Eg, the size of a windmill behind somebody can vary dramatically in size depending on this
If I upgraded my phone, do the new smartphones enable you to take photos like my old 50mm camera, or will I still need my old camera to capture those shots?
Eg, the size of a windmill behind somebody can vary dramatically in size depending on this
If I upgraded my phone, do the new smartphones enable you to take photos like my old 50mm camera, or will I still need my old camera to capture those shots?
Just look at any given phone specs and see if any of the cameras they offer are near "50mm equivalent" (you may have to dig because primary specs are usually useless - either the completely arbitrary "2x zoom" or the focal length on the specific sensor size such as "4.38mm" Which is true but not useful).
Most phones come with wide and ultra wide lenses. I'm with you and don't like those. Other phones come with zoom lenses of various focal lengths. Most of those on the other hand will overshoot Into 75mm and higher territory.
Worst case, grab a phone with great lens and sensor and zoom it in the store until you get 50mm equivalent... And see if that works.
Note though there may be many other subtle and subconscious things you like about that camera besides focal length of the lens : aperture, bokeh, vignetting, film type, specific aberrations, or even the feel in your hand and mechanics of the shutter and the optical viewfinder. It's certainly more FUN, for me personally, to take a photo with DSLR than an iPhone :-)
However, on the "pro" iphone models, they do have a "telephoto" lense that is indeed a 50mm equivalent that will get you the perspective that you're used to.
Here is the one on the iPhone 14 Pro -> 12MP 2x Telephoto (enabled by quad-pixel sensor): 48 mm
Personally, I use an iPhone 8 plus and pretty much always take images on 2x zoom. Because yeah everyone looks better on a longer lense.
I didn’t know they blended lenses to create a 50mm, there must be some post processing tricks to have it look right - are there examples side by side with a true 50mm?
Here is one of many explanations of this you can find online: https://www.photoreview.com.au/tips/shooting/perspective-and....
> Changing the lens focal length without changing the camera position has no impact upon the perspective in the scene, even though it radically alters the size of objects within the scene
Radically altering the size of objects within the scene is what most average people mean by perspective. It’s exactly the effect the author of the article is claiming doesn’t happen yet he proved it does immediately.
Is that technically the correct usage of the term perspective? Yes! It’s just not the specific technical usage definition common in optics. But it is correct, as it’s referencing the relative size & position of objects.
50mm is a focal length. If what you like about 50mm is indeed the perspective (as opposed to other subtle things that may creep like aperture/bokeh or aberration or vignetting of the specific lens) then zooming something to 50mm effective field of view is exactly what will accomplish the goal.
There might be a lens you can attach that narrows it down, but otherwise your old camera will do a better job handling your requirement.
If you’re talking about wide angle ‘distortion’, then on an iPhone (with the default settings) that’s just what a rectilinear projection looks like with a wide field of view. Zooming in digitally ‘corrects’ that just as much as using a longer focal length would.
You can easily confirm this by taking side by side comparisons. There are many of these you can find by googling, as this is a popular myth. E.g. https://www.photoreview.com.au/tips/shooting/perspective-and....
The perspective will be the same with a 24mm or 200mm (or any focal length) as long as you stay in the same position relative to the subject, if you crop in the 24mm to get the 200mm field of view you'll get the same image with a much lower resolution and much wider depth of field (ie blurred background)
The perspective distortion happens if you physically move closer to your subject to get the same framing on the 24 as you had on the 200
It's not usually a concern until you get to <20mm, and especially not if you're going to crop the center of the picture to mimic a 50mm perspective.
I agree that, in general, wide angle lenses are harder to design in term of distortion control, but it's not a god given rule that all lenses wider than 50mm have to show distortion
Here is a 28mm with virtually no distortion: https://www.lenstip.com/233.6-Lens_review-Leica_Summicron-M_...
Here is the same with a 35mm: https://www.lenstip.com/610.6-Lens_review-Voigtlander_Apo_La...
Here is a 50mm that shows as much distortion as the two I mentioned before: https://www.lenstip.com/205.6-Lens_review-Leica_Summicron-M_...