You Don't Really Own the Digital Movies You Buy (2021)
nytimes.com
nytimes.com
I spend a lot of money on media. I go to the movies regularly, I "purchase" movies on digital services, I buy physical media when I can. I think it's important to try to support the things you enjoy in the ways they want you to support them. I also do not believe there's a morally conscionable way to engage with media completely within the law. These villains are happy to make it legally impossible to view a series if it gives them a financial boost. It's just another way in which our legal system clearly departs from the lived experience of "what makes sense.
I understand and respect people who have a more anti-copyright take on our media ecosystem. I get where they are coming from and I support them. I also think it's really important to keep in focus what an unreasonable and imbalanced and a-historical arrangement media companies are insisting on. It's perfectly possible to create a legal system of digital ownership that is in line with physical ownership. There are no boundaries - it could even involve drm! But they absolutely refuse to create one.
I bought a movie once and the seller stole it back. So I stole another copy. Still got it. Checkmate fuckers.
Really been loving whipper for CD encoding https://github.com/whipper-team/whipper
Also, you probably mean CD decoding, not encoding.
I mean encoding in the sense that it takes PCM data and uses a compression algorithm (flac) to make losslessly encoded/compressed files capturing a perfect copy of what was on the disk. So sure, there's a decoding from CD grooves step and then an encoding to flac step technically.
I like your system and am thinking of setting up something similar. But, correct me if I'm wrong, I thought ripping was always illegal. Or is ripping for personal use without intent to distribute ok?
I also love blu-ray and DVD. I just bought “Mank” on Blu-ray despite being easily seen on Netflix.
Obviously I’m an outlier. Yet my 26 year-old daughter has become enamored with cassette tapes and CD’s when the used car she bought had a head unit capable of playing both.
So it’s not just me being old and nostalgic. Beyond the familiar arguments about the art and extras that come with physical media - I do have a problem paying monthly for access to music or movies. Or having digital purchases disappear when formats become obsolete. I still pay for these services, but I like the idea that I can stop paying and I lose nothing I love.
I’ll probably buy a copy of Wes Anderson’s Netflix short “The Wonderful Story of Henry Sugar”. It’s utterly delightful and will look spectacular on my 12 foot projection screen - much better than the Netflix compression allows.
I’m familiar with all the streaming and digital purchase arguments. But I’m curious if my daughter and her friends are a precursor to a fatigue with the ephemeral nature of digital purchases.
Thankfully, that was right around the time CDs became popular, so I replaced them all with CD's
And then my car was broken into again and they were stolen too.
It's depressing and disgraceful that everyone has incredible fidelity available, but the publishers have rendered it moot by destroying the music itself at the source. Rolling dynamic compression back was a nearly hopeless idea once the "loudness war" took off, but as time goes on it's even worse because young people will never have heard good-sounding music and don't even know how shitty it sounds today... unless they are accidentally exposed to it like this. And even then, they're not going to identify the issue and call for change.
The problem isn't data compression. An MP3 of a 45 RPM record from the '80s will sound better than the Apple Lossless copy of the "remastered" version from 2017.
The straight market is frankly for stockholmized suckers.
A vinyl source might be less compressed, though.
Maybe, but I strongly suspect that her preference is a great example of LISTENER fatigue caused by the dynamic compression that has destroyed all post-'90s releases.
I wish Apple and Spotify would somehow put the boot down and reject ruined masters, the way Netflix dictates technical quality for new material. That's really the only hope of fighting the "loudness war" that has ruined music for your daughter's entire life now.
Your daughter, and a vast numbers of her peers who are so into '80s music, should be a wakeup call on this issue. But unfortunately there are very few people who even understand what it is... even artists who decry the shitty quality of today's recordings often blame data compression and want to increase sampling rates or bit depth. NO. The problem is dynamic compression. Period.
WHAT? As if anyone on the planet would go over to the changer, eject this allegedly offending CD, look at the label, and then declare, "Welp, I'm never buying another album put out on Arista records!"
The utter stupidity of it is mind-boggling.
And add to that the fact that, if people wanted compression so much, it could be done by THE PLAYER. In fact, this used to be done. My 1996 Mustang's CD player has a "Compress" button on it, to make listening to highly dynamic music more feasible in a noisy car environment.
I believe _this_ is where the issue mostly originated (well, radio, really). Radio is already massively compressed, and many people were either listening to things in the car, on some tiny little radio in the kitchen, or with awful cheap headphones with their walkman's built-in radio.
All of these weren't great environments to start with, and the dynamic range of radio was tiny given the overall bandwidth available to most FM stations.
So, companies compress, people get used to it, and thus the horror continues.
But of course it wasn't, and before long I realized that I liked the sound of the records better.
https://www.nytimes.com/2009/07/18/technology/companies/18am...
Maybe to you. Some people don't own digital media players anymore. There are many titles that have to be rented or bought digitally and are not available on streaming services.
Case and point: https://www.justwatch.com/us/movie/national-lampoons-christm...
Maybe you and I live in alternate universes, idk.
Little things take up so much space for something that I at most want to watch again every three years.
Mainly because when I want to watch a specific movie it's not on the one streaming service that I pay for.
- kids destroy them
- I watch things once
Maybe there's a market for an exchange/swap service that also offers resurfacing? Shipping would have to be dirt cheap and hassle free.
But it sounds like owning physical media isn't practical for you anyway if you just watch something once. That alone is sufficient reason, you don't need to blame the kids.
I agree with your premise but it feels like something is lost here.
Gifting only the USB drive makes more sense for a nice movie collection like in the linked Twitter thread
I also have a Roku and a large USB thumb drive, so if I have time, I rip a movie onto the thumbdrive, thus, creating our own little on-demand service.
You own the media (the physical DVD or BluRay disc), not the movie.
More or less the same thing applies to books and video games too.
* With some exceptions ofcourse, e.g. when the content is in the public domain or has a copyleft license.
Terms can specify what they want, but enforcement is another thing. I am pretty sure, you can resell movie DVDs in any country.