For example, a bunch of TV series were written off last year, which means that content has been taken down both from streaming and purchasing. It is effectively completely inaccessible outside of piracy.
For example, a bunch of TV series were written off last year, which means that content has been taken down both from streaming and purchasing. It is effectively completely inaccessible outside of piracy.
If they earn $100 and then spend $100, they have to write it off, because they no longer have the money, so they can't pay taxes on it.
If those materials have worth, then they shouldn't be writing them off in the first place while also sitting on them. If they don't have worth, it shouldn't be a problem. Except in some zero-sum type thing where they'd rather destroy it then let anyone else benefit, and then there's a question of if society at large should be footing the bill for the destruction of value in order to stymie competitors.
Now, clearly, that's not how the rules actually currently work or we wouldn't be in here at all.
These weren't expenses (which reduce net income in the period when incurred) but investments in a new movie (which create assets which sit on the balance sheet).
The decision to write off the asset in the current year (rather than amortizing it over time) is the result of a business decision.
First of all, a lot of these creative works are ultimately unfinished. Are you really supposed to release the superhero movie without half the CGI, with some of the scenes in front of green screens? Without a soundtrack? What's the point?
And secondly, even when they are finished, what about when they're just bad? If something simply doesn't work creatively, despite everyone's best efforts, why force them to expose their failure to the world? There are well-known cases where directors and screenwriters have demanded that their names be taken off a finished movie because they don't want to be associated with the final product, because they think it's just bad.
The idea that bad work is forced to be released, if you want to count the effort on them as business expenses, seems like it would be a net negative for artists. Isn't part of artistic control deciding what you do and don't want the world to see?
In this scenario, companies are permanently shelving work that has value. Infinity Train for example was made a tax write-off, which means the creator can never continue it and people can never watch it. The negatives of some bad work being released is not outweighed by the amount of good work that has been destroyed by the current system.
If you want to argue about artistic control, then you need to come up with a solution to the above. The status quo is unacceptable, so let's see what you got.
Please don't be snarky or have attitude like that.
Anyways, if you'd like to know, the specific Infinity Train example (as well as Westworld etc.) have to do with a very specific write-off opportunity that occurs in a limited time frame when a corporate merger occurs -- in this case, HBO with Discovery. I'm not familiar with the specifics, but if you want to fix something, I'd suggest looking at this particular merger tax write-off loophole (?).
It would seem to be a result/problem of that very specific accounting move in merger situations only. It's not a problem with write-offs in general.
And the Infinity Train example has nothing to do with a specific loophole, it is how tax write-offs work. It was done because the merger saddled Warner Bros with debt which it sought to rectify by reducing its tax burden as much as possible through devaluation of assets. The only 'loophole' is that companies have to pay taxes on assets gained during a merger. So to avoid this companies write off their assets to say their value is $0, reducing their total tax burden. But the core problem is still the fact that they can say that their asset is worth $0 and shelve it forever.