair use question. I'm saying if the owner of Star Wars files a DMCA notice against some guy reading Hamlet in an empty room, we should have little patience for that.
It seems like it could only confuse the discussion, and passing readers, and not help in any way.
Here's a sketch: an automated system finds (alleged) copyright infringement, a human watches the content to check if it does in fact contain e.g. Star Wars, a second human finds the matching content in their library, and a third human verifies the work by human 1 and 2 and writes up the DMCA notice.
The current system seems to have zero penalty for submitting false DMCA notices, imposing significant costs on anyone a rights-holder decides to target.
What's your proof that such a system has been realized anywhere on the internet, with a '~100% certainty' rate?
Or is this entirely conjecture?
The copyright/DMCA notice system currently has a lot of Type 1 (false positive) errors, because it costs rights-holders nothing to send a notice. Lots of legitimate and non-infringing videos/content/urls/sites are getting taken down because of absolute bullshit.
I'm suggesting the world would be better if we moved to a system with more Type 2 (false negative) errors; where occasionally an infringing piece of media is left up, but we see fewer false positives.
If literally zero types of information have such a system set up, then there simply is no reason to believe it will actually work in real life.
Unless you have some comprehensive proof or analysis that incorporates all known, real world, factors?
Yes, on real-world data, on a first pass, I doubt you'll get >99% accuracy. But you don't need to; you can do (something like) three passes, that each have ~98% accuracy, and the end result has effectively zero errors (of the type we care about).
Here's a system, in the real world, that does this currently: blood donation screening. We very much don't want HIV (and other pathogens) in the blood supply. So first pass - donors are screened out, based on various risk factors (risky sex, IV drug use, lived in certain areas, whatever). Second pass - antibody testing. Third pass - antigen and nucleic acid testing. If ANY of these register as 'likely to have HIV' the blood is rejected. In my country (Canada) this has meant zero instances of HIV transmission through donated blood. 100$ effective - but we have surely thrown away (or not collected) blood that was perfectly fine. That's the cost. But it works, in the real world, very, very well.
We could absolutely demand a similar level of accuracy for DMCA notices - the cost will be a) additional work for rights-holders and b) some infringement will be missed.
And that even if an actually working system is set up, there's no guarantee it will still be functioning, as designed, past the first few days.
But even getting to the initial stage is already pure speculation, unless you have convincing proof/analysis. Considering that it needs to be accepted, and physically implemented by a real world government, not some hypothetical government of the distant future.
If they wouldn't be penalized, why? If it's because Disney owns the rights to Star Wars, how would that be discovered? Making a complaint when you don't have a good faith belief you own the copyright to it already caries the penalty of perjury. Would the cost of this new penalty be more than that?
If they would get penalized, then how is the existence of fair use not relevant as far as the risk to copyright holders is concerned?
If you're a tiny rights holder, you may have produced a single song and are trying to make sure others pay you for use - but you may not be able to afford or understand what legal review you need.
If you're a major rights holder, you may have so much content to protect that is so wildly popular it is impossible to review manually. But automated review with 100% accuracy is not possible.
DMCA in many cases is not fair, but I don't think we as a global society have much of a shared view of how to handle digital creative content. Ease of digital replication doesn't match how much we generally value creative content.
Maybe companies shouldn't own copyright to a million different IPs then? If you don't care enough about it to manually review it then you shouldn't get to take it down.
Manually review cases where it's actually worthwhile.
To clarify, whether or not you can as an organization turn a profit, is whether or not you get to own a piece of IP? How much profit is an owner of IP allowed to have? How much should an artist get paid? I don't think I could ever limit/define that.
The discussion centers around automated tools to detect infringing content. These tools are not 100% accurate and may cause false positives. I am of the opinion that issuing takedowns on false positives should come with consequences.
If an artist wants to enforce their copyright on every case of infringement, no matter how minor, they're welcome to do so. Where I take issues is issuing takedowns because an automated, unreviewed system flagged the content, and no manual review took place.
Automated review puts the onus on the secondary content creator to prove that their work is not infringing in response to bogus requests. They must take on the cost in time and energy to do so. The cost should be on the copyright holder, and if that means automated reviews are not economical, so be it.
So even a small time rights holder who is losing sales (right? Right? Because that is what this is all about right?) should be happy to pay 100USD or whatever to ensure that they get all those thousands and thousands of lost sales that supposedly they lose from pirates.
To those 10% you were absolutely wrong. Why should they suffer because you were "mostly right" with other people?
As for amount of suffering an actual DMCA counter notice is an extremely easy thing to provide. What sites like e.g. YouTube do instead via backdoor agreements with IP holders outside the regulatory structure is where the real inconvenience comes from. That said, I wouldn't mind a bit more shift in general to make things slightly more difficult for copyright owners though. Just not as major a one as saying 100% of claims need to be valid from the get go or it's not viable for copyright holders.
I believe currently it's a $1000 non-refundable fee to submit a domain claim, e.g. you believe someone else acquired a domain knowing you owned the copyright, and then try to take it from you without having to buy it from you - whether it is or isn't for sale.
$1000 cost + cost of whatever a bad-unethical lawyer charges to try to steal a domain doesn't cover the costs of time spent of the person you're falsely accusing - regardless if they hired a lawyer to get a proper legal defense - making their unrecoverable costs even higher - a claim submitted with no evidence, stuffed with repeated non-sense garbage that should have automatically been denied.
If I wasn't dealing with other shit then I would have filed a complaint against the lawyer in the European country who initiated the wrongful claim-attack-theft attempt.
If we're going to go to filing fees/deposits, how about make the remedy be a fast-track way for the violated person to seek damages, not just play takedown whack-a-mole?
The DMCA is a weapon that mainly large, rich companies use to beat up mainly small, relatively powerless end-users. That's what needs to be corrected.
I'd also argue that a large portion of the US legal system is set up to facilitate this "big&rich beating up on small&poor" behavior, but that's a topic for a different day.
Is using the DMCA to legitimately defend the copyrights of small-fries too much of an edge case?
The counterfactual to making an illicit copy of Thriller might conceivably be that you pay for an official copy. The counterfactual to making an illicit copy of Everybody Needs A Robot is not that you pay for an official copy. It's that you go do something else, which is worse for the artist.
You are guessing wrong.
"I think it's Y with no evidence"
"Woah woah there, how dare you disagree with the groupthink, are you prepared to cite some sources?"
Why does X but not Y get to be presumed true until proven otherwise? Because we really want X to be true okayy.
"I guess X"
"You are guessing wrong"
There should also be consequences for copyright owners choosing to be represented by a large number of such abusers, but that's a lot more complicated and would require more due process.
I’m not saying this is right, just that this is the reason.
Just like if a law requires business to enforce mask-wearing, and then I get kicked out for not wearing a mask, that was not a legal proceeding. They just kicked me out.
Copyright holders are organized, e.g. MPAA/RIAA, and motivated (money moves ya). Content consumers are disorganized and little motivated.
The problem with this idea is that there is no "system" you literally just send an email/letter/whatever claiming that you're the rightsholder.
This may sound extreme (and it kind of is), but companies send bogus legal threats under penalty of perjury and it's time to put the "magic of incentives" at work here. IP protection is not a constitutional right. You abuse it you lose it.
If not implemented carefully, this could incentivize shell games.
I don't think that it does.
If you submit one with authorization, then the authorizing party should put their IP as collateral.
> “To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries.”
https://constitution.congress.gov/browse/article-1/section-8...
That is, the constitution grants Congress the authority to create a legislative IP right. It does not create a constitutional IP right.
You can tell, because Congress could say: “stuff it, no IP rights for anyone. Copyright no longer exists for new works”, and that would be constitutional.
Thus congress could specify that copyright only lasts for 1 month, but they can’t just ignore it or set it to 1 second without the courts getting involved.
For instance, if they think the value of IP to promoting the arts and sciences is reduced significantly by IP claimants committing perjury and abusing other people's freedom of expression, and that the situation needs a remedy.
There's nothing saying it has to be this way, merely that granting rights is a thing that can be done. Y'all can find this section of the constitution I'm sure, and it's dull but short! This is super up to the legislature, otherwise how would they have passed the DMCA in the first place? Of course they could make a law to revoke IP for any kind of thing they decide they need to -- like for national security:
"The Congress shall have Power To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."
If the purpose of filing the notice was griefing I can create firstname.lastname@freeemailprovider.tld email accounts by the dozen and start sending.
Your proposal only helps with lazy automated notices / ones that are sent by companies aggressive and/or incompetent beyond reason.
I'd rather have statutory damages somewhere in 5 digits range for filing obviously ridiculous notice, just like there is one for copyright violations.
I am not unsympathetic to copyright holders but I have no love for this 100 plus year copyright nonsense. There needs to be teeth behind it when a false DMCA is sent because without that places are simply wasting money and draining resources from places they don't like. It's great and all that Google has deep pockets and can afford to review these things but it's still a waste of their time and a waste of their money and since Google doesn't print money out of thin air that comes from their customers.
The way to fix the DMCA is to actually make this a document that must be filed with the courts. Require a lawyer to sign off on these documents file them with the courts and when they are false documents we're due diligence has not been done to ascertain if there was a true copyright violation or not we can start despairing lawyers and having them held in contempt of court. Eventually lawyers will stop doing this nonsense.
But the targeted party must have an easy way to painlessly dismiss a notice.
Maybe future claims by the same claimant result in payments to the "defendant".
The safe harbor provisions for providers hosting user-created content are great, IMO. People forget that is also part of the DMCA.
It does not fulfill its purpose and DMCA is just one symptom of many other issues that stem from the steaming pile of garbage that is copyright in the 21st century.
edit: typo
In my experience, when users say this they're neither genuine nor curious but I'll bite.
https://www.archives.gov/founding-docs/constitution-transcri...
> The Congress shall have Power To...promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;
I believe it is to promote the progress of science and useful arts and I think that the way modern copyright works runs counter to this foundational goal.
By that measure though, it seems the US has had pretty good results. We have a flourishing scientific research and arts community regularly producing amazing things. Certainly at least as good as anywhere else. And the other countries that also do well in these areas have similar copyright systems for similar reasons. I don't know of other countries with substantially different copyright laws/systems that produce similar quantity/quality of science and art.
I'm not saying it's perfect, just that before we so roundly criticize something we should at least have in mind what we are trying to achieve, and some reasonable idea of an alternative that would achieve it.
Do you have some ideas of how the US copyright system has failed at the stated purpose, and how something else might work better?
What does "limited times" mean to you? I think the copyright term has been extended for far too long and 75+ years is not "limited" in any sense of the word. It's essentially a human lifetime- meaning we won't live to see things enter the public domain that were created during our lives. My main issue with modern copyright is the egregious length of time it lasts.