Busting a myth: “only writers subscribe to genre magazines”
neil-clarke.com
neil-clarke.com
The blogger, Neil Clarke, runs a science fiction genre magazine called Clarkesworld. Other science fiction genre magazines include Asimov's, Analog, and F&SF.
Other genres, including so-called "literary fiction," all have their own magazines. Apparently none of them are doing particularly well, because short stories are now out of fashion. The trend right now is to make everything as long as possible: Don't write a novella if you can write a novel, and don't write a novel if you can write a three-part (or seven-part!) series.
Novels are ok, but I've come to despise "book series". It seems everything wants to grow and, if possible, become a Netflix show.
Short fiction is a marvelous art form, which requires a precision with plot and/or words that is hard to match. Novels have room to breathe and grow, but there's no such luxury with a short story: every word matters.
Few things are as enjoyable as a well-crafted short story.
However, we seem to have saturated their database connections (friends don't let friends have connection pools without bounds/with the wrong bounds, especially not to serve static content), so I haven't read the article. [ETA: Did read it, am now positive.]
> friends don't let friends have connection pools without bounds/with the wrong bounds, especially not to serve static content
And last I checked, libgen hasn't had any Clarkesworld since about 2019.
Is their digital-only subscription any cheaper? Don't need the paper one. If I do have to pay $50/year for their digital only subscription, do I get access to their back catalog for that, or only the new ones going forward?
I'm not just picking on Clarkesworld. For the longest time now, Analog has been under the impression that it's ok to half-ass it and have their digital edition not match up with the paper edition, not to mention refusing to release it in standard formats. Quite frankly, in a world where even National Geographic can't make it, what hope is there for these pulps? In an earlier time you might liken them to the farm leagues for genre novel publishing, but that's dying too.
I think there's an analogy with the maddening offer of streaming services, but in that case there's the FOMO effect and you "need" to be watching the same shows as your coworkers and friends in order to be able to discuss them... a more devious trap.
I'm wondering for whom it is their first or second choice.
Dunno what I would have done if I'd been alive when there were more titles in publication. I think of the old stuff, I like Worlds of If, archive.org has most of those. The new stuff's a little too pandering anyway.
What do you mean by this? I think I've noticed the same thing, and it troubles me -- because I'm not sure who exactly they're pandering to (the set of non-readers who are uninterested in the genre?) or to what purpose. It could be, however, that we're not talking about the same thing...