a friend introduced me to Gershon one afternoon at his midtown apartment where we enjoyed a conversation about audio synthesis ... I explained to him an ongoing software coding project where my code moves 3D objects in an imaginary volume of space which bounces ~molecules~ of air to propagate waves outward from this movement ... in the volume I introduced the notion of an ear to listen to these waves by counting the number of ~molecules~ moving inward minus number moving outward ... Gershon was comfortable imagining audio at this level of abstraction and felt such was a natural progression from his body of work ...