Dissolves: The out-of-fashion film trick that makes 'The Holdovers' so affecting
nytimes.com
nytimes.com
In addition to varying velocity dynamics there are many other interesting and useful types of dissolves such as alpha blended wipes, luma fades, strobes, holds, black/white dips, flash fades and a variety of temporal effects. How an editor chooses to deploy these tools can either make them feature elements or merely subtle tonal flavors.
In the early days of non-linear video editing tools there was more development put into creative transitions but recently editing tools tend to offer only a few dozen canned transitions. This requires editors to use separate visual effects software to achieve more sophisticated or subtle transitions. This inconvenience is one reason such effects are less common outside high-end productions although another driver is that the insufficient bandwidth often dedicated to streaming compression tends to degrade any type of visually subtle transition into a macro-block mess. This is especially unfortunate now that higher dynamic range, bit depths and frame rates are widely available to visual story tellers.
The recently ‘memeified’ Godfather dissolve[2] between mustache and tree feels a lot like the no-key frame video codec transition in how the portions that move grab my attention first.
[1]https://en.wikipedia.org/wiki/Compression_artifact#Artistic_...
But what I admired more about this film, besides the impeccable acting and flawless script, was the way Payne hinted at a specific trope and then rug-pulled it away, sometimes dramatically.
For me: film of the year.
https://www.nytimes.com/2023/12/06/magazine/the-out-of-fashi...
> overall the slower pace and time with little moments is what made it so good for me - to stop and have time for a slow (but so so good) film like this is what was perfect.
Other intimate movies I can think of top of mind are: Lost in Translation, Past Lives, Columbus, Before Sunrise, Things to Come. I'll stop there since I'm making these recommendations blind not having yet seen The Holdovers. Actually, since the article opens with a Hal Ashby film (The Last Detail), I'll add another: Being There.
Imho
I saw a fade in at 1:08 in the trailer, but I’m not sure if that qualifies as dissolve.