8″ Fairlight Floppy Disk Imaging
synthroom.com
synthroom.com
https://synthroom.com/fairlight-cmi/psb-fairlight-disks/
These Fairlight sequences were apparently made for a PSB tour that never happened. Here's an example of what they sound like:
https://synthroom.com/fairlight-cmi/psb-fairlight-disks/psb-...
This raw output from the Fairlight CMI sounds a lot like an 8-channel Amiga to my ears.
Usually you hear this legendary instrument as part of a mix with a lot more going on in production, so the dryness of the low-resolution samples is not so apparent.
The Fairlight CMI DACs were 8 bit and worked at quite low sampling rate compared to today standards. Many samples also were taken in the 80s from synths and drum machines of that era, therefore they sound similar to those used with the Amiga (aside the CMI having much better anti aliasing filters). Probably many of these have been ported directly and used in tracker music, which at that time was rampant.
BCS units were running Olivetti BCOS 5 on NEC 8080 (2 Mhz), 64Kb RAM.
[1] http://museo.dagomari.prato.it/singolo.php?cod=149&ord=1
If you do need to hook an 8" drive to a PC for whatever reason, the D-Bit FDADAP is good value and makes it a lot simpler:
http://www.dbit.com/fdadap.html
Among other things, it counts step in/out and automatically asserts TG43 for reduced write current on inner tracks. ImageDisk will let you assert this via a pin on the parallel port, too.
FWIW: they should have used a greaseweazle instead, which avoids the need for the legacy host hardware.
[1] Different systems used different sector sizes and counts, and occasionally different flux clock rates. But there were a bunch of ICs on the marked from NEC and WDC that baked this format in hardware, so only Apple and Commodore did anything different.
Many disk formats had sectors arranged in an interleaved order to give slow computers more time for processing the data, or skewed the starting sector number from track to track to optimize for the seek time during linear reading. So just reading the sector contents without the headers wouldn't work, plus the "read all sectors" command always waited for what it assumed was the start of track.
Some other controllers (at least some of the Western Digital ones you mentioned) would instead just detect the sync pattern at the start of a sector, and then send everything including the control bytes to the host. They could also format and write an entire track in one operation, with exact control over the layout.
Still there was a lot of clever hacks to make the PC controller do things it wasn't designed to do. Like formatting a track with lots of very small sectors (128 bytes), most of which would then be completely overwritten - header and all - to become part of just a few large ones. That allowed different sector sizes on the same track to give a bit of extra space, but with very little possibilities to control the gap lengths (necessary due to the mechanical nature of floppy drives). So this format wasn't as optimal or reliable as it could have been with a "dumber" controller.
It's hard to believe, but IBM would actually use this crazy format to distribute their installation diskettes!
I've always had a weak spot for 8" floppy disks but i've never owned an 8" disk drive. Perhaps one day i'll find one on a flea market…
There are exceptions. Pertec 8" drive are terrible, for example. A friend who runs them regularly has added BNC jacks to the front of the enclosure to facilitate the necessary frequent alignments. The hub motors sometimes stall for no reason and will blow up the drivers if you don't open the drive door soon enough. One has to wonder how a company that did such an excellent job with 9-track computer tape drives screwed up floppies so badly!