I don't remember the precise terms for the various concepts, but hopefully that shows how specific to a given format the reader needs to be.
https://www.youtube.com/watch?v=KfuARMCyTvg
I'd recommend pretty much all of his video series to anyone in the HN crowd that's at all interested in analog media formats:
Basically every video he does scratches that itch of learning a new thing about the world. The analog video series is indeed especially fantastic (laserdisc, VHS, B&W vs color TV, blu-ray, etc).
Certainly this is how the "applesauce" reader works: https://applesaucefdc.com/
Edit: also, the helical scan on a VHS tape can't really be said to be "vertical". A helical scan already implies a direction along the length of the helix, and "vertical helix" doesn't really make sense in the context of scanning down the length of a magnetic tape. Adding "vertical" to the actual term "helical scan" can really only be an attempt to back-fit an acronym to "VHS".
Some other bits of jank in the VHS spec:
- Because the tape is moving while it's being written, it stretches the signal out on the tape. This is perfectly fine for normal playback. But when the tape is not moving, the signal's now too wide for the playback head, and you can only read about half the picture. That's why your VCR had bars of static whenever you paused (unless you sprung for the four-head model)
- Audio is still recorded linearly, and you can't exactly chuck a linear head in an angled, spinning drum. So you have to put the audio head further away from the tape. And that distance is fixed; changing it means your machine is now playing audio out of sync with the video.
Also, there is an extension to VHS that lets you record audio along the video in the helical area, it's called VHS Hi-Fi and it improves the audio dramatically with the trade-off that any minor video glitches will add pops to the audio. Humans are way more sensitive to gaps in audio than video, after all.
Yes, those gaps are annoying as all get out. Tracking has to be dialed right in to recover the sound properly.
But, once you do that?
It's really great! Frequency response goes almost to zero, and up to 22Khz, and it's flat for most of that range.
One of the albums I recorded had a warp in it. When the actual vinyl was played on a good stereo system it was possible to see the speaker cones actually move in time with the warp. It's essentially a very low frequency signal.
Cassette does not reproduce that. I bet a good reel-to-reel system would.
Hi-Fi VHS reproduced it pretty much bang on perfect!
The best part was being able to add index marks! While recording, one could press a button and get one of those written to the tape. I had several tapes made with music I really like and could access pretty much anything on it quickly.
Fun stuff!!
The beta machines would phase shift the signal 180˚ every other frame when writing, and they use that for noise cancellation. VHS did four frames at 90˚ each, because of patents.
The read heads were on a spinning drum. Beta machines had an L loading system that would grab the tape and wrap it almost all the way around the drum with the read heads, exposing more tape at once to the reading mechanism. VHS had an M loading system that grabbed the tape on either side and pulled it up, covering maybe half of the drum, because of patents.
And supposedly VHS won out because Sony was begging a lot of money for patent licensing. But tape capacity was probably a factor, too.
Individual magnetic lines of a VHS tape would only describe half a frame and the two halves would be interlaced back together.
Of course sadly so much content is produced at 1080p24 nowadays for that “film” effect it’s rather meaningless for display purposes.
Online of course it tends to be p50 or more commonly p60 (even in 50hz countries). YouTubeers tend to be able to afford more lights and clearer microphones than big budget productions too.
* 30000/1001
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Even if your input is "a..db.gec.hf", that should be able to postprocess out later, for any possible angle, given enough resolution.It's a lot like decoding music from vinyl grooves based on a 2D image scan of the vinyl.
However, there is hardware and software called GreaseWeazle that actually reads the magnetic flux transitions on the disks to extract the data within.
That's because it connects to an existing 5.25" drive
> is there any hardware you know of that replicates the drive itself?
Why would you build a device to emulate a device that already exists, when all you need to do is communicate with it?
I don't want to have to buy used gear off eBay, and wouldn't need to for 3.5" disks or drives - you can actually find people producing new stock.
Why doesn't 5.25" hardware get the same treatment?
Not that long ago, motherboards still had a floppy controller. These computers do mostly still work.
So do the ones from the 80s, for that matter.
>USB 3.5" floppy drives
To anybody considering: Don't bother. They can only read/write the most standard IBM PC format. No flux streams.
Instead, get any old floppy drive and a greaseweazle at about the same cost. You'll be able to read and write all sorts of formats, and recover data from damaged and otherwise unreadable floppies.
My thought is that, if you could develop a sensor capable of sampling magnetic alignment at sub-micrometer resolution it would also generate unbelievable amounts of data that would first need compressing or decoding into AV signals.
https://blogs.loc.gov/loc/2012/03/unlocking-sounds-of-the-pa...
I remember one of the curators mentioning that they had a ton of WWII records for things like daily newscasts which due to wartime supply issues were made from less durable materials, and since they weren’t commercially valuable the owners hadn’t spent time transferring many of them to newer media.
Hard disk drive read head sweeping across the tape? Hard disk track widths are well below 1 micron so presumably the potential for high resolution is there?