I was a tabletop gamer for 25 years before I played my first sit-down D&D session. GURPS, Paranoia, Cyberpunk 2020, WHFRP, TOON, Amber, World of Darkness...you name it. To say, "Wizards of the Coast wants to dismantle the tabletop industry," feels like hyperbole when there's a rich history of alternatives, but I sympathize with the content creators. There's a cultural battle as much as there is a commercial one being waged here.

That said you gotta be _asleep_ to not see the tightening of the reins coming from these mega-companies sitting on fertile creative IP. Marvel Cinematic Universe only made — what? — $28B worldwide while making Rocket-fucking-Raccoon a household name. Games Workshop put the screws to content creators leading to the launch of Warhammer+ and r/grimdank is still hitting the front page of Reddit. Not to mention Uber-nerd Henry Cavill is hooking up with Amazon to bring 40K to streaming.

The strategy works and I suspect it's driven entirely by folks — all grown up and with deep pockets — thirsty to see their marginalized childhood hobbies hit the mainstream. I'm conflicted. As much as I want to say, "Fuck WotC. Fuck Games Workshop" there's visceral appeal in hoping for good Drizzt Do'Urden movie or the Drop Site Massacre becoming as much a cultural touchstone as the The Red Wedding.