Spotify looked to ban white noise podcasts to become more profitable
bloomberg.com
bloomberg.com
They couldn't even have gotten to the point of confusing white noise and leaves rustling with podcasts and other "content" to make a buck off, if it wasn't for that first step. And that view of users as a resource, as people who need to be told what they want, permeates so much of tech... like a giant elephant shitting all over an otherwise quite elegantly made couch.
I was ranting, immaturely, to my ML educated friend recently about how terrible modern discovery algorithms are ("if ML is so powerful why does Spotify exclusively serve up the steamiest of dog sh$t?") when he explained this to me.
His response was "they aren't optimizing their discovery algorithms for your enjoyment, they optimize them for profit."
Still in 2016, I could start with a song in genre X and then let Spotify autoplay for hours staying in genre X. I discovered some new bands I liked. Then circa 2017 or 2018 something changed. After a couple of songs, Spotify would switch to genre Y, and break my flow.
I stopped paying for Spotify, and switched to Youtube, then Youtube Music. Youtube Music still does the good old thing, plays random songs staying within the genre I started with.
Maybe Spotify is optimizing for profit, but my money they lost.
So in practice it is not very user friendly since you can't pause it.
Perhaps only until they get the market position they desire...
Apple pays the same rate to everyone and for all music, and for what it's worth it is well known that Apple pays much more than Spotify does to artists.
It is incredibly difficult to guess what related music people will like, and some people will like the selections, others won't. Apple recently added a "Discovery" station that tries to guess music you might like but don't listen to and I am a big fan of it, while many others absolutely hate it. Eh.
Has popular sentiment turned against Spotify’s algorithms? I thought their recommendation system was their most-respected feature – in my own experience at least, Discover Weekly continues to be Spotify’s moat.
What drives me absolutely bonkers is the number of foreign language songs in Spotify's recommendation engine for me. No matter how many times I say "never play this song again" to every foreign language song, give it about 5-10 more songs and it'll play another one.
I've never knowingly listened to a foreign language song
https://news.ycombinator.com/item?id=37159338
Reception wasn't great to say the least.
[0] https://www.theverge.com/2014/5/7/5690590/spotify-removes-si...
all under the disguise of 'objective and smart algorithm analysing data' even though it seems that they will always use data to fit their own need, it feels like a digital feudal system
it surely does.
and quite an interesting take on the declaration of independence of cyberspace.
This is a weird reference! Do you, mayhap, have large, boisterous, disliked relatives?
No tracking and no ads, ever.
Uses WebAudio API. Based on the code from https://noisehack.com/generate-noise-web-audio-api/, but for some reason, the code wasn't working as-is in today's browsers. So tweaked things for a couple minutes.
I don't know if it works offline though, and probably not when your phone is locked. They also published recordings on spotify though; some are an hour long, others you can probably download them and loop them though. https://open.spotify.com/artist/1gRJBUyCeihBrgcCtDdEfv?si=yL...
If you’re using iOS, there’s a built-in system for Background Sounds[0] that has quite a few options, and is built into the OS, which means it definitely still works while your phone is locked, or even otherwise engaged. It even gets out of the way for other audio and comes back very gradually.
A real hidden gem.
It’s in the iPhone control center under the ear icon (which you may have to enable). The feature is called ‘background sounds’.
An app, though, not a website.
My baby will love this
Not sure what you mean by this. Which system?
EDIT:
This is not a 100% joke question. I'd expect both versions to sound the same, but at the same time, there's a threshold on the RNG spectrum between "getRandomNumber() { return 4; }" and some truly random quantum source, where if you feed the RNG to audio output, people will be able to distinguish between "bad RNGs" (left of threshold), and "good RNGs" (right of threshold). I wonder where that threshold falls.
I just sample from my own brain if I want truly random noise.
Ba-dum-tisss...
YouTube has a similar issue. Viewers who watched "60 minutes of white noise" also enjoyed "8 hr tv noise loop". Yeah... thanks for the rec.
Also, the soothing crackle makes transmissions from my home planet more distinctive, so I never miss any of the crucial orders relating to my mission:
I feel ya. I usually fall asleep at night to some kind of "10 hour loop of blizzard and crackling fire noises" playing on Youtube... and now my YT recommendations are full of "10 hours of crackling fire", "10 hours of thunderstorm noises", etc. suggestions. Sadly YT is incapable of understanding that I only listen to that stuff when I'm trying to fall asleep and I have zero need of those videos any other time. groan
I mean, sure, I can go in and hand edit my watch history to remove that stuff (and I do occasionally) but doing that constantly is a huge PITA. I wish they could figure out a way to fix this.
I'm an ancient relic from the nether times who still manages his own locally stored audio files and playlists, so I simply can't relate to this beyond that if you play lazy games you will win lazy prizes.
Nothing wrong with being lazy, of course. But if you want the power to have a satisfactory playlist you kind of need to own up to the responsibility for one.
There are tens of millions of songs released every week. It's literally impossible to find new music you like without recommendations.
In the past, people would get recommendations from people they know. Now we have the help of algorithms. They're not perfect, but most people will find hundreds of songs from random artists they never would have listened to and their friends/family probably have never heard of.
There's no manual way to do that without spending an enormous amount of time on it (which I say as someone who did that in the 90s/00s).
Then when I pop up awake at 3am cause of noises youtube's sent me to WW2/Hitler/Nazi videos. It never, ever fails. Sometimes I get sent to this one physics teachers video who I've never once clicked on, watched, or selected myself, but he has an INSANE amount of views like tens of millions. Like, youtube purposely sends videos to him. I forget who it is but it's a dude with long grey/white hair and a beard talking about physics I think from MIT but I dont remember it's been awhile.
Why can't you keep me watching stuff related to what I'm watching?? How do I get from the Teutonic Knights to Hitler?? It's ALWAYS Hitler.
Now i have to make sure I watch a channels playlists because I wind up in Hitler territory every other video if I don't.
Godwin's law
In a more serious note YouTube has a similar problem, "Oh I looked recommendations for a drawing tablet to buy my friend", now till to the ends of time I get recommendations for drawing tablets, and if I had used the "Incognito mode" they show me ads despite me being a premium user, I want it incognito but not THAT much of incognito you geniuses at Google.
With white noise it is so easy to generate for free that likely 1000s of people are generating hordes of static content and uploading it to try to get a payout.
And it’s probably not that easy to identify every track that is intended to be listened to as ambient noise. Ambient noise itself is a music genre.
> Some podcasters are making as much as $18,000 a month through ads placed in these episodes
> shifting users away from white noise programming could net the company an additional $38 million in profit
I wonder what does Spotify think those people could listen to while sleeping, heavy metal? /s
A problem could be that ads in those stream are wasted unless we discover that sleeping people can be influenced as awake ones. Is the sum of those wasted ads that's equal to $38 M?
For example, if Spotify replaces the podcaster who makes $18k month in royalties with Spotify's own white noise podcast, then the immediate effect is that $18k/month doesn't leave Spotify's pockets.
how can you have copyright on white noise???
"But old clothes are beastly," continued the untiring whisper. "We always throw away old clothes. Ending is better than mending, ending is better than mending, ending is better …'
Thanks, I didn't understand what the problem was before, and was thinking "if the white noises still has ads, who cares?"
Anyway, Pandora has essentially "solved" this problem with the "are you still listening?" button that pops ups, so IDK why they don't just do that.
Honestly, there are days when I go to sleep with metal blasting from the ear buds. That can be calming depending on how the day went.
Head to your iPhone’s Settings.
Next, tap Accessibility.
On the Accessibility page, find Audio/Visual and select it.
From there, search for “Background Sounds” and toggle it on.
Wild. Why is it under accessibility?"Here’s how to play white noise on your iPhone, step-by-step:
Head to your iPhone’s Settings. Next, tap Accessibility. On the Accessibility page, find Audio/Visual and select it. From there, search for “Background Sounds” and toggle it on."
I think the real reason is Spotify pays you per "song played" not per minute played. If I listen to Dopesmoker by Sleep, which is an hour long, then I listen to a 60 second white noise clip, both artists get paid an equal amount.
Spotify is also probably more feature-filled than the average crap app thrown on the appstore for quick money as a whitenoise maker. For example the ability to download or send to speakers (like Sonos, Alexa, for example). Plus Spotify has greater selection of noises (yes there are MANY different types of white noise). Plus you can easily switch to your other podcasts and songs when you want.
I for one am an avid whitenoise listener on spotify throughout the day. I will listen to one type of whitenoise in the morning, then listen to a podcast episode, switch to a different type of white noise for a while, then some ambient noises, maybe some actual music around lunchtime, some more soft whitenoise after lunch to focus, another podcast at the end of the day. Doing it all in Spotify has value. Could I switch apps if I had to...? Sure. But a fully-featured music app is a natural place for long tracks of audio, so it makes sense to have it all together.
There are thousands of free apps that do exactly that.
Streaming white noise from Spotify or iTunes seems, to me, incredibly crazy.
If you have 10 6 minute songs, someone can only listen to 10 songs in an hour. If you have 20 3 minute songs, someone can listen to double the number of songs in an hour. If you're creating an album of white noise and trying to make the most money from Spotify, you don't want to create a long "song".
Thats why a lot of movies have crept down to 80-90 mins. It allows theaters to fit a whole extra showing into the day, which means more box office revenue. Only the big hits are generally allowed by the studios to be longer (like a Christopher Nolan or James Cameron movie for example).
Because the same thing is true for movies. A theater ticket is going to be $10 regardless of whether the movie is 75 mins or 180 mins. Might as well squeeze more showings out.
I noticed it too recently, but it's not always this way. A few years ago I could find white noise songs with hours of duration.
Definitely not, I have plenty of real songs in my Spotify library that are an hour long or longer. My guess is that it has more to do with how Spotify calculates artist payouts and that white noise "creators" found that they could get 20x the number of views if they split all of their tracks up into 3 minute chunks.
If you find a shorter one just put the track on repeat and up the cross-fade to like 3s.
play -n synth 60:00 whitenoise
play -n synth 60:00 pinknoise
play -n synth 60:00 brownnoise
Or make your own wav files: sox -n whitenoise.wav synth 60:00 whitenoise
# Also works with pinknoise/brownnoise
I wouldn't use lossy compression to compress these. There's no redundant data in noise so lossy compression will just make it less noise-y. I can only imagine that noise on streaming services sounds weird.Speaking from experience of trying anything to try get babies to sleep!
This is a nice synthetic ocean sound, with "waves":
play -n synth brownnoise synth 0 0 0 10 10 40 trapezium amod 0.1 30
Or with a little more high end, it sounds like gusts of wind: play -n synth brownnoise synth pinknoise mix synth 0 0 0 10 10 40 trapezium amod 0.1 30 File Size: 10
Encoding: n/a
Channels: 1 @ 32-bit
Samplerate: 48000Hz
Replaygain: off
Duration: unknown
In:0.00% 00:00:00.00 [00:00:00.00] Out:0 [ | ] Clip:0Could you please share any other examples of commands?
You stumped me there. Then I got it.
In fact it's actually built into the iPad.
*Obviously it takes time to develop but it would take one smart guy a day so if your team struggles it's on you.
Of course, repeating this one-time creative feat is just boring and annoying and for Spotify it is just a slippery slope. If they forbid silence, people will upload white noise, if they forbid white noise people will just resort to some low effort AI generated sound. None of which is desirable for anyone.
And who in heck would listen to white noise with ads? Wouldn't the ads completely destroy the intended effect of the noise?
This is a phenomenon I really don't understand.
I don't have an answer, but I'm fine with not understanding. Let people have things for their own reasons.
I do that too, like a radio, but I recognise that music is far more "contentful" (for lack of a better word) than white noise variants, the latter of which can easily be generated locally on-demand for as long as you want.
This way of thinking creates things such as Electron.
1) UX is better through a streaming client. It'll be named cleanly, it'll have a nice thumbnail. Whereas a downloaded file would be named white_noise_128bit_v3.mp3 and would be in a Downloads folder with 10,000 screenshots and memes, and every time you try to open it you have to find it.
2) All-in integration with everything in one client: Here's my white noise in my history next to my favourite banger, next to my last podcast. Tonight, as I go to bed I decide I want to listen to....one of those. They're all there in one place.
3) Discoverability UX. Go to Streamer app. Search White Noise. Press Play. Done.
vs.
Go to Browser. Search White Noise. Scroll through pages of results of links about white noise, articles, listicles. Search again for White Noise Mp3 Download. Click top result. Get inundated with ads and links that LOOK like they should be a download, but actually take you to an ad network. Finally find the download link. It opens in an in- browser player instead of a download. Give up.
It's honestly to the point that most of our parents or grandparents can't even get there.
4) Oh also repeat the same but for audio players. Are there good local audio players? That aren't inundated with ads? And each with worse playback UX than Spotify/etc? Most phones now come pre-loaded with Spotify or YoutubeMusic or AppleMusic. Good luck figuring out what is a good local audio player.
[0] https://www.foobar2000.org/download
Tap on white noise app, press play.
You don't have to worry about having downloading the track so it's available when you hop on a plane, or having internet, or using mobile data.
Plus, most white apps have an equalizer to tailor the spectrum and several noise generators. You might like brown noise more in certain situations.
That's the thing, you can't, not easily. On mobile—especially iOS—it's frustratingly difficult to transfer and use normal files without an associated app.
On Android, I use a YT client app to download a 320kbps M4A of the white noise file, and then play it on anything I want...music app, podcast app, audiobook app...they all work, just like they would on a computer
I mean can't people just sync music to their iphone like they were doing with ipods in the past?
Most likely because they already use spotify. They are familiar with the interface and is their go to spot when they want to listen to something. So when they want to listen to white noise they use what they already know.
But, additionally: Spotify has a client cache, so it's not always streaming - though it may be intended for a couple of albums or play lists regularly accessed, not hours of podcast content.
It's status signaling.
Anybody can send pseudorandom numbers to their audio device, but some people are rich enough to do it on a thousand dollar device, using a paid subscription to download megabytes of pseudorandom data over mobile data, storing it on expensive flash to achieve the same result.
Don't judge it through a rational lens. It's primitive status signaling.
The younger generation grew up with Spotify having everything available for a subscription. We grew up with OG Napster, which really did have everything.
On YouTube one of my most-watched videos in terms of watchtime for a while was brown noise overlaid on a recording of ocean waves. The video was three hours long I think and monetized. YouTube probably doesn't care if that share of my YouTube Premium subscription money goes to the guy who uploaded that video, a professionally recorded studio production or some person doing vlogs in their bedroom. Why should Spotify?
No idea if it would be a smart business decision by the labels, but they could definitely do it and Spotify would only be left with independent artists and labels who don't join the bandwagon.
YouTube has no risk of this. There's no entity, or coalition of entities, capable of pulling content from YouTube that would create a noticeable dip in traffic.
They can't. Unlike movies, there's great value in back catalogs. If Die Hard isn't available on a movie streaming service you will likely not care. If Pink Floyd (or Beatles, or Aretha Franklin) isn't available on a music streaming service, a huge number of people will care.
There are ~4 big companies that control 70-80% (by different estimations) of music. But individually they own different chunks. Sony can't start a streaming service if they don't have music owned by Warner etc.
Why not? You've already made millions in profit on Ed Sheeran's content. Once you've broke even on the cost of making the content delivering more of it costs exactly the same. Regardless if its music or sounds of rain falling on a roof.
If any particular white noise album went away it would have no impact on revenue, people would just listen to a different one.
Not sure about that.
The main value proposition of Spotify is that is a audio marketplace that consolidates legacy music catalog via big labels (EMI, Roadrunner, Universal, etc) plus the Podcast platform sindication and in a certain stance discoverability.
Everything keeping the friction in a minimum level.
Of course Ed Sheeran is a big name, but I think it’s debatable that, let’s say the top 1% of his fan base in the Spotify user base would trade the huge amount of friction due to his catalog removal.
It feels very wholesome about playing a simple file, rather than streaming it. This is apart from the considerable simplicity and robustness of the solution. You can be on airplane mode and it will work. You can use VLC player features to speed up, slow down, or loop it. You can build up a play list rather than using search all the time. My phone sips power compared to streaming music. It also doesn't use your network bandwidth, which is nice.
Note: you could also build your own noise tracks on your phone with a mobile DAW. I like https://www.image-line.com/fl-studio-mobile/ - it's $15 but quite powerful.
Also kdeconnect works great as well to transfer files from computer to phone and vice-versa.
White noise is too broad - and largely unnecessary - the higher frequencies are more likely to damage your hearing over time (particularly at any elevated loudness, ie if you're trying to drown out some loud noise to sleep). Brown noise will do a far superior job at blocking out snoring, thuds, etc.
I don't know how people sleep with white noise, the highs are too screeching.
The primary benefit to me of using Spotify for this is that I'm already set up to control music on my sound system from my phone.
Surely that would bring down their bandwidth costs at the very least.
There are tons of popular paid apps that do this kind of thing already, there's an obvious market for it.
But I haven't found Spotify to be very smart recently, so they'll probably just keep complaining about it, or do something stupid like update their ToS to disallow this kind of thing.
I think every new artist account has a limit of 3000 daily streams per track before they get flagged for botting. The solution is to upload loads of shorts tracks to every artist account, since Spotify only takes streaming numbers into account, and not playtime.
This also has hidden costs for Spotify, such as the unnecessary bandwidth and storage required for all this audio no human even listens to.
Spotify isn't geared to handle people streaming 8+ hours of ASMR audio per day.
Their model doesn't support having to pay artists for audio tracks people put on random shuffle while they sleep / game / study / work.
"White noise" here I think just means tracks without talking.
So mic scratching, inaudible whispers, tapping on random items, mouth sounds... all the stuff ASMR folks do.
These folks figured out how to get Spotify to pay, with a bunch of new tracks every week that people are actively listening to, and Spotify doesn't want people doing that.
?! putting spotify on in the background of something else has to be more than 50% of their use. That's partly why the payouts are so low.
If it's 2 then it makes no sense Spotify needs to pay either way, and if it's 1 then it makes no sense either, people didn't start listening to music in the background while working or studying or relaxing or cooking once white-noise-like feed appeared, they've been doing that since before I was born, so if spotify business model doesn't account for that model it is simply not viable.
From the article, it seems the issue is another thing entirely : people listen to that while sleeping, and that drives the value of advertisements down.
That is literally Spotify's main use case
Let’s say someone pays $10/month for Spotify. First Spotify takes their cut, let’s call that $3 but whatever it is. There’s $7 left. If someone ONLY listens to Taylor Swift that month then she deserves the full $7. If someone listens to 50 artists for 20 hours then those 50 artists can divide the $7.
You can set the pool size and divide the pool a few ways. I’ve got ideas for how I think that should be done. But in any case I’ve always thought the division should be on a per-user basis rather than entire ecosystem.
The counterargument I see is that subscribers who listen to lots of different artists will have a smaller share of the pot for each artist than someone who listen to just one artist. But I see the inequality here is not as bad as the other option where almost all my subscriber fee now goes to a few mainstream artists I probably never listened to. I also bet a lot of smaller artists would benefit more with a per-user pot, instead of always getting a minuscule share from the global pot.
On computers, use https://mynoise.net/NoiseMachines/whiteNoiseGenerator.php and press "b" for brown noise.
How can one sleep when those come up?
Or do they only inject ads between songs, so that if the song is long enough, the user will never hear any ads?
Or it's paid subscribers.
www.mptr.ee
The captured audio soundscapes are high quality, engineered, mixable audio from many relaxing and peaceful natural and artificial environments.
Tossing a few million dollars towards the MyNoise people for something that's currently donor-ware would be amazing for the creators as well as opening up the ambient soundscapes to millions of people.
Spotify gets royalty-free audio that takes up very little bandwidth.
That's called ambient noise.
That's not white noise.
An icon appears for me when in the Control Center when I swipe down, the “Hearing tile”, and can be used to play/pause and change Background Sounds.
Can also be accessed this way:
1. Open Settings and scroll down to Accessibility
2. Tap on that, then scroll to the Hearing section
3. Choose Audio/Visual
4. Tap on Background Sounds
5. Turn on Background Sounds by tapping the on/off toggle
https://appleinsider.com/articles/21/07/23/how-to-use-rain-d...
TIL: https://www.slashcam.com/news/single/Netflix-removes-movie-n...
Is there at least a way to turn it off?
If you download the video file and play it back locally, you can change it or turn it off if you want, it's just a video filter
You can even turn off deblocking if you want, get those crispy jpeg-like artifacts!
It's all just post-processing, when it was previously hardcoded, which seems like a win, especially considering bandwidth gains
They considered intervening with them, which by far doesn't mean banning them.
To put it into context after their acquisition they had been pushing podcasts in general, white noise podcast accidentally profited from it, and a bit too much.
Which is with what they considered intervening with.
But banning them would have been the last step if others don't work.
And even then you still would have white noise songs, just not podcasts. Or more likely podcast just not promoted, i.e. you need to more explicitly look for them.
I.e. the chance for Spotify removing users access to white noise content was close to non-existing as far I can tell.
https://www.engadget.com/spotify-almost-removed-white-noise-...
https://www.theverge.com/23131327/how-to-iphone-white-noise-...
It's what most biz folks use (eg therapists, massage, etc) in their office to ensure privacy.
We've used one for like 9 years with my son and it helps him sleep really well too.
Also works for whitenoise or pinknoise.
Bonus: this will also offload your servers significantly, specially as pure noise is hard to compress.
> these podcasters, whose shows entail playing various noises like crashing waves or bird sounds on repeat
These are not white noise.
I want an app that just does this and nothing else that is not terrible.
I wish it had a few more (eg rain without bird noises). Being able to add my own would be great.
cat /dev/urandom | aplayI decided to write my own noise generator. It's not hard. If you have access to OpenAI (or a semester's worth of DSP education), you could write one in a few hours.
Scapegoating "capitalism" doesn't strike me as sufficiently nuanced thinking.
For instance, Tidal, has playlists dedicated to things like rain sounds e.g. https://tidal.com/browse/playlist/5ed2512d-b27b-4d0c-845d-3f...
it’s amazing.
Youve got a massive platform, incredibly successful, loved and used by so many, and you go "ah darn, i really hate that my users on my platform choose to spend their time on content that isnt as profitable as other content on my plaftorm"???
Jesus christ thats daft. Serve the users what they want and they will stay with you forever.
Spotify pays content creators based on how many ads are played.
A white/brown/pink/etc. noise track/podcast is likely to be hours long, so that listeners can have it play long enough to fall asleep. Once asleep, the listener is still technically "listening" to the track/podcast, including the ads that Spotify then must pay the content creator for. With tens or hundreds of millions of listeners each listening to hours of content, this cost adds up.
Spotify has its own white/brown/pink/etc. noise tracks that it doesn't need to pay anyone for. Those are what Spotify would like to see its users stream, because it could save them - by their own calculation - $38 million.
Beyond that, the giant media corporations whining about the fact that money is going somewhere other than their own accounts is... par for the course. Really, this entire situation speaks to the absurdity of the industry itself and its own greed.
It feels like a UI challenge as much as anything else, I can’t imagine many users specifically want a podcast. Part of me feels like Spotify deserves it though, they’ve been trying to shove podcasts into users ears for ages now and I don’t want them. Turns out if you shove podcasts in front of people they’ll choose them. Price they pay.
It just means that people value white noise over the music your artists are creating.
Now people don't want just any noise, they want artisanal boutique noise. so all you need is a bpf style language artists can plug into your noise generator, then people can pick the superior custom noise algorithm.
hashtag: only_half_joking
Then again, if Spotify really cared about saving bandwidth costs, they would have never gone to CDN from P2P.
My Android app (Chroma Doze, est. 2010) uses this algorithm to splice noise segments together:
When adding two streams together, the perceived amplitude stays constant
if x^2 + y^2 == 1 for amplitudes x, y.
A useful identity is: sin(x)^2 + cos(x)^2 == 1.
Thus, we can perform a constant-amplitude crossfade using:
result = fade_out * cos(x) + fade_in * sin(x)
for x in [0, pi/2]
But we also need to prevent clipping. The maximum of sin(x) + cos(x)
occurs at the midpoint, with a result of sqrt(2), or ~1.414.
Thus, for a 16-bit output stream in the range +/-32767, we need to keep the
individual streams below 32767 / sqrt(2), or ~23170.Why not?
The easy fix would be to cap track time weight, although that is susceptible to an attack of splitting the white noise in many parts and publishing a playlist.
I guess a possibility could be to somehow compute "song variety" (i.e. entropy in a model where the decoder can generate noise/randomness) and weight by that, but not sure if the available lossy codecs are good enough to do that.
Probably not the CEO's point though.
The honestly pretty obvious answer to "why can't Ed Sheerhan's song be worth exactly the same as rain" is that the market demonstrates that there are lots of other places to get free rain noises or white noise or what have you while far fewer non-ad-or-subscription-supported on-demand song playment options.
you know, I've been making this argument to point out monopoly pricing for a long time: how come when I go to a theater, all the movie tickets are the same price? films cost a different amount to make, and some of them are good while others are stinkers. In any other business with a range of products like that, sellers compete on price. Movies are price-fixing-ed.
I'm sure WMG also thinks WMG's contribution to Ed Sheeran's music on the platform is worth the millions they get paid as middlemen. At least the rain is contributing something by making a noise.
white noise content is the best example of "user most likely doesn't active listen" so an ad on it isn't worth much
for other podcasts you would assume people listen (through yes they might not, but Spotify has no practical way of knowing that), so ads are worth more
Additionally the ad industry values that their ad is associated with "premium content" (whatever that means) and while white noise is "highly valuable for the consumer needing it" it's not "premium content" as it doesn't has much content. I mean it's literally noise, well fine tuned noise you could call art, but still noise. So highly valuable but not premium.
This is frankly very very obvious.
I don't think that's how ... well, _anything_ works. It's like saying "If got rid of the actual program on our TV channel and filled the whole spot with adverts, we could make three times as much money from adverts".
They're not there to buy your product, they're there because there's a free thing they want. When that free thing goes away, so do they.
After all, removing features your customers are using too much is a recipe for profit.