A Million Pageviews, Thousands of Dollars Poorer, and Still Countlessly Richer
danwin.com
danwin.com
OK, I admit that I don't know the business, but isn't the "so much work" part of wedding photography kind of the bread-and-butter for a lot of photographers? I'm guessing that the market rate for that wedding would have been closer to $3,000, which after a day or two of ground work and a couple of days of editing, really isn't to be sniffed at. Am I missing something? I'm not being snarky, I'm just wondering why photographers would pass up what seems to be relatively easy money.
1. The physical stuff like scouting out the locations way before the day of the actual wedding, attending wedding rehearsals to understand how the actual ceremony would go like on the day itself, the actual shooting for the wedding ceremony as well as the reception, and the days after spent sorting through the shots and editing them. This is definitely a lot more physically taxing compared what a recreational photographer (which I'm assuming the author is) is normally used to. I still remember how my legs just gave up after I came home from spending the whole day running around trying to get all the shots while lugging around a couple of kgs of gears.
2. The mental stuff like how stressful it is to know that you only have one chance to get things right on your client's special day, and if let's say you screw up the bride-walking-down-the-aisle shot, you can't just get the couple to rewind the whole ceremony just so you can get the shot right. On top of that, sometimes if you're unlucky enough you may even face lawsuits from dissatisfied couple asking for a refund AND for you to compensate for their wedding costs and pay for a new ceremony so that they can have those "memories" be immortalised in photos. Don't forget that like in all creative professions, you have to deal with clients who insist that you charge too much cause their 16 year old nephew with a DSLR can do the job for free.
So yeah, wedding photography may be for some people but personally I wouldn't want to make a living out of it, probably because I don't think it suits my more laid back personality.
It sounds like the author already has a career doing something else, so perhaps even at $3k a pop, weddings are too much work to be very enjoyable. I've also shot a friend's wedding (partially as a favor, partially just to see what it was like) and I can safely say I don't ever want to give up software development for wedding photography.
As another commenter noted, it's not about the amount of work, but just the type of work. The cat herding ("OK, find all the grandparents. Now let's do a shot with just the uncles and nephews. Now let's do their med school class with her mom, etc. etc.") is pretty tiring. I also really don't feel confident enough with lighting systems to consistently get the "money" shots (i.e. the kiss at the altar in a darkly lit church).
The camera gear is a sunk cost - he's not buying it to make money. He's buying it because he loves taking photos, and wants good gear.
He's a good photographer. But photographers don't make money, unless they are being paid to be there (i.e. for a wedding, or by a news outlet). OK, you can try to sell photos after you took them, but the world is saturated in good photographs.
To make money, you need to create value then find a way to extract some of it. Or you need to con someone. There's few ways for a photographer to make money after creating the value, because there's likely to be so many alternatives to their photo.
I'm guessing it also depends on the kind of pictures you take, TFAA takes pictures of "human events", which you can expect many to save. Others (e.g. Myrmecos's Alex Wild) perform their craft in much more constrained and specialized environment, likely yielding much rarer pictures.
Although even then, I'm not sure Myrmecos makes enough of his post-takes to live (I don't think I've ever seen a breakdown from him)
Someone who cares about preserving the memory of their wedding will recognize the value of paying someone $3,000-$10,000 to capture it, over some uncle who just bought a massive DSLR system to toy with. Same with publications and important news events. In the latter case, the problem is that there are just far fewer wealthy publications that still exist.
Also, I should have told people that they really should click on the link, and scroll down to the sample pictures - they really are good.
This is his primary fault. If he gives his photos away for free to anyone that asks, it's hard to listen to his argument that he can't make any money from his photos. He can - but he chooses not to.
However, the dilemma facing photogs who do want to make a living is that to "be with it" is to be on some kind of service that allows for easy sharing of their work. But this sometimes (which, in most photogs' eyes, is too often) leads to photos being reused without proper payment.
And then you get into the discussion of, "Well they wouldn't have paid any money for your photo even if you did have it under lock-and-key"
In other words, even if I didn't have CC on my photos, I would still make a negligible amount of money. They aren't good/specific-to-a-buyer's-needs to make money in their digital existence. I could conceivably make money by selling prints and really marketing myself, but I foresee that ultimately making me less money than if I spent that time focused on my actual job.
I've 10 million pageviews for my photos, averaging 430 pageviews per photo.
I derived a lot of revenue from the photos. Not from selling but from using photos to drive traffic to my blog where people will buy stuff.
Mine is more of product photography, targeted at people looking to see how a product looks.
There are may ways to make money off photos. E.g. Some are
1. By selling the photos. 2. By selling your service as a photographer 3. By affiliate marketing - driving traffic
I've got 637k pageviews (http://flickr.com/photos/ckindel/stats).
Does anyone know if there is a way to list Flickr users by the # of pageviews?
That being said, this guy seems to have quite an ability to take interesting photos of ordinary situations whereas I tend to save the camera for special moments so I doubt I'll ever hit 3,100 photos. Unfortunately it looks like the Flickr Stats API is per-user, and private, with no global statistics available (nor in a Flickr blog post), so we can't know what's "normal" and what's not.
Photos from New York (a snowball fight in Minneapolis would not likely draw much attention) are typically more in demand so it seems that I should actually should have much higher traffic than you, assuming most random browsers are more interested in New York than a photog's friends/family. So my milestone seems even less noteworthy (and/or, of course, your general interest photos are particularly interesting).
The answer: I don't know. Besides frequently uploading to Flickr, I don't take advantage of many of the social features...I notice I get very few comments on even my highly trafficked photos. I'm guessing this is because a good portion of traffic comes from social sites like Reddit...and most of those users aren't likely to create a Flickr account to comment. Also, Flickr's "interestingness" algorithm does not seem to place much importance on high traffic, if that traffic comes from a single outside source.
And also, I've never drawn much traffic from Google or other search engines.
Over at YouTube, users are willing to sit through 15 seconds of pre-roll ads so they can watch 3 minutes of whatever. Revenue is generated.
If a user arrives at Flickr, they've probably already found what they're looking for. Someone searching who arrives at a Flickr page of dolphins will see pictures of dolphins and have succeeded in their task. There's not much chance they'll notice any ads Flickr shows and click because they want NFL tickets.
I'm not saying Flickr should go down this road, but you're wrong in suggesting that sites can't make money from adverts unless they are pre-rolls or on search engines.
But srsly, I think we can be sure that he has a legal copy of Photoshop. From the bio on his employer's website [1]:
"Dan Nguyen is a news application developer at ProPublica. [...] Previously, Dan worked as a reporter, Web developer and multimedia producer for the Sacramento Bee and sacbee.com. His work on multimedia projects won awards from Editor and Publisher and the National Council on Crime and Delinquency."
I was just kind of upset about reading the "cost" of his photography experiment/hobby and not even thinking about including the cost of the photo editing software. Especially when it comes to photoshop which is probably one of the most pirated pieces of software due to its price.
I unfortunately know too many hobby photographers who would not even think of paying for this essential tool they probably have been using for many years.
The two things are apples-to-apples in that people who copy photos or Photoshop w/o permission justify it in that the original work is still available for the owner to sell/use. But it's funny how it's hard to see that perspective unless you are actually in the aggrieved group (i.e. photographers and software developers)
I did consider it, but I saw screenshots of the Photoshop toolbox in one of the chapters of your publication The Bastards Book of Ruby [1].
I could never get used to the GIMP, though. I've worked with Photoshop since 1993, I'm stuck in my ways. I have often wished for a leaner program that would let me do simple tasks that I usually do in PS – GraphicConverter satisfied some of those needs for years. Then, Pixelmator 2 [2] came out, and nowdays I find myself using it about as often as Photoshop. It's lean, has a gorgeous UI, and it works almost the same as Photoshop. For web graphics, it has all I need. For print, I still (have to) use PS.
[1] http://ruby.bastardsbook.com/chapters/image-manipulation/