Your argument is ridiculous because we're talking about a product that everybody still wants. It's not a buggy whip. It's music. If you don't want it enough to pay for it, then you just don't need to have a copy. Is that really such a hard concept for you to grasp?
Is it a product that everybody wants? Or is it a product that everybody says they want? If music were truly as appreciated as you say it is, then more people would be paying for it, no?
And guess what? More people are paying for music. iTunes is selling millions of tracks each year. Amazon is doing the same. Do you really think that artists would go out of business if they got the whole share of their iTunes proceeds, rather than having to split it with the recording industry?
As another comment below me says so eloquently, "Louis CK gets it. Trent Reznor gets it. Radiohead gets it. The recording industry doesn't get it and neither do you."
Your argument of people doing it right is irrelevant. They choose to sell it one way, and other artists choose another. You as a consumer can have an opinion as to which way is most effective, but you cannot decide how they distribute.
You could outlaw (or make difficult to use, restrict its features) the walk-through-walls technology. Or you could just stop clinging to your old idea of what a bank or a vault is.
But your fans? They are. Focus on making them happy. You can't do that by being negative all the time. I know this issue is a sore spot and it makes you feel hurt. That's why I'd focus on the fans. You know, people who are happy to hear your music. You're absolutely right that making music is not obsolete, so focus on getting that music to your fans and providing the things they want. It's just good business.
See Louis CK? See that success? Go copy it.
I thought the debate was about legality, or, if not that, at least about moral right to download music. And what earbitcom is saying is - if you think the digital music costs too much or has too much DRM, you don't have to download it.
And, by the way, what Louis CK did that is so revolutionary? He did a show and sold the recording online. For money. What is so revolutionary in that?
Because that's how you get people to give you money. It should be common sense, but I see people failing badly.
Louis CK is a good example because he showed that caring more about fans than pirates is good business sense. Pirates are going to pirate, so he said screw them, I'll do right by my fans. See, you get $0 whether they pirate or don't pirate. But with fans? You get a sale if they buy and no sale if they don't. So the pirates are all zeroes anyway, while the fans are the difference between sale and no sale, and that is what makes or breaks your business.
> I thought the debate was about legality, or, if not that, at least about moral right to download music.
As far as business goes, that debate is irrelevant. And unless you enjoy the whole starving artist thing, business is kind of important. Pirates haven't gone anywhere, so screwing your fans in the name of fighting piracy is cutting off your nose to spite your face. But you don't have to listen to me. You can tell your fans that it's your way or the highway if you want to. Just don't complain when they take the highway instead and go off to buy from someone who treats them well, like Louis CK.
And it should be his right to do so, and this right should be protected.
If you write software, you can put it under GPL code and demand that everyone, who sells and re-uses your code, also release it under GPL. And that's OK, you wrote the code, you are the author, you can do whatever you want to do with it, you can set your own rules (within the law).
But you wouldn't like some corporation (say, Microsoft) to take your GPL code and re-sell it as closed-source without you seeing a dime of that money. But that's exactly what is going on at large with music and other culture today. Sites like MegaUpload, that is now seen on here like almost a harbringer of free speech, is making giant amounts of money on other people's work.
Now I like that Louis CK is selling his comedy online without DRM. But conceptually it's not that much different from bands selling their music on iTunes, only that Louis is well known from TV.
I agree with second part - that's why BSA is pushing SOPA, too. Yes, I agree that BSA itself does things that are verging from borderline legal to illegal (see earbit's article, just substitute BSA and RIAA).
I agree that this right should be protected (selling my work), but you do have this right today and nobody is going to take it away anytime soon. It just so happens that information can be distributed instantly to anywhere in the world nowadays, so the business model of selling copies is failing. There is no conceivable way of changing that other than breaking the internet.
If you paid U$1000 for a karate lesson, is teaching your friend a bit of karate stealing?
Depends on your agreement with the karate teacher.
If you agree that you won't teach other people this technique, then technically, yes. To a friend it doesn't really matter, but on bigger scale, it does. It's called intellectual property.
While we're at it, there should also be no poverty, everyone should have a place to live, and be safe from violence, etc. But this is the real world and people need to figure out how to deal with that, unfairness included.
There simply aren't any working solutions. Trying to make bits uncopyable is like trying to make water not wet. To computers, everything is a number. You tell the computer that no one is allowed to say "5" any more and they'll say 2+3. Or 6-1. Or 10/2. You block those and they'll find infinitely many other ways of saying it. It's binary. All or nothing. Half a solution is nothing. Zero. No good. One copy is enough for everyone.
The game is completely, utterly unfair. You have to control every computer. Once there's one unrestricted copy, it's game over. That's why people are not eager to accept "solutions" that merely screw a lot of things up, but do not, will not, and cannot fix the problem, any more than all the effort put into anti-spam has stopped spammers, in spite of 99.99% of the techies in the world hating them with undying passion and working night and day to stop them.
When's the last time you got no spam at all? The piracy thing is harder because people actually want to pirate and nobody wants spam. So why would anyone accept something like SOPA, which will drag tons of innocent sites into the crossfire while accomplishing nothing? I responded initially to someone blaming the techies for not coming up with solutions. The reason for that is because there are no technical solutions.
The only real solution to piracy that anyone has managed is not to play that game. Forget the copyright game, you're just going to spend your life swearing at pirates and wasting your energy on things that do not make money. Instead, play a different game where you build up a fanbase that supports you. It has worked. I have shown actual, living, breathing examples of people who have become successful playing that game instead. If copyright were abolished tomorrow, it wouldn't even matter. The fans support them, not some knock-off or pirate.
I can't for the life of me understand why someone would instead keep at the old game. Don't they want to be successful?
Spammers want spam. And there's more money in being a spammer than there is in being a pirate.
Consider a few centuries in the future, when everybody has brain / computer interfaces, and access to perfect recollection through playback of previous sensory input. Do you think recorded music will still be a traded product then, when any friend or family member can casually transfer to you an exact reproduction of their own experience?
People still want music. They never wanted the music industry.
The argument here is whether in general, people still have to pay for music.