I would never repaint van Gogh, because I'd rather paint my own things. On the other hand, if I were to want a Thomas Kincade painting (for some ghastly reason), I'd definitely buy the cheapest reproduction I could find, because the original painting just wasn't that valuable to begin with.
If I were a painter, I would paint me the hell out of some van Gogh. In every skill I've practiced seeing what the masters do, reproducing it (especially figuring out _why_ they did it that way) has been a very useful learning technique.
More to the point of your post, and this story: Would I sell my van Gogh copies? Probably not. Not because I think there's something terribly wrong about it. Mostly because they'd still be inferior to the original.
I would certainly give them away to friends who wanted to hang it in their den or library, though.
Unfortunately, you picked a bad example: a painting is a finite resource -- there is only one physical painting painted by the original artist. A painting cannot be "copied" with the same veracity as software can be (bitwise, which in the case of software becomes piracy) and any attempt to pass a "copy" of a painting as an original is forgery.
Classifying any work (art/software) as a rip-off requires defining the very fine line between fair-use and unfair forgery. When it comes to artistic endeavors (as in "design"), you'll have more luck defining the position and velocity of an electron around a nucleus than delineating that fair/unfair boundary.