Warner Brothers Plans Revamp of LotR
variety.com
variety.com
When I watched LotR, I was around 20 myself, and a then 20 year old movie (which would be an early 80s movie) would seem like a movie from a completely different era to me.
Today, LotR still seems somewhat fresh to me, and this article and HN comments here seem to agree given that new LotR movies from today are still being linked to this 20 year old one.
What gives? Is it just my age and similar age of the HN crowd? Or is there truly more difference between 1983 and 2003, than between 2003 and 2023?
Consider the LOTR orc army shots. Now days we can simply simulate various AI characters walking on uneven surfaces and it looks fine. The regimented look on flat ground worked, but it was based in large part on limitations at the time and just felt off. But conversely this means the army could and therefore would show up in the background in several shots which then means more vastly more CGI is needed. Unfortunately, more seconds of CGI means less me only you can spend on each of those seconds.
What pisses me off about Warner Bros is how they are latching onto LotR and Harry Potter because they were glorious 20 years ago, and they want to reclaim that glory without putting any work in to make something worth watching. They would rather milk one man's life's work to death for a cheap buck instead of trying to make something new. And, its probably going to be successful. Harry potter was fun 20 years ago, LotR was fun 20 years ago, but as a society we need to move on to new works instead of latching onto past success. If Warner Bros could realize that, they would be better off for it.
It seems clear to me, after the whole takeover via David Zaslav, that Warner Bros is being forced into an unearned bankrupcy -- they're actively killing anything they have that is-or-was new, exciting, or fresh (even many works already created and paid for). HBO Max was one of the few optimistic brightspots in that market, and they're now hanging it out to dry (and giving that market share to Paramount in the process).
But you know, the stock market loves it, so it must be good. I look forward to seeing this new version of "The Lord of the Rings", as lovingly crafted by the folks at TLC, exclusively on Discovery Plus.
That said I don't entirely buy your premise about freshness if by that you mean quality. I'd say Ghostbusters still holds up much better than the majority of modern hollywood movies even if it used a different style of film stock and different special effects.
Modern movies have a blue/orange palette, which is full display in House of the Dragon. It's as awful as that green/red two strip Technicolor used in the 1930s.
And turning a single book (the hobbit) into a trilogy of movies.
Cash grabs.
Contrast with something like Batman, where the main character isn't any one specified age. You could probably get away with a Batman who was anything from mid-20s to mid-40s, or maybe even older.
LotR has to be acknowledged on how well it was produced regardless of how one feels about the treatment of the story itself.
In general, I thought the movies were amazing in all aspects except the writing. The casting and acting were good, but the writing diminished everything else, but at least we got the "And my axe!" meme out of it.
I had a job that sent me to New Zealand for what turned out to be a pretty amazing time. I almost didn't come back because I liked it so much. I had no idea where all I'd be visiting on the trip, but part of the assignment took me to a lot of the locations used to in the film. One place had one of the chairs they used to help sell the forced perspective of having a normal size human look small and was a photo-op. The trip took me into the woods, up to the top of mountains walking on a glacier where the water hadn't been liquid for tens of thousands of years (or some such). Haven't lucked into a job assignment like that ever since.
- Tron released in 1982: one of the first movies with extensive use of CGI
- Terminator 2 released in 1992 with first partially CGI character and realistic CGI human movement
- LOTR in 2003 had it's own important firsts like AI driven CGI characters in massive battles
There have been advances since, but not comparable to TRON to LOTR jump. Another important factor is that a lot of effects were practical and not CGI and those will always age well.
The first LotR movies was released in 2001. If you go back 20 years, that is 1981. Which is the year Raiders of the Lost Ark came out:
* https://en.wikipedia.org/wiki/Raiders_of_the_Lost_Ark
That still would have seemed fresh in 2001 (and still does now).
Plenty of other notable movies in 1981 as well:
* https://www.imdb.com/search/title/?year=1981&title_type=feat...
* https://en.wikipedia.org/wiki/List_of_American_films_of_1981
I watched the Amazon offering. I won't criticise the visual spectacle of settings like Numenor, nor much of the acting, but the writing was just uniformly terrible. What a disappointment.
Is this likely to be any better?
The Hobbit also had the fingers of 4 or 5 studios in it.
The lack of a good Earthsea adaptation is kind of depressing and it makes more sense than ever to take another crack at it given Hollywood's newfound commitment to racial diversity in media.
The Culture series by Iain Banks would be amazing, especially considering that the world is way more accepting of race/ethnicity, sexuality, and gender issues than it has been historically (not even to mention that we could use some hope for the future in our media instead of dystopia constantly). But instead we get baby yoda series 3. (for reference, I do like The Mandalorian, I just felt like being snarky).
Star Wars is an interesting case.
It went from a franchise making money on every movie to a mix of ok movies and flops. I know a lot of people (including me) just tuned out with the latest trilogy.
The only bright spot left is what Filoni or Favreau are doing.
The films and series that have been produced since the Disney acquisition a decade ago have created an entire new generation of fans and spawned theme parks, hotels, cruises, merchandise, and spinoffs... it's been an amazing success for the franchise.
That's really why the Rings of Power sucked. The company wanted 10 hours of content and paid nearly half a billion dollars for it. But budget can't create story and characters where there are none and the writers have to work around the appendices of a book.
It's the same fundamental problem as the Hobbit trilogy. That could have been a fantastic 100 minute film.
https://acoup.blog/2022/12/16/collections-why-rings-of-power...
Especially if it’s being made “for a modern audience”. Sic.
If those phrases are used during the promotion, that’s a 100% guarantee I won’t be watching something.
This makes it hard to turn valuable intellectual property into a hit. Previously succesful showrunners won't necessarily be able to pull off the same trick twice. There's a person out there with a perfect LotR spinoff in their head, but WB can't find them.
There are people who can churn out multiple hits, but they all know how much they're worth.
The first trilogy had a lot of moments like that already (except slow motion)
Movie Studios, imo are failing, even my kids have started saying there's nothing new. Time to stop thrashing ideas and start creating new ones again.
But then again, I'm probably wrong...
Then when I look at the list in the article there are zero new movies in that list that aren't:
- Sequels
- Remakes
- Adaptation of Existing IP
I mean that's horrible, not one new original story film.
Wrecking LotR is just an example or symptom of the terminal disease the studios have right now.