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I doubt the material the artists have been trained on were all creative commons / public domain.

Rather than getting into that debate, it's probably more practical and efficent to just create a new verified dataset.

When electric cars first came out, Europe/Germany was quick to pass a law requiring artificially increased engine noise for pedestrian safety. South Korea on the other hand manages to enjoy the innate quietness of electric cars just fine.

AI does not even have such geographic boundaries. There will always be people training/releasing newer versions. We had better grasp this fact early and enjoy the benefits equally.

> South Korea on the other hand manages to enjoy the innate quietness of electric cars just fine.

Have you checked with their cyclists? I've got enough experiences of surprising them when they didn't hear a silent car coming close to them.

That is how I think too. Artists (or anyone feeling threatened by AI) should just embrace the new tools into their workflows. We can work together with AI for faster results, more inspiration, more output.

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