Painting the Eiffel Tower
toureiffel.paris
toureiffel.paris
I'm tethered to the roof so I don't plunge to the ground. But I'm violently swinging hundreds of feet in mid-air unable to get back up. It's always the same. And I can feel the wind, my hands sweating, my feet tingling and my heart beating beyond belief. Usually when I start to fall over the edge I wake up. Sometimes I dangle for a second or two as I dizzily flip around hearing muffled screams from far below.
I can't imagine being one of the people forced to paint the Eiffel Tower, or Golden Gate Bridge - whatever. The thought of it makes me ill.
You’d have to be quick when stepping onto them because they might drop away at any moment, leaving you tumbling down after it.
And I dare say they could paint it much much faster if they really needed to, but it would involve very large crew for a short period of time.
Better for everyone involved if the work is basically steady - then you can hire one group or company for a three year stint, instead of hiring 5-10x for 6 months.
Someone tell me why I’m wrong
You could probably get VC funding to solve these problems and then you’d be onto something.
For a monument of its value, I would almost think speed/lower cost would be seen as red flags.
I guess it'd be more like the electrostatic paint they do for cars. Negatively charge your object and positively charge your paint...
Also, a painting campaign also includes:
> ... a preparatory stage to search for the most corroded areas ... these areas are then stripped, and a first coat of an anti-rust primer is applied
...presumably there was no corrosion just after the parts were originally made.
I my experience of painting houses etc (limited I know), the actual painting bit is the final 25-33% of the time. The rest of it is making the rest of it ready to be painted. So stripping off, preparing the surfaces, making good any bad bits etc ... only then can you start to paint it.
When they had fresh new metal to work with they could probably just paint straight away with zero prep. It may have even arrived at the site already primed. Plus it was probably easier logistics too in terms of seeing which bits were painted or not - if you are painting over the same colour it is hard to know what you have done and what you have not unless you are quite meticulous. However if you have a good contrast you could just give paintbrushes to 100 people and say "keep painting until all the grey bits are red" or whatever and not worry about the planning or tracking of which bits have been done when - just keep going until everything is red or whatever.
Generally the largest difference in a homeowner painted themselves vs a professional painter -- the amount of prep work required can be astronomical and absolutely mind numbing but without it, one will never end up with the final very nice and long(er) lasting result.
Once again, you get back what you put in!
Seriously though, if you use house drywall painting over existing paint as an example, the actual "paint on surface" step really is short. In my most recent paint adventure the procedure was:
o move furniture
o lay down canvas
o tape
o sand
o [prime, depends on base and final color]
o paint
o wait to dry
o sand
o paint
o undo the coverings.
o enjoy.
It is very difficult to get all that done in one day, but I see new house interiors get basically painted in one-two day by a crew of like 6 guys, followed by an unending series of touch-ups where the painters did a half-assed job on trim, ceilings, and large featureless wall sections where it's difficult to see where paint is lacking.
IME Painting is boring and very easy to get wrong so I have respect for painters that patiently do the job right the first time.
https://www.ghasterpaintinginc.com/blog/what-electrostatic-p....
Once on a bike ride, I met a guy who worked painting the GGB. He said he was about 50, but look 65, so it seemed plausible. He wasn't wearing a helmet even on descents, which I asked him about, and his answer was that he spends all day in a harness with hard helmet, so the last thing he wanted was more helmet time in the weekend.
https://www.australiangeographic.com.au/blogs/ag-blog/2013/1...
I've never thought of it black, and I'm a bit at loss as how someone could do so. Look, for instance, at the picture from the associated Wikipedia article. Does that strike you as black?
https://upload.wikimedia.org/wikipedia/commons/8/85/Tour_Eif...
Pictures of the tower can also have a lot of... texture? If you don't know you're looking at "brown with shadows" you might think you're looking at "black with highlights."
It has been legal to photograph the Eiffel Tower since 1993 (its copyright expired.) It is legal to take photographs of the Eiffel Tower's light show since Oct 2016 ("freedom of panorama") unless used for commercial purposes.
The bars were cut and drilled in a factory to dimension and no on site modification was allowed. if the bar did not fit it was sent back the the factory.
Eiffel(with a well respected engineering firm) payed for most of the tower himself. in return he was given 20 years exclusive exploitation rights. and had a private apartment at the top.
The tower was not only the first building taller than 200 meters it was the first building taller than 300 meters.
There was a project that would have dismantled the tower and re-erected it for a Canadian worlds fair(note that this is possible because everything was made to dimension in a factory). Thankfully it never went through. The worlds fair promised to put it back when done... but I have my doubts.
The nazis wanted to tear it down for scrap. but the civil unrest raised delayed this project long enough for the liberation of paris.
Engineering marvels, but maintenance required.
While I'm no expert on this topic, it seems zinc epoxy primer + polysiloxane topcoat is the state of the art these days for industrial / marine steel coating applications.
Or paint it white, then use lighting to make it change colors.