Brian Eno reveals the single purpose behind all art

"When you go and look at something new, what you’re saying is, “What’s different about this experience?” In many instances, there won’t be anything different, in which case you’re not that interested. But if you can look at it and say, “That’s more angular. That’s fuzzier. That’s much more this, much more that” — we’re very good at understanding differences in feeling within our own long narrative of looking at pieces of work. But what does it mean, for example, when a picture is scratchier than another? You read that as, This is urgent. The artist didn’t have time to make it pretty.

"One of the epidemics of now is the inability to focus or concentrate. [...]watching someone at lunchtime today[...] She had a book and was on her earphones and on the phone. There could be a postmodern argument for saying that this is a new way of absorbing and collaging material together. I personally find that quite hard to do. I’m addicted to the idea that you put yourself in a place and surrender to it. It’s about making space for a kind of attention that you’re not normally offered by entertainment media."

"I think we’re in for a hard ride for maybe half a century. Then it will either be the end of civilization or a reborn humanity with a different set of ideas about who we are and where we belong and how we must relate to things in order to survive. _I see this point at which we either really fail or we start to succeed._*

"What happens to humans when they multiply their feelings together? We’ve been so atomized over the last 50, 100 years and told that we have to have our own completely independent lives and that the real human is the one who can stand alone. The real human, to me, seems like the one who can support his neighbors and work with them. That’s a feeling that I pursue. Whenever I see it, I want to encourage it."