Also, when artists finally get compensated for training, expect Spotify-style cents. Artists won't be able to stop this, they are just not strong enough as a group, for better or worse.
Digital arts has been a magnifier for the largest companies, and the literal death of thousands of stable, small business, in fifty years.
Also AI is still atrocious to come up with any new concept that wasn't meticulously trained. To me this is still just an algorithm as intelligence would suggest something different. But nonetheless an impressive and mighty tool.
Some artists may well benefit from being able to produce more work more quickly and be able to capitalise on their ability to use GenAI effectively, but I expect that many won't; they are likely to see their incomes decline, or lose their livelihoods altogether.
That isn't an argument for stigmatising or banning GenAI, but we do need to recognise that it's a real problem for the people affected.
When non-artists stop using it to compete with them?
These days we’d probably have the office intern tinker with some prompt writing for most of those.
Those people have just lost their living
You are just reinforcing the fact that AI is competition.
That will progress a funeral at a time until the stigma is gone and you have critical masses of people really pushing the art of the possible. Lots of the SAF-AGRA protest is based on this reasoning.
Here are the demands from the WGA:
https://www.wga.org/uploadedfiles/members/member_info/contra...
Their proposals were:
>Regulate use of artificial intelligence on MBA-covered projects: AI can’t write or rewrite literary material; can’t be used as source material; and MBA-covered material can’t be used to train AI
I agree some aspects are about writers protecting themselves from being replaced by AI, but the outright ban on use of them (ie. "can’t write or rewrite literary material") and prohibiting them from being trained seems consistent with the parent's claim of "There is a large group of people who don’t willingly uses new tools when those tools enable all comers to make better, “competing” work product"
If that AI is being trained to emulate their work , using their work to do so, without asking their permission to use their work.. then it's not unreasonable for them see it as a competitor.
They don't have the same army of lawyers film studios have though, so it looks like SA etc got away with the heist.
And (questions of efficacy aside) they're perfectly within their rights to add hidden data to their images to stop it being scraped and used to train a a competitor.
Personally, I find today's music utter shit. Must be an age thing.
But it is such a tired trope to say all new music is shit. Especially when Spotify, Soundcloud, and other services have made it far easier for new artist to get their work out there and to discover them. You also now have access to the entire world of music, and not just music in your own language or from a similar region.
You will also be more pleasant to be around when people think of you as someone with a preference but is open to hearing new things.
Well you also don't remember all the bad songs just the good ones.
The songs popular when I was a child and a teenager:
"Baby Got Back"
"Kim"
"The Bad Touch"
Or back to the 20s and 30s, Lucille Bogan's "Shave 'Em Dry" or any number of options from the dirty blues.
If you remember the maniacal focus on thinness in the 2000s, this was actually an important and supportive song.
(Also, he's a hobbyist electrical engineer now.)
I have yet to hear an official AI rock band play guitar in quill to the skill that was produced.
Manufactured vs Independent
There is still Christian rock in the US, and sometimes people just don't notice they're listening to it.