A Detailed Look Into The Making of Tron Legacy VFX
gmunk.com
gmunk.com
My second favorite thing is that night we all went out into the parking lot outside the Whale and contributed the backs of our heads to the crowd fill.
My third favorite thing is that I’m pretty sure the movie wouldn’t have made its premiere if it hadn’t been for some last-minute Python I wrote to fill the last drive to rush out the door.
God, was DD a good place to work.
What was the code doing?
So basically glorified ETL with one hell of an expensive deadline.
The vfx business was and continues to be a "challenging field to work in", but man what an incredible experience it was working there.
Edit: some more technical details about the effects JT built https://web.archive.org/web/20190124122848/http://jtnimoy.ne...
Tron Legacy feels more like an videogame[2], the story was poor, reverse ageing CGI was terrible, the only thing that saved it was the glorious Daft Punk soundtrack and the acting chops of Jeff Bridges ("Where's the money Lebowski?")
It's a shame that this site uses Vimeo embeds rather than Youtube. On Youtube, you can pause and use the , and . keys to advance and reverse by single frames to truly enjoy the wonder of the animation. On Vimeo, no such frame-by-frame scrubbing seems to be available.
> Other design tools included the infamous 'Egyptian' algorithm that generated massive amounts of linear-based traveling linework and was used extensively for the bracket animations when a combatant was de-rezzified.
Some googling and chatgpt searching hasn't yielded any info. I'm a huge fan of the tron asthetic, and it inspired me to design an entire game based on it. Such an algorithm sounds like it would be very cool to impliment in a game.
I bought the Bluray off of Ebay recently and watched with my wife. English is not her first language and she was concerned but I told her it was a very rare case where the spectacle is worth the watch. After one watch, we both agreed.
The gorgeous visuals (a proper use of blue/orange heavy contrast), the amazing soundtrack — and a mostly inoffensive, enjoyable story.
(My controversial opinion is that it's my favourite synthwave musical since 1986's Transformers The Movie, but I can see how that sounds insane)