Actually, it's even more restrictive than that implies. You can't so much as have two siblings quarrel without the AI insisting on turning it into a moral. Right then and there, immediately, never mind the concept of "Stories longer than a single page".
At least at NAI I can edit its output.
Definitely looking forward to the day where I can write stories at a high level and have an AI spit out the whole thing, though.
> I've written probably 60k+ words over the years using it
Is this how you view it? You wrote the words?
I personally would kinda view your role as a creative director and curator of gpt completions.
I think it's going to be an interesting decade wrt content creation.
I see completions as just one more tool in the writer's arsenal, and not something that you can just let run wild on its own. I don't know my ratio of finger-written words vs completed words, but I think the line blurs even further when also doing (sometimes dozens of) revisions across both categories of words. (Just to clarify: "revisions" here being used in the traditional editing sense, not just regenerating/editing prompts, which I usually _also_ end up doing several times before finding something worth editing).
I also have a smaller WIP editor I'm working on that uses other AI models to flag words/phrases I could replace and suggests alternatives, among other smaller editing replacements. If I have an AI swap a single word out in a sentence for me, I'd personally still consider myself the author of that sentence. For me at least, writing is more about wholly encoding a story for a reader to experience -- word choice and structure are a few small tools to accomplish that, albeit incredibly important ones.
>I personally would kinda view your role as a creative director and curator of gpt completions.
I like this, but I'd probably change it for myself and all writers to creative director and curator of words. Not too different, IMO. :)
Yeah, fair. I like it.
I personally am not hung up on the distinction between AI and human work, including creative. I don't especially care who painted an awesome painting, or wrote an awesome book, unless I'm somehow connected to that human.
The product is the product.
It also refused to help me write a Python script to identify substations that would be attractive sabotage targets (low security, high utilization, likely to cause a cascade failure), or to answer my questions about the security of grid remote management.
It also didn't want to talk about the use of nuclear isomers as initiators for pure fusion weapons.