Asking if training a model violates copyright is unintelligible because 100 GB of weights don't resemble any work unless you produce and publish inferences from it.
Asking if training a model violates copyright is unintelligible because 100 GB of weights don't resemble any work unless you produce and publish inferences from it.
I don't think that argument has a lot of weight. By the same logic a zip file of a book doesn't resemble the original work if you look at the raw bytes but you can extract it and get it back. It would be hard to argue that the copyright violation happens only when you extract the zip, and not, say, if you distribute the archive.
To use, and invert the example from the other commenter, you can even get an existing poem out of a generative model that genuinely was not in the training data at all. This is because it's not an archive, which does correspond directly to one particular work, but a generative technology.
Just because the models are not perceptually the same as their training data does not mean that they are not effectively a lossy compression of that data.
You might get replicas of incredibly popular works like Mona Lisa due to overfitting but that's it.
If I am wrong please do provide an example as this is very relevant and interesting (and impossible from an information theory pov).
The approach I've seen is to prompt for people with unusual names, they're often be only a single source image in the input data set that gets reproduced by the AI.
I've seen examples with the AI "generated" images and the source image side by side - I'll try and find them.
EDIT: Link to the paper https://arxiv.org/abs/2301.13188 and this articles has the example images: https://www.theregister.com/2023/02/06/uh_oh_attackers_can_e... Look at the Ann Graham Lotz image and tell me that isn't the source image being reproduced in a lossy manner.
Wow, that changes everything. BRB, I got books to pirate.
I agree, but there are many who don’t, and assert that any training use should be banned. Those people are the ones who the article is talking about: people who suddenly became copyright maximalists due to their desire to halt AI training.
I suspect many people feel in a similar way too (for example, artists whose art is used to train image generators without compensation).
a rack of equipment does not need to sleep, eat, take care of themselves, earn a living and so on while churning through millions of words a minute. An actual thinking and learning person has to choose what to spend their limited time and money and attention on, while reading at a pace of dozens of words a minute. Those are not the same things at all.
Note that in regards to A) I'm pretty sure the AI firms ARE violating copyright today, they have done this knowingly, and they should get a hard slap for that. But they are not violating any particular copyleft licensing provisions to my knowledge
Depends on the jurisdiction. Do note that many countries already passed laws indicating that training is NOT copyright infringement. The EU[1], for example. In which case, no license would matter.
https://www.reedsmith.com/en/perspectives/ai-in-entertainmen...
[1] Yes, in the EU, you can opt-out (but only for commercial purposes). In other countries such as Singapore however, there are no legal mechanisms for opting out.
Just to be a counter-voice, I don't. My code is AGPL too, but since the number of copy"righted" things outnumber the number of AGPL things, I'd rather anybody have the ability to train their own AI on all material. Conversely, if it was considered a derivative, only large corporations like Adobe or Microsoft would be able to train on it (e.g. they can just give themselves a license to do so via the ToS).
In other words, it's probably a bad idea to strengthen copyright law for the purpose of enforcing copyleft, due to possibilities of it backfiring on us.
If I train a model on a famous poem or something, and it turns out if you ask the model to quote the poem verbatim, it can, then the model contains the poem. Have I not "copied" the poem into the model?
When you train a model, you use 1T...20T tokens, with deduplication to reduce direct memorization. Then the model is a superposition of gradients from trillions of tokens, no longer just a copy of a poem, it could also write a commentary about it or compose new ones.
GPT4 summarizes this in a haiku:
"Superposition bright,
Gradients blend in the night,
New poems take flight."
This has never added any value to a comment. Stop doing it.
Doesn’t superposition have five syllables?
It cares about legal technicalities.
The law doesn't care, for instance, that the MP3 file of Beyoncé's latest hit is not the same bits in the same order as the original master file created when she recorded it. That holds true no matter how many times you re-encode it into different formats.
As things stand, there has been no definitive ruling on the matter of ML model training and copyright; I don't know how that will end up shaking out, and honestly, I'm not yet sure how I think things should shake out in any detail. I think that people whose works are being used to fuel massive profit-generating engines for the very wealthy should have some right to give or revoke consent, but I'm not at all sure offhand if there's a realistic way to do that without serious unintended consequences.
But I am sure that arguing that the precise technical nature of how the transformations are performed means that nothing is actually being "copied" should not, and is unlikely to, hold much legal water.
> US Copyright Statute of 1976 does not explicitly mention fictional characters as subject matter of copyright, and their copyrightability is a product of common law. Historically, the Courts granted copyright protection to characters as parts of larger protected work and not as independent creations. They were regarded as ‘components in a copyrighted works’ and eligible for protection as thus.[5]
But in practice, if you write a fanfiction story which uses Mickey Mouse as a character and get sued by Disney for copyright infringement, you will not win in court regardless of how different your fanfiction story is from any Disney story unless you can afford as many lawyers of comparable quality as Disney can. And even then, who knows?
[1] https://en.wikipedia.org/wiki/Copyright_protection_for_ficti...
> So defiant, in fact, that MRT had actually registered for copyright protection on the songs it was selling. "To make matters worse," says EMI's complaint, "Defendants recently sought to register their infringing sound recordings with the Copyright Office, apparently claiming that because they copied the sound recordings using their own computer system, they now own these digital copies and have the right to distribute them to the public."
https://twitter.com/kortizart/status/1588915427018559490/pho...