'Foundation' season 2 launches July 14 on Apple TV
space.com
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Currents of Space is an especially good example here, the characters will spin these complex conspiracy theories and talk themselves into a paranoid position, but in the end the explanations are very simple, but their bigotries prevented them from seeing it.
Which brings me to my next point, I was surprised by how political they were, in a quiet, unassuming way. There's a strong through line of center-left populism and critiques of bigotry and classism and sexism (though Asimov clearly had some blind spots here as well, he's a product of his time after all). He was very artful about constructing scenarios where his critique was apparent, without being explicit and without it feeling forced or in your face.
- Days of our Cleons: mature and political, similar to Asimov's writing.
- Star Trek Salvor: superficial action show with a controversial superprotagonist.
- Gaal Dornick and the Chamber of Gaia: nonsensical chosen-one kid's show.
Not a single one respects the sources enough to be called simply "Foundation", although the first IMO is the most interesting of the three, and coincidentally, the one who took most of the screen time in season 1. I don't plan on watching season 2 until mit's over, and only if the reviews are better. It would consume too much time for the quality of the entertainment.
Honest derivatives like Rick and Morty have demonstrated how you can both use a beloved franchise and create something completely different from it, yet most producers choose the evil path.
Now I can't get the emporer's theme out of my head.
Which was why it was crap. I couldn't watch pat the first episode.
Art reflects the current state of culture. When you consider speaking to basic human rights "extreme", in a time when basic human rights are being actively attacked on a daily basis, you're on the wrong side of history. If the the bigots would stop attacking these rights, artist would be bored talking about them because, from the other side, there is nothing remarkable about it other than the struggles introduced by the assholes who hate certain people for existing.
But somehow i assume this isn’t what you mean… and this is most certainly not what hollywood chose to put in their series for elevating the moral level of society (since it looks like they’re now reconverting from entertainers to priests). Instead what we end up with are bizarro versions of modern classics.
The only exception in my mind so far is « sandman ». Which also had the same swap, but the original writer being involved, he managed to do it in a much more intelligent way (turning lucifer into a woman, and death as a black character for example, are two very interesting choices, that other writers may have been scared to do).
I also didn’t like the TV series though I will probably watch season 2. It was visually appealing but I found it to be somehow flat. Like, the damage from the collapse of the space elevator - IIRC this was described to great effect in Kim Stanley Robinson’s Mars series - but in Foundation it really felt underwhelming. (That said: “Three Colours Mars” I would definitely watch!)
Also quite weird to see Lee Pace as Empire, since the series I’d just finished was Halt and Catch Fire (recommended).
The one Apple TV show I really enjoyed was Severance. That was amazing.