“Murder of popular musicians and artists up 1000% this year… news at 11”
Joking aside, if I am the artist, shouldn’t I be able to give those rights to my children to provide for them after I’m gone? I agree with the spirit of what you’re saying but I think a reasonable threshold after death is appropriate (20 years maybe instead of 70?)
The question is to what time threshold does society need to pay for police/courts/lawyers to enforce copyright law such that people are sufficiently incentivized to create whatever.
For example, if copyright law were 10 years from date of creation, would we see too little in the way of creativity? Would singers still sing and writers still write and artists still paint/draw/whatever?
I can see a viewpoint proposing 10, 15, even 20 years, but 100+ years is beyond the pale. That is just a handout from taxpayers to people that own the copyrights.
After that, it is not “exploitation”, it is using something in the public domain.
No they will just wait for the timer to tick away and monopolize on a community that someone else spent years building. Just because you change the law in your thought experiment for it to be legal doesn’t make it not exploitative. If we legalize slavery you can’t just say, “well its no longer exploitative, its the law”
And yes, if it is good, people will jump on it. Evidence being that HBO did not wait 170 years to start making game of thrones. They saw a story they could sell, so they paid the author to make it. If they did not, another media maker could and would have. Warner brothers did not wait until Harry Potter copyrights expire. I am sure other media makers were bidding for Harry Potter rights too.
Of course, Martin and Rowling have been paid less if copyright was 10 years. But would they have written the stories if they earned $10M instead of $100M or $1B or whatever they earned? I would err on the side of yes.
On a human scale, this might just be the artist's family who supported the artist during life (think: a partner whose full-time job provided funding and health benefits while the other sweated it out in a studio) who relied on their income during life. Or the foundation might collect royalties to pay the staff who assisted with the work (essentially co-creating it) per contracts established at the time of its creation.