DJI Inspire 3: new 8k cinema drone
dji.com
dji.com
If so, it's a baffling blunder they've made multiple times. This one would even be more embarrassing, since they call the secondary camera a "POV" camera.
Another issue: DJI continues to rip people off for a CinemaDNG "license." CinemaDNG is a free codec that is not encumbered by licensing fees. At $16,500, this scam adds insult to injury: "The format is unencrypted and free from intellectual property encumbrances or license requirements" https://en.wikipedia.org/wiki/CinemaDNG
The thing looks like a very cool professional tool. But these repeated offenses are getting old.
The adoption of CinemaDNG among camera manufacturers appears to be hindered by Red Digital Camera’s patent US9245314, which covers in-camera recording of lossless compressed raw video. There had been an unsuccessful attempt to invalidate the patent.
Besides that, what you describe sounds like a decision made to reduce weight of the camera module, possibly not related to patent.
Yes, the Inspire 2 does this, and it was widely reported that this is how they dodged the BS patent. The weight distribution may also be another bonus, or vice versa.
I actually don't know why there's this perception that the patent only applies to camera-internal compressed raw, because Apple/Atomos have to pay Red royalties but Atomos recorders are obviously external. But you hear it over and over.
Even worse is that Red simply ripped off JPEG2000 and got a patent on it.
The patent "system" has become a tool for exactly what it was supposed to prevent: the theft of people's work.
IP expiration dates are a "brain plasticity" parameter in society. Higher values mean lower rates of change, too low values mean too high rates of change. Twenty years is a sweet spot.
Now if a new patent is filed the patent office cannot ignore it as prior work. While the bar for machine generated patents is high. There is IMHO no reason why prior art cannot be machine generated and if something very similar can equally generated by a machine it becomes even more questionable if something is patentable at all.
Not to mention that they make a big deal out of being able to send video to two destinations at once, ideal for a feed going to goggles.
Is the drone "intended" to be carried around by hand while filming? It doesn't have handles for that, and yet they show a guy doing it in their promo video.
Look up "cinewhoop" drones. DJI even makes a drone that addresses this market. It just doesn't have the image quality that this one does.
I'd say simply supporting an already-existing DJI video receiver is way more of an expected use case than carrying a drone around in your hands while filming.
Different market segments. To draw earlier on my analogy, loiter and automated flight exist in iNav, PX4, and Ardupilot.
Are you the target market for this product? Do you plan to buy one? Have you talked to people who are? Do they want goggles support?
"Unfortunately DJI has not provided further insight as to whether these two will be compatible. We hope they are, with a provided firmware update in some months, as customers have really desired another non-racing fpv headset."
For what that's worth...
[1] Aircraft less than 250g do not have the same regulations, which is why the TinyWhoop family of aircraft are super popular here for FPV racing.
HMMmmmmmm
Old guy story: the original RAW image sequence named the files by converting the time code to frame number and append that to the sequence name. So, midnight/0-hour timecode would be frame 0, and 23:59:59:23 would be whatever that number is that I'm too lazy to convert. However, if someone forgot to sync timecode to time-of-day as is pretty standard OR if someone was actually shooting late night and the clip was started before 23:59:59:23 the frame number conversion would see 00:00:00:00 flip around and dutifully use frame number 0. this would cause most NLE software that would recognize the image sequence to create a clip starting with frame 0 which was technically in the "middle" of the shot that starts in another clip based on standard importer logic. </rantOfAnOldDIT>
Browsing on mobile sucks..
This particular page isn't too bad, at least with a fast connection everything loads in a couple of seconds, but there are worse examples out there.
Maybe I'm out of the loop, but the demo video with the choreographed, dynamic, repeatable waypoints, was wild. Seems incredibly powerful and novel
great drones/gimbals/quality otherwise though <smacksforehead>
Tangent: I've been using software called SVP (SmoothVideo Project) which uses AI/ML with a GPU (3090 in my case) to generate additional intermediate frames for video files, turning a ~24fps 4K Bluray rip into a ~48 fps or even higher. For scenes with a lot of action it's a noticeable improvement, everything feels smoother.
All that to say I hope that the industry starts moving to higher frame rates for film, I'd rather have native 4K 48hz content over 8k 24hz.
I wish 48 FPS were adopted widely so we could all just get used to it, because it simply and undeniably renders motion better.
For 4K or 8k HFR HDR live filming, you have to raise all your general production values by a really crazy amount for it not to look cheap and naff. Forget additional storage and transmission costs of the extra data, the actual day to day increases in production costs (and timelines) rapidly scales far beyond those, making such trivial things like storage a mere rounding error. Case in point - the most watched UK soap opera “Eastenders” saw the BBC go way over budget and spend £90m+ over many years just rebuilding all of their iconic sets so they could finally film it in basic HD. HFR 4K HDR would require an even bigger and more serious upgrade across the entire production, and a long term commitment to those bigger budgets, which the BBC have clearly decided is totally not feasible and also not worthwhile for a 3-4 times a week half hour soap opera. It won’t happen for most things because HD and certainly 4K is more than good enough for most normal people to enjoy video media on a screen up to around 100”’s at a sensible seating distance… So most entertainment can be done at a much lower cost and with way lower risk. The benefits just don’t and probably never will outweigh those factors.
I do think 8K will make a big difference for VR though due to the extreme angle of view.
"CD's are digital, which limits their dynamic range"
No. In fact, some CD players used to come with discs intended to demonstrate the huge dynamic range of discs. My Sony portable came with Dire Straits' Brothers in Arms, one of the earlier full-digital releases; it was noted for its dynamic range.
Also, fake frames inserted into material shot at a lower frame rate can't "improve" quality. It's a gimmick. SHOOTING at a higher frame rate? Sure, that improves motion quality.
On a side note: Almost all the popular music you hear today on streaming services and on "remastered" albums has been destroyed with dynamic compression to make it "louder." Many engineers cite the early '90s as the peak of mastering quality. So don't act as though people objecting to "new" things are automatically wrong.
The dynamic-compression problem is so severe, widespread, and yet under-recognized that I don't think music will ever recover. I have 45s from the '80s that sound way better than "remastered" digital releases today. And that has nothing to do with "vinyl vs. digital." It's about everyone having access to devices capable of incredible fidelity today, and nothing but ruined trash to play on them.
even "room" sound is nothing but bookshelf sized speakers. i miss my towers with a 12"-18" sub, a 8"-10" mid, and a 1"-2" tweeter. i cried a bit having to get rid of those.
And in fact... it was, decades ago. Even stock Ford CD players had a "Compress" button on them, in case you were listening to classical while driving in a noisy car. Easy solution that didn't ruin generations' worth of music.
> No. In fact, some CD players used to come with discs intended to demonstrate the huge dynamic range of discs.
They appear to be mocking the belief that vinyls have more dynamic range based on the italic text.
So I'm mocking the die-hards who think the old technology is better. Because even though the vinyl-lovers have a point in theory, in practice they're just wrong.
I assert the same is true here. I assert that most people prefer interpolation in both space and time to "preserving the original content". If you play a DVD on your 4k television, do you really want big perfectly rectangular blocks where the pixel boundaries are? And do you want those staying exactly the same for 33ms and then jumping to the next set of square blocks? Cuz that's the original content. I think most people would prefer to have something intelligently try to infer what the original content likely was before it got sampled (in space and time). Then you get smooth edges and smooth motion.
Feel free to disagree with me. Important people do - I know there are big names in cinema who think 24fps is the best for some reason and it hurts their extremely well trained eyes to see smoother motion. But any gamer will tell you that higher frame rates look more realistic and natural and just better. I like my tv's frame interpolation because it looks smooth and buttery to me.
But I assert my opinion (that having software interpolate both space and time) is what most people in the world prefer, which is why the tv makers do it.
But FAKE frames? Trash.
However, a game like Smash Bros would be unplayable with the extra latency.
Those things are incomparable.
Apparently only when using their RAW format which costs $979 for a license.
On average the commercial drones in Ukraine survive 3 missions. I doubt anyone would spend the price of 5 mavic drones just to have more pixels at a trench.
3 flights actually seems pretty good given the conditions-- I suspect they aren't walking out to fetch any crashed or malfunctioning devices in an active combat zone and the analog video signals are exceptionally easy to interfere with.
The RC control channel is unencrypted and the video feed is analog. If I'm being attacked by FPV drones I'll take a freshly certified ham radio operator over a world champion duck hunter any day.
This is completely wrong, as long as you're talking about the most common drones in Ukraine, the DJI Mavic Mini and Mini 2.
https://www.diva-portal.org/smash/get/diva2:1607790/FULLTEXT...
For these types of drones all the consumer and FOSS control links are unencrypted and critically vulnerable to frequency hopping hijacking attacks [4]
The video and control for all of these systems (including DJI) can be disrupted by jamming consumer and hobbyist frequencies; 300-975mhz, 2.4ghz, and 5.8ghz.
As with any information coming from active modern war zones, the incidence of misinformation, disinformation and propaganda will be high.
[1]https://www.forbes.com/sites/davidhambling/2023/03/24/russia...
[2]https://www.economist.com/the-economist-explains/2023/03/24/...
[3]https://dronedj.com/2023/03/01/ukraine-reportedly-assembles-...
[4]https://www.vox.com/2016/10/28/13406082/hackers-control-cons...
It's there.
> stuff I really wish I hadn't seen
Or hadn't read.
Your choice to visit "/combatfootage" doesn't match your wish not to have seen combat footage. What did you expect? Non-combat footage?
We shouldn't advocate for censorship. We should advocate for more common sense on the user's side.
I never watch gore and shock videos, but I've read about plenty of them and even the descriptions of what's in them haunts me, even after years and years I can't get them out of my head. This thread has added a couple of those now...
I watched a lot of combatfootage previously that wasn't as traumatic but the use of small drones in ukraine with grenades has upped the level of very close range footage to a new level in ukraine.
At the same time I do think freedom of speech is important, I think everyone who wants to should be able to see ISIS beheading videos or whatever so we know what barbarism is possible and to fight against it. But that doesn’t mean I want to see it all the time.
Two years ago my drone was stolen. DJI didn't provide any help in locating the drone, nor in locking it. I wasted hours contacting local authorities, DJI representatives, helpful strangers on online forums, etc, with absolutely no result.
It is crazy that in 2021 someone could steal a drone and get away with it.
FYI, you might want to know that every drone above 250 grams has a beacon, and DJI can access its location at any time when the drone is in operation.
I don't think you would want to zip through obstacles in a "camera low" scenario.
> By having the landing gear down, an 80-degree upward gimbal angle becomes available, with no obstructions in the FOV.
Yeah yeah, something, something Iraq prisoners, Guantanamo bay.
But seriously, again, China can do jackshit to the person even if they have his entire life data, vs US if it finds certain word or conversation or searches related to certain term. I think it's foolish that people are afraid of Chinese spyware rather than being paranoid about every spyware.
Activation is done through a smartphone app you must install that requests your location information and then you must create an account on DJI's website to complete the process.
I deeply resented the whole process and I'd bet the DJI Inspire 3 is just as obnoxious.
Allow me to introduce the machine gun carrying drone used in Ukraine:
I know the Mini 3 can carry a naked GoPro without struggling too much, so a mavic might be able to carry a couple hundred grams with decent performance. But the flight characteristics go out the window pretty quickly, so I suspect you couldn’t carry much explosives on these things.
I have no idea how much is needed. Maybe a small amount is fine.
Later I found out HOW MANY different sites the app would have connected to when I installed it. This kind of thing is horrendous, but businesses have normalized the practice.
I couldn’t even get the 1080p footage to buffer
If their answer is no, then so is mine.
Edit: Downvote me if you want, but professionals want reliable tools that they can depend on for a long time and account for this when making their purchase decision.
You're spreading a propaganda narrative, one designed to try to convince those who are Dutch or Japanese to act against their better interest in order to enable China to grow more powerful.
Essentially what will happen now is China will never buy from these nations when they become self-sufficient. The sanctions are willing state-backed Chinese competitors for all of these companies into existence where there either was none before or they weren't competitive. That will all change now, within a decade or so China will have caught up and now you will have an absolute powerhouse that is fully self-sufficient.
Essentially the US and her allies traded a situation where they could perpetually keep China a generation behind for a situation where China might fall behind pretty rapidly for a few years but will roar back and likely be more competitive than they have ever been.
I fail to see how this isn't against the interests of the Dutch, Japanese or for that matter the South Koreans and Taiwanese.
Long term mutually beneficial relationships with China are massive lies and they will slowly steal any tech you sell them until you're rendered obsolete.