Probably a bit of a double-edged sword because frankly Hayao does not seem to care for Goro all that much.
Goro even stated that he only got to know his father through his films since Hayao was never around.
Goro was raised by his mother, who quit pursuing her dream of working as an animator in order to raise him.
Adapting books to film is really, really hard, as is animating, and directing, etc.
Le Guin was critical of the movie, for valid reasons, but I don't think she hated it. Which, being fair, is an accomplishment.
in what way is it any of our business?
in what way what a father does or doesn't leave to his son can be used to determine how much he loves or doesn't love him?
Goro is a 56 years old man, he's beyond middle age, he lived more than half of his life already, why are you treating him like a small defenseless child?
If I created something and I wanted that thing to die with me, the love for my children wouldn't in any way stop me.
Legacy and honor are much more important than nepotism for some.
Also, he's saving Goro from being "the son of Miyazaki that was never good as the father" forever.
He's Goro. He's a different person. He made his own choices regardless of who the father is and owes him nothing.
That's a gift if you ask me.
Anecdotes of 1 are meaningless other than fun stories to share.
I've never been a Jiro fan though, there are many sushi makers in japan that can be considered artists in their craft, but their cultural impact is mehh at best.
Studio Ghibli, both Miyazaki and Takahata, on the other hand...
What I meant is that sushi is still something that we consider a Japanese thing, we know that masters of sushi are Japanese, Jiro being famous only reinforced that notion.
On the other hand Studio Ghibli forced the western industry of animation to recognize their greateness, we awarded them prizes, and now in the west we make products that look and feel like anime and manga. We do not think of Japanese animation of "something for kids", we treat them like Disney.
Comic conventions are full of cosplayers dressed as manga/anime heroes.
Youngsters make meme based on manga, American studios make live actions and animation shows of anime and manga.
It's been a complete game changer, either we like it or not.
or maybe he thinks that Ghibli should not survive him, which is in his full rights.
Goro can open his own studio if he wants to.
What's wrong in being honest?
Goro works are clearly inferior to his father's works on many levels.
He's no amateur, that's for sure, but he's no master either.
Among the best Japanese animation artists, he's probably average.
He's no Takahata, Oshii, Otomo, Anno, Watanabe, Hosoda by a long shot.
Hayao worst rated works on Rotten Tomatoes are "The cat returns" and "The wind rises" and I completely agree on that, with a rating of 88%.
Goro worst is "Earwig and the Witch" that I have not watched with a 28%, "Tales From Earthsea" that I've seen and did not like much with 38% and the best is "From Up on Poppy Hill" with 87%, which was good, but not "Spirited Away", "Princess Mononoke" or "Nausicaä of the Valley of the Wind" good.
And Nausicaa itself is not as good as a movie as the manga, that is an order of magnitude better!
Have you ever read or heard about the 3 Wolfgang Amadeus Mozart children that survived?
No?
You are not the only one.
I see him as a concerned father.
"Don't put yourself in the position of being judged in the very competitive field of Japanese animation, because your works are not as great as you think they are"
It's like being the son of Michelangelo.
Of course everyone of us tells kids that their terrible drawings are sooooo goooood, but they are terrible.
Now, Goro was already 40 years old when his first movie came out.
That's a gross misrepresentation of what happened.
He was asked and he answered honestly.
End of story.
Who cares? Goro works are generally not good if compared with the works of his father, like a 5 years old drawings compared to their parents' drawings.
But this is not the school's play that every parent hates but attends because their children (they assume) care so much about it (I, for example, hated it and never wanted my parents to come and see me fail at something I was never good at and never liked), if you don't like the movie of some director, you can walk away and say "I did not like the movie", nobody dies, nobody should cry.
I sincerely wish more fathers did that, so we would be spared so many bad movies!
There's nothing wrong in being not equally skilled as your parents at something, but for the love of God, why are people so upset about what Miyazaki had to say about the works of his son and (BTW) be completely right about them?
Is it some form of projection with their own father?