Word-processor idiot (Japanese expression)
en.wiktionary.org
en.wiktionary.org
There is an official system. I don't know what it is and I can't read Chinese handwriting either, but I am assured that there is a system and, for example, it's possible for a Chinese person to view an unfamiliar handwritten character and be able to look it up by its standard form.
Reading handwriting isn't quite so bad as the stereotypical doctor's handwriting in the west (or is that just an American thing?) but it definitely takes some practice getting familiar with the differences.
There are political attempts to formalize how to write characters, but there is no one correct way, only more common ways and less common ways. For example https://en.wikipedia.org/wiki/Stroke_order#Stroke_order_per_... shows how a very common character is standardized to be written in different stroke orders.
On to strokes themselves, you can see for example that there are multiple ways to correctly write the word for tiger even though standardizations has blessed one particular form:
This is a standard way: http://www.sfzd.cn/gq/3/16/1/1671084904a28_170_0179b.jpg
But important authors have written it in this manner: http://www.sfzd.cn/gq/2/14/1/1669634829a4_919_396.jpg and you frequently see this manner of writing in New Year calligraphy
More examples: historically we have a character most commonly written 䖏, but standardized as (simplified) (CN) 处, (JP) 処, (HK/TW traditional) 處. Historically, 侯 was frequently written like 隹 with diagonal /\ at the bottom as in https://www.shufazidian.com/gq/1/8/46115.jpg .
Sometimes Chinese pedagogy has an air of "one stroke order", "one correct way", but this situation is a lot like with mcdojos where there are multiple idio-traditions that tend to think that they are an authority.
I'd say the expression ワープロ馬鹿 is probably very outdated.
This phenomenon also goes beyond Microsoft Word too, it's typing in general because the IME handles kanji conversions from hiragana/romaji.
Nowadays, the phenomenon itself is largely driven by smartphones.
Or that someone just stuck a few good sounding words together to describe a modern phenomenon?
Fun exercise, I went ahead and asked ChatGPT, here is what it had to say:
Prompt: what does ワープロ馬鹿 mean?
"ワープロ馬鹿" (waapuro baka) is a Japanese slang term that literally translates to "word processor idiot". It is used to refer to someone who is not proficient in handwriting kanji characters because they have become too reliant on word processing software and digital devices.
This term was commonly used in the past when computers and word processors were becoming more popular in Japan and many people were losing their ability to write kanji by hand. The term implies that people who rely too much on technology to write are lacking in basic writing skills and knowledge. However, the term is now considered outdated since the use of digital devices has become more prevalent in society.
Prompt: what is an equivalent term that would be used today?
Today, a more common term to describe someone who relies too much on digital devices and cannot write kanji by hand is "スマホ字 (sumaho-ji)". This term is derived from "sumaho" (smartphone) and "ji" (character), and it refers to people who are unable to write kanji characters by hand due to their heavy reliance on smartphones and other digital devices for communication and writing.
Other similar terms used to describe this phenomenon include "キーボード依存症 (kiiboodo ishizonshou)" which means "keyboard dependency syndrome" and "タッチペン馬鹿 (tatchipen baka)" which means "touch pen idiot". These terms reflect the increasing reliance on digital devices and the declining use of traditional writing methods in modern society.
スマホ字 seems completely made up, and google results for the others suggest entirely different meanings....
On the second and third try it came up with スマホ字バカ, which doesn't exist either.
When I asked entirely in Japanese, it insisted on キーボード依存症. The best it came up with after a while was 筆力低下, which literally means decline in ability to write, and doesn't seem to be used to describe this phenomenon, per Google search results.
ワードプロセッサー is defined as a computer system capable of inputing, displaying, editing, saving, and printing text. This used to refer to dedicated word processing appliances, but from around the late 90s changed to refer to word processing software for personal computers which became more popular.[1][2][3]
The ワープロ馬鹿 phenomenon stems from IMEs automagically converting romaji/hiragana to kanji, and this is most commonly seen during use of word processors like Microsoft Word.[4]
[1]: https://www.weblio.jp/content/%E3%83%AF%E3%83%BC%E3%83%89%E3...
[2]: https://kotobank.jp/word/%E3%83%AF%E3%83%BC%E3%83%97%E3%83%A...
[3]: https://gogen-yurai.jp/word-processor/
[4]: https://ejje.weblio.jp/content/%E3%83%AF%E3%83%BC%E3%83%97%E...
1. It's slang, so it's of more interest to foreigners who just want to make sense of what they hear compared to native speakers who wouldn't need a dictionary for this.
2. I've never heard any of my Japanese acquaintances actually call this phenomenon ワープロ馬鹿, they all say they've just been using computers too much (or handwriting too little) in their lives.
Edit: interestingly enough the most complete I found in Japanese about the word describes it differently:
かなり昔のことになるが、ワープロが普及しはじめた当時、ワープロの使い過ぎで正しい漢字が分からなくなることを「ワープロ馬鹿症候群」と呼ぶ、という話を聞いた覚えがある。例えば、ワープロで「あらり」を変換してみても、「粗利」なのか「荒利」なのか正しい漢字が分からないので結局は辞書で調べないといけない、といった具合の症状だ。 (https://xtech.nikkei.com/it/article/COLUMN/20070220/262584/)
Short rough reinterpretation: back at the time of electronic word processors, not knowing which of the homophones was the right one to use was called ワープロ馬鹿症候群
1: https://ja.wikipedia.org/wiki/%E3%83%AF%E3%83%BC%E3%83%89%E3...
So this point doesn’t make sense to me in this particular discussion - even though you may be right at the end of the day.
Each of these characters also have a certain order to the way they should be drawn, and from what direction. And at least in Japanese, each one has at least 2 readings (and sometimes much more), a Chinese reading and a Japanese reading, but which one is used doesn't always follow the 'rules'.
A lot of this is likely learned through simple exposure for listening and speaking, but it makes reading and especially writing rediculous.
There's probably research on this in Chinese educational literature. Pinyin, though now used primarily for computer input and foreign language learning, was originally conceived for use in teaching literacy to native Chinese speakers. Mass literacy in China was a particularly hard nut to crack because of the huge challenge of learning thousands of characters as compared to a small phonetic alphabet.
The ambition of replacing characters with pinyin never really developed momentum for native Chinese speakers. But the increasing use of computer input, I believe, has reduced the emphasis on years of character-writing memorisation drills in Chinese schools.
...but you are still able to make out the meaning without all that much difficulty and without much of a chance of misinterpretation, i.e. these language are quite robust in the face of transmission errors. How does this work for ideographic scripts like Japanese Kanji or Chinese? When people make the sort of mistakes made by those less educated people mentioned above does their writing end up similarly readable, i.e. are ideographic scripts similarly robust in the face of transmission errors?
Well, sometimes. There are plenty of single-character errors in English that could change meaning though: Presence of absence of a comma, asymptomatic vs symptomatic, bat vs bet, etc.
Also sentences like: "the Google party featured two strippers, Larry and Sergei." Are the founders of Google the two aforementioned strippers or VIP guests?
The one I chose was a tongue-in-cheek absurdity. There are other cases where there actually is ambiguity.
For example, it's common to see people in mainland China that cannot write 餐 (can1, meal) correctly, but I never experienced any issue with that in real life.
In addition, I read and write simplified Chinese natively, but I can read traditional Chinese with little difficulty, and even a little bit of Japanese with high kanji density. The characters have evolved significantly, but the remaining similarity is still enough for me to parse the text.
For Chinese, it’s usually not difficult. If a stroke or two is off, or if it’s the wrong radical, you can usually figure out pretty quickly with a similar effort to a misspelled word what they meant from context. If they incorrectly used a homonym, you likewise can tell pretty quickly, like “queue” vs. “cue”.
In Chinese this partly happens because you don’t just memorize individual characters, you also memorize pairs/clusters of characters as the actual semantic units.
In the writing direction, it's both time-consuming to learn initially and time-consuming to write every time, but it does carry a certain satisfaction and delight. So the current trend to learning exclusively how to read and type them seems economically productive, but the loss of aesthetic enjoyment of calligraphy in daily life is regrettable.
> rediculous
In a lot of ways, it's like spelling in English ;)
The reason for this, which I think most westerners won't immediately understand, is because Japanese (and Chinese scripts in general) doesn't use spaces nor capitalization.
What do I mean by "doesn't use spaces no capitalization"? Think of English, but without either: canyoureadthiseasily?ididn'tthinksoeither.nobodywriteslikethisinenglish. A sentence written purely in hiragana reads like that.
Kanji serves the same function spaces and capitalization does for us, they distinguish individual words from each other.
Some words are written entirely in hiragana for brevity or style, but generally speaking the purpose of hiragana is to string the kanji together and add contextual information so the sentence flows well.
On that note, all foreign words are written in katakana, and katakana is also used for emphasis, similar to ALL CAPS or bold writing in English.
This is very legible for a native english speaker
The actual problem without using spaces is not that humans can't read it, it's that computers can't read it (without at least complete dictionary and maybe some AI help). GNU aspell for instance does not support languages that don't use spaces.
https://en.m.wikipedia.org/wiki/MeCab
Like you said, it does come with a dictionary to work properly.
After more practice I've found myself starting to pick up on common dividers, like particles, verb endings, adjective endings, etc. I assume native speakers do this instinctually, much like native English readers aren't really reading letter by letter (wichh is why txet lkie tihs is rbleadae at ntiave seepd for most)
After a quick search, there is at least some research out there that suggests that Chinese readers are able to read faster than English readers, e.g. https://www.tandfonline.com/doi/abs/10.1080/1938807990955829.... This comes at a cost though, and that is the time spent learning how to write, but maybe technology like word processors will reduce that cost while retaining the benefits.
I wrote that example as an attempt to frame how Japanese scripts are written compared to English. If you thought it had anything to do with superiority and inferiority, you read between the lines too much.
Spaces can be used, especially in modern times and are sometimes used for even better readability, but generally and historically Japanese script is one connected string of characters with no breaks except for the occasional punctuation and line breaks.
A connected string of nothing but hiragana and katakana is very infuriating to read, with or without spaces, and as a practical concern the issue manifests quite frequently in any piece of longer-form writing that contains lots of foreign words (because foreign words are all written in katakana).
c a n y o u r e a d t h i s e a s i l y i d i d n t t h i n k s o e i t h e r n o b o d y w r i t e s l i k e t h i s i n e n g l i s h
might get the feeling across a bit better?
When talking, Japanese speakers can usually tell homophones apart based on the context. In written form, kanji make it much faster to understand what a given word means: for anything more complex than children’s books, it is actually quite hard to understand Japanese text written in a purely phonetic system (kana or latin).
kanji is useful training for visual memory and can be used to provide memory pegs
I have been learning japanese for a few years now, and kanji stroke order was honestly one of the easiest things to get right. there are exeptions, but in general, after having practiced like 50 characters, you pick up on patterns and are able to guess stroke order pretty easily. I highly doubt learning that specific aspect causes a significant amount of time wasted.
Yeah, kanji can have lots of readings. There are some rules around when you use an on’yumi vs kun’yomi. A kanji paired with a hiragana is always a kun’yomi reading, but if there’s no kana you just have to know which reading to use. You can only pick that up through context and exposure. Of course any one kanji can have multiple on’yomi and kun’yomi readings. (And then there’s the concept of rendaku which can modify pronunciation based on neighboring syllables.) There’s nothing easy about it, but it is what it is. The you’re serious about learning Japanese it’s something you just have to get used to.
But nevertheless, kanji has many positives. It can make it much faster to read things because they can wrap complex things into a single character. If you have an unfamiliar character, understanding its components can often times provide a hint as to its meaning.
Think of it kind of like reading a conversation entirely in emoji. You may not get the whole meaning, but you can generally pick up the gist. And with far fewer words than it would take to write it out in full.
https://en.m.wikipedia.org/wiki/File:IME_demonstratie_-_Mats...
Similar kind of criticism can be made up against English: English is such an inefficient language, there are only 26 symbols, 52 if you count "capital" letters but those cannot be used for better compression, and so you cannot just remember a letter but 2-3 sequences of letters as meta-symbols, and those meta-symbols would have tons of special cases when it comes to pronunciation, and and ...
Most books in most languages compress into similar sizes of zip files, it's not like there is always one version that gets to just 512 bytes and the other that's always 50MB. I would think that "all languages are explicitly equal" is a stance too dogmatic to hold, but clearly all our human languages are quite close against each others even just looking at that.
- UI animations sliding/folding (e.g. 1Hz interactivity vs 120Hz interactivity).
- MS Windows default keyboard settings with slowed down key repeat rate.
- corporate firewalls configured to DROP instead of REJECT the LAN traffic.
- latency to access office documents in the cloud.
- MS Teams bugs frustrations.
- increased number of mouse clicks in WIN11 to reach common functions.
- other software bugs/annoyances we cannot fix, c.g Jonathan Blow.
I'm not sure how to do it but the clicks need to be processed against the state of the display when the click was done rather than against the state when the click was processed. The only way to do this that comes to mind is to snapshot the hot zones on the screen before doing anything that will disrupt the screen and any click received during or within 300ms (configurable, I'm figuring a minimum reaction time) after the screen update should be processed against that map, not against the current state.
If 1 billion current MS Windows users would make daily 1000 UI operations, but each time wait 100 ms for UI animations, the collective wasted time on the animations would be 3000 years of collective wasted time.
Fortunately most are just watching movies and shopping online, so not much collective _productive_ time is wasted ;)
1) In a language like English if you know a word and are faced with it's written form that you do not know you can probably figure it out. In Chinese knowing how to say it gives you no guidance in figuring out the written form, literacy takes years to learn. I have watched two literate Chinese speakers stumped by an unknown character and not even realize it was actually Japanese, not Chinese. (I knew because of the context, not from being able to read it.)
2) It appears to take my wife longer to write something in Chinese (and she's not a word-processor idiot by any means, when she's putting something into the computer she uses handwriting recognition, she's never learned the new ways) than it would take me in English--more strokes and they are less connected than even printing, let alone cursive.
3) Chinese lacks the concept of alphabetizing. I've watched her with her dictionary (we've been together since the 80s) and it's a process of looking stuff up in tables to get you close to your target and then a manual search once you're there. I can find a word in an English->Chinese dictionary far faster than she can find one in a Chinese->English dictionary.
That being said, I'm not going to call someone a word processor idiot because maintaining a skill like that costs time--it simply isn't worthwhile for most people. Many years ago I chose to abandon cursive when I realized that if I wanted to be able to write it decently I would have to deliberately practice--and I would say I write maybe a dozen words a month. Practicing would be a time sink, not a time saver. (Not to mention most of those words are on a whiteboard, too large to do in cursive.) Look it up is a perfectly good answer in most cases, only an issue for emergency type skills.
Then based on the hiragana phonetics you can get predictive kanji (or katakana for foreign words). It's really important to put kanji in, because a lot of words in hiragana are homonyms and the meaning can be unclear. Japanese already really like terse contextual conversation so that's critical. However... sometimes the right Kanji isn't there until you type more hiragana, at least hopefully. And Japanese names have lots of weird Kanji which you really need to use since that's polite.
Here's a native demonstrating typing on an iPhone. https://www.youtube.com/watch?v=Q204SYyfEJY
On a standard computer keyboard (Japanese IME in Windows) the prediction is even better, but standard hiragana are multiple romaji (roman character) keypresses. There are also direct hiragana keyboard mappings, but kanji keyboards are mostly for humor value. See below for a 500 key version from Alps:
https://twitter.com/LanguageCrawler/status/11344608406970531...
A T I del
O E S space
cap N ,.?! enter
Obviously you would have to learn the layout, but I don't think it would take very long to get proficient.I've experimented with using traditional T9 with predictive text on my smartphone (Samsung phones have it pre-installed, you just need to enable it), and for typing sentences it can be incredibly quick, but it completely falls down as soon as you can't rely on the prediction system, such as for passwords and URLs. So I always end up switching back to the cramped QWERTY keyboard.
Optimized systems exist though, for example the MessageEase keyboard. It's almost exactly how you describe, but capitalization is done by circling or by swiping back and forth.
Court writers have more advanced systems, but they also take a lot more equipment and more time to become fluent with.
https://gizmodo.com/12-smartphone-keyboards-that-are-trying-...
Are kanji more efficient to write out than phonetic writing systems, or is proficiency with them more valued for tradition's sake?
Is almost everyone a word-processor idiot these days?
When I think of writing things by hand in English, it's hard to ever really want to do it. I type literally 10x faster than I can write, and when I write I cramp super quickly. In my life, at least, handwriting is obsolete.
Because you don't do it enough to keep those muscles in training, and because you use the wrong tools when you do.
A $20 Pilot Metropolitan is more than enough to discover how pleasant longhand can be when done with a tool that's designed specifically for that purpose, in a way ballpoints and pencils are not. It'll teach you to stop ramming the point into the paper, too, which is the other reason why writing makes your hand hurt.
Rollerballs are a decent second best - I keep them for lenders and for backup in case I'm caught without a spare cartridge. That said, they definitely don't come close to my Decimo or E95s.
If I learned how to use a stenotype I can imagine the discrepancy would be even larger.
It still doesn't feel as good as paper, but the freedom of just drawing on Krita and being able to select stuff and move it around more than makes up for it.
Can't recommend it enough.
This article (featured previously on HN) discusses the efficiency thing a bit - https://yakkomajuri.com/blog/language-efficiency - though I think the pixel count metric is meaningless and leads to weird conclusions, there are some good thoughts.
This constitutes a higher level of idiocy than not being able to write kanji (knowing each kanji stroke order, having good calligraphy).
Something culturally relevant that's taught (and probably should be taught) to everyone in school, but not something that's actually useful in real life.
Don't blame kids and the younger generations for the bad education their elders have given them. Reading analogue clocks is hardly a difficult test, but it's impossible to expect someone who's never been taught to to just "know" that clocks are three rudimentary base-12 progress bars how far along the current half of the day we are; it's just not intuitive.
It's like IT people complaining that kids these days don't even know how to fax anymore, society is moving on and old skills will disappear and become niches as a result.
It's a shame for the Japanese/Chinese culture that this relatively unique cultural aspect is disappearing, but I'm also quite surprised it has taken so long since the introduction of foreign alphabets.
I just wish 24-hour clocks/watches were more common. I think much of the confusion some people have must come from abbreviating it to 12 hours that each happen twice a day, which is obviously nonsense.
Also because I use the shape instead of the numbers, I sometimes have trouble with digital clocks, and have to mentally translate the numbers into an analog clock face before I understand what it's telling me.
It was fun, and felt good to accomplish something so useless.
There's craftsmanship to it, too. It's not something I anticipated, but I do enjoy for its own sake not being the anglophone sort of wāpurobaka any more.
I think we started learning it when we were 7-8 years old, and could be trusted with a cheap fountain pen. Before that, it was printing with a pencil.
ワープロ馬鹿
I should be a doctor, with my handwriting.
TBF, my handwriting sucked before I started using computers, but they didn't help.
My entire family has awful penmanship (and it's an Ivy-league family). I used to dread trying to decipher my mother's notes.
This blew my mind. I understand the reasoning behind dropping it from the curriculum, but hearing that students couldn't do cursive really, blew my mind. And I'm not even sure why it surprised me so much!
Handwriting is an action, whereas cursive is a form of writing. Do we call handwriting Japanese "cursive"? Of course not.
You think finding an average American that does cursive is hard, finding an average Japanese that does cursive is even harder. :V
Meanwhile I hate typing notes because I feel like typing forces me to think too linearly. Whereas in meetings I tend to end up with several clumps of loosely-connected notes, and I tend to spread them out somewhat evenly across the page. So even though I can type faster than I can write by hand, I still prefer writing by hand because of the freedom I get on paper. I also think the act of writing somehow helps me remember things better than typing. And e-ink just feels wrong, it's like the worst of both.
That is very false. It’s kind of slow compared to handwriting print-looking letters (eg https://en.m.wikipedia.org/wiki/D'Nealian)
Source: https://theproductiveengineer.net/is-it-faster-to-write-in-c...
And also for many years I wrote cursive, then I switched to something that looks like D’Neal, and it was somewhat faster and easier to read (but not super fast)
The origins of the cursive method are associated with practical
advantages of writing speed and infrequent pen-lifting to
accommodate the limitations of the quill. Quills are fragile,
easily broken, and will spatter unless used properly. They also
run out of ink faster than most contemporary writing utensils. [1]
[1] https://en.wikipedia.org/wiki/Cursive#OriginI know that shorthand would decrease the time that I spend taking notes or would increase the quality of the notes.
Shorthand is something different.
I'm not sure what you mean. Shorthand is what was being discussed.[1] https://dlelegal.com/stenography-court-reporter-miami/
[2] https://planetdepos.com/trending/content/what-stenographer
D'Nealian is intended as a teaching script, so the claim is dubious to me.
That said, I definitely don't write in stereotypical looped cursive. I remember that I did learn D'Nealian in school, and my handwriting today is something like a hybrid. The main improvement in speed for me came from the ability to write entire words in a single flowing hand motion, rather than having to pick up the pen repeatedly between letters. Cursive provides a consistent method for doing that.
Every time I've tried to change to print, however, I inevitably get stuck on the fact that I write like a child for months and months before any improvement can be seen. It's just very embarrassing to hand someone a note that looks like it was written by an elementary schooler who just learned their letters.
Why? Because I can't read chickenscratch cursive, but I can read print no matter how badly it is written.
Writing is fundamentally a communication medium, so if the resulting text is unreadable your writing does not serve its most important and fundamental purpose of conveying yourself to others.
As for how to improve: Slow down and write more. That's really all there is to it.
I handwrite with a modified semi-linked italic cursive. It's about twice as fast as my printing, and I can go faster, if I let it turn into a scrawl. That can't be done with printing.
I don't do enough these days where I need something like that but, when I did more journalism where I was quoting people it might have been useful. A lot of meetings I'm in are recorded anyway and recording is pretty routine for interviews anyway.
The other thing with taking written notes versus typing is being behind a laptop screen can be a bit off-putting.
Does anyone else have this experience? Where note taking was deleterious to learning the content?
I swear by Pilot G2 gel roller pens (or an off-brand equivalent, there are a few.) They glide across paper very readily and the writing comes out a lot neater as a result.
The difference in thinking between writing and typing that you noted is interesting. It didn't seem to exist for me, but that might've been confounded by struggling to keep up with the professor — I was too focused on trying to get things written down to actually put any thought into whatever was being said, making it difficult to apply any sort of grouping to the notes on the fly.
It was a great relief when, partway through secondary school, I realised I could just drop it for print as it did wonders for my ability to read my own writing, and reduced the number of "?" markers on homework from teachers too.
But I never had trouble with taking notes. You get pretty fast at writing print if you do it all the time.
I still remember my college professor's surprise when I handed in a handwritten, but totally legible, essay complete with proper use of italics. For some reason people think you can't handwrite italics.
One of my engineer friends has picture-perfect print handwriting, like a gothic sans serif font. It's very impressive at how fast he can write and still have each letter look tidy and uniform.
I write by hand so rarely now that it hurts my hand to do. (And I was in the cursive cohort. Pretty useless skill in retrospect lol. It's just a way less legible version of regular handwriting.)
Pencils and ballpoints, and to a lesser but real extent most rollerballs, require so much force to mark the paper that you can't help getting a cramp. Fountain pen ink is thinner and flows more easily, so all you have to do is steer the pen. This makes a very significant difference.
Don't start with a gold-nibbed pen - both of those I named use steel. Gold admittedly feels nicer to use, but you need the transitional step to learn better habits; steel is much more forgiving of excess force, and you'll know on your own when you're ready for a more delicate and expressive nib.
I used to hate to write longhand, too. I've been using fountain pens for about half a decade now. A few days ago I used one to work out a complex idea over eight A5 pages with no need to pause save occasionally for thought, and my wrist wasn't sore afterward. Here as elsewhere, choosing the proper tool makes all the difference.
These days I mostly use fairly cheap gel pens. I actually prefer them in general to some more expensive pens I own.
This isn't true of handwriting vs. typing.
Also, definitely more volume of work happens on a computer at a keyboard. How meaningful it is is debatable. Recent events have shown what I believe Orwell said long ago, that most of what we write is just mindless concatenation of premade phrases. Computers make that easier, but it's not obvious that that activity is where the meaning comes in to work
That sounds really interesting, but my Google-fu failed me here; what is the full quote?
modern writing at its worst does not consist in picking out words for the sake of their meaning and inventing images in order to make the meaning clearer. It consists in gumming together long strips of words which have already been set in order by someone else, and making the results presentable by sheer humbug.
https://www.orwellfoundation.com/the-orwell-foundation/orwel...I really can't tell if you're being sarcastic or not.
The most obvious response is: sometimes you have to fill out forms on the spot.
Also, I personally find that I have much greater retention for handwritten vs typed information.
Anyone who uses the latin alphabet will have the character shapes memorized, so I'm sure they'd do just fine for emergency use even if they'd basically never written before.
That said, a huge amount of handwriting curriculum is actually motor skills practice, and that's pretty important!
It's also free-form. If I want to include a sketch or some math, it's easy.
Studies support your anecdote: https://www.pbs.org/wgbh/nova/article/taking-notes-by-hand-c...
>https://med.stanford.edu/news/all-news/2021/05/software-turn...
Are people referring to cursive as any type of manual writing?
Lately, people have been calling printing "manuscript", which is either silly or an attempt to dignify it.
Nowadays, some say, why learn handwriting? Why learn arithmetic? We have calculators and keyboards, after all.
It's sad, but there will be a revival someday.
So I went around for five years with two signatures on my license.
A bit of trivia: the joined letters of cursive were developed in response to the limitations of the feather quill. It was important to keep the nib in contact with the paper at all times to avoid splattering and other faults. Today the only reason to keep joins is efficiency, but the other flourishes of old-fashioned cursive are less important.
I use a simple pelikan jazz (nothing fancy) but still it’s pleasant.
This would be a better thought out argument if I weren't typing it from the toilet.
Our non-dominant hand almost gives us a preview of what this could be like, so it seems that spending time to upskill the articulation of our hands is necessary: so we might as well use that time to learn handwriting since it has the benefit of working without electricity and translates well into the aforementioned tools.
I think we spent a month+ working on cursive writing. Which for me was a waste of time. I did inform the teacher I believed it was pointless, as people would be typing in the future. This would have been maybe 1985, me in 1st or 2nd grade.
I’d die of shame if I were ever caught unable to write. The whole concept is ludicrous.
I doubt I'd be any more advanced in my life if my handwriting were better. In fact, looking back at the kids in school I know with beautiful handwriting and the ones who were messy, I don't see any real correlation. It's pretty random.
Contrast typing which requires an entire machine instead of a simple pencil or pen.
Note that as far as I'm concerned handwriting is different from cursive. We should absolutely teach kids how to write by hand. Teaching cursive as part of general curriculum, however, is a waste of time. Cursive is better relegated to being a hobby.
I hike, often remote and alone. One of the many safety precautions I take is leaving a whiteboard on my dash with my destination and the date. Anyone seeing that will immediately know whether there's a problem. (And there's label tape on there with a bunch of contact information, including the satellite equipment I'm carrying.)
I was dubious, so I googled.
According to this[1], 21 states require cursive as part of the curriculum, and some admittedly older data[2] suggests that 90% of students get some amount of cursive handwriting instruction.
[1] https://www.nea.org/advocating-for-change/new-from-nea/great... [2] https://drs.dadeschools.net/informationcapsules/IC0916.pdf
Honestly, I really do not understand all the complaning about cursive. Learning to read and write was harder (I imagine cause I don't actually remember struggling with it, it just came naturally) . Learning cursive is just a simple extension of it.
My memory of school was everything was required to be turned in cursive, but I was so bad at it that I wrote everything in print, then wrote a version in cursive, and then turned in both versions so there was one legible version and one version to fulfill the rules. It was a pain and I hated it, so it's a bad memory that it still feels cathartic to complain about.
You could say the same for Spanish. They teach it K-12 in a lot of districts but somehow the students never become fluent and rapidly lose any skills they gain.
I know that this is wrong and that it's only in my head but I see pretty much all other writing that isn't in cursive as childish.
The sheer possibility that people might finish schools without knowing how to write in cursive is kind of worrying, because I fear that this is walking on a path towards a world where people stop writing by hand and in time even forget how to write...
And you might say that they won't forget because they constantly see and read the letters, but I can read hiragana and katakana, I can't write them though or it takes me quite a lot of thinking to get the image of the "letter" into my mind to be able to write it. And that's just because I don't write in then pretty much at all.
You lose what you don't use.
Handwriting can be just as easily done using print, and is how I've always handwritten everything. The only time I use cursive is when I sign stuff, and only because I followed everyone else using cursive to sign. Print is also generally much easier to read, too; regardless the skill or style of the writer.
This is distinctly different from WorProBaka ("word processing idiot"), where people of all ages (this affects nearly everyone, not just the young) forget how to write certain kanji simply because Kakijun (stroke order) and their overall complexity easily fade from memory without constant reinforcement from common use. These people can all still read the kanji they've forgotten how to write.
There's an informal style that uses printed capital letters connected to cursive lower letters. Solves a lot of those problems.
Also don't forget cursive capital Q.
While I think it will still be many generations before people can get away with not being able to hand write at all, I’m not so sure it’s a negative. I can type an order of magnitude faster than I can write, to the point where hand writing is frustrating. It just feels like it imposes such limits on expression to go so slowly.
The teachers each said they were unable to read cursive.
There is little need for most people to *learn* cursive these days beyond signatures. However, people should be able to *read* cursive for another lifespan because they're going to encounter it.
That's not even getting into how terrible cursive is the write with ball-point pens.
* the logbook for keys for when I leave office last
* signature when receiving mail/package.
and... that's about it for a month. Few lines at most.
But I was diagnosed with agraphia (i think that's how its called in english) as kid (something about eye-hand coordination IIRC) so my hand-writing always been fucking ugly even when I wrote a lot during school, so I don't particularly care about it
It was written by a JP native - using a mouse - but her handwriting is typically this bad so having to write using a mouse only made it very slightly worse than usual.
It made me feel better about my own handwriting. I don't sweat the details at all - writing better than natives might get me minor praise but doesn't really benefit me in the long run vs expanding my vocabulary or learning how to read more kanji by spending less time focusing on writing them. I only write kanji nowadays to help with memorization of new kanji and to make sure I can still write the first few "grade levels" of kanji for how natives learn.
They have no knowledge of navigation in the citries they grew up in, they have reduced ability in face-to-face human interaction, they suffer major inability in understanding that the physical world is the universal host of all of their "virtual" reality including the corporate products they concieve of as "community" and the chatbots they think of as "friends".
In general, the internet idiot...
But I have a cursive world of words. I paint the air with my ability to temporarily change the density of the surrounding medium "air" through and by means of generating waves at arbitrary, sometimes repetitive patterned, frequencies, which ever started reach their destination, usually a opening of an ear, or the wall, sometimes.
That must be enough.
Dysgraphia is a neurological disorder of written expression that impairs writing ability and fine motor skills. It is a learning disability that affects children and adults, and interferes with practically all aspects of the writing process, including spelling, legibility, word spacing and sizing, and expression.Japanese people are less than sensitive to those who don't fit into a normative cultural mode? Say it ain't so!