The paper we wrote isn’t on airxiv yet but can be read here: https://github.com/sporkl/superposition-rhythms/blob/main/is...
Two questions:
Would you say you approach this more from the educational side, or from the artistic one?
What about quantum circuits, and more complex gates (Hammond, ...). Do you think about "playing" a simple quantum circuit, hearing how the quantum state changes as it flows through the gates from start to end?
As far as playing a quantum circuit through the end, that’s what our python and max implementations do! Should work with any gate; but because it’s simulation-based, there’s a limit to the number of qubits. We’re also working on a follow-up about sonifying arbitrary hamiltonians.