Star Trek (1964) [pdf]
leethomson.myzen.co.uk
leethomson.myzen.co.uk
It really feels reflective of a different era, coming from a modern perspective Id never dare include something like that, with a big "scary looking formula" that needed explanation text, in the first half dozen pages. I wouldn't trust the reader to care enough to keep reading one word past the formula if I didn't already have them reasonably invested in the concept. These days there is an endless firehose of pitches in-front of people with the money for all fields artistic, scientific, and financial ... Statistically your odds of making it past their initial selection process gets worse and worse and you’ve even seen some push back against this with more "shotgun" approaches to funding strategies, but this isn't as common outside the startup world. With risk appetites falling we get ever more obsessed with having the initial pitch be hyper-polished to the point I've seen people reference eye tracking studies while designing a slide deck layout, the last hope of "thoughtful consideration" having been extinguished as they try to ensure that the first few glances at their pitch deck slides might entice the viewer to look beyond the thumbnail.
So yeah living in the hyper-optimised pitch environment we have today, page two was a real whiplash moment for me... really just adds to how interesting it is to read this.
So the "... if only one in a billion of these stars is a sun with a planet... ... and only one in a billion of these is of earth size--" is now " 1 in every 5 stars has an earth sized planet and if only X% are earth like"
In this galaxy, there's a mathematical probability of three million Earth-type planets. And in all of the universe, three million million galaxies like this. And in all of that... and perhaps more, only one of each of us.
Don't destroy the one named Kirk.
From the episode Balance of Terror:> And in all of that... and perhaps more, only one of each of us.
It doesn't follow.
The bigger the universe, the more it contains exact duplicates of you. If the universe is literally infinite, it is obvious there exists an infinite number of you. We can see only a limited slice of it, but it's not a proof there are no duplicates of you in that slice.
>there is an endless firehose of pitches in-front of people with the money
>living in the hyper-optimised pitch environment
This does seem to be a pitch that worked wonders in such an environment.
On page 1 it says what they want to do, and page 2 its almost like exaggerating the upside of their market to seem mathematically infinite during a startup pitch.
Everyone involved already knew the finite (but huge) size of their (highly lucrative) market at the time, no need to elaborate about it.
Let science turn fiction into reality instead.
http://leethomson.myzen.co.uk/Battlestar_Galactica/Battlesta...
I quit watching after several episodes because it devolved into High School level drama of who is fucking you and totally unwarrented flip-flops every episode of people being loyal, betraying, hating someone then in love with them etc. And (mostly) starbuck screaming, crying then totally forgetting she was overacting in the next scene. It was simplistic, base, boring and not sci-fi. It was "drama" aka soap-opera.
("Lost" was an extremely promising SF show that claimed to have a plan, but was revealed not to. Which is unforgivable when the attraction of the show was figuring out the mystery. My own theory is that the wildly successful first season led to the writers purchasing too much celebratory cocaine, and subsequently just phoning it in, while the business people were happy to milk it like a soap opera.)
Kinda like how GoT fell off in the last season.
(One of the main reasons a side startup of mine fizzled a few years ago was because neither of us wanted to be the CEO, and we didn't know how to find one we'd trust not to kill the magic that would get us the users in the first place.)
Martin is famously slow at writing the books, but that lead to some really deep and complex storylines. However when you try to compress that process into < 1 year and with different writers at the helm as well, then you’re inevitably going to end up with something that feels rushed and stripped of any substance.
I.e. the TV series looks bad compared to the books because they had to tackle the hard part and Martin hasn't yet shown he'll do better.
There has been plenty of hit shows prior to Lost, but I think it was one of the forerunners of the modern TV show, where the producers were planning on making something complete rather than just an infinite ratings monster.
I couldn't stand all the unbelivable behavior. When you don't know anything about someone yet, then you can be forgiven for falling for deception from them. But once you do catch them doing something inexcusable, why the f have you forgotten all about that an episode or two later? And then act all devastated when the already known bad guy is bad again later... Seemed to be happening in all different directions with all different characters at different times. I never watched more than a handful of episodes before I wrote it off as pointless contrived drama resulting mostly from inexplicable behavior from the victim(s)-of-the-day.
Just to be clear, X Files was never my favorite show, just another show that ended up having no plan, but mostly didn't piss you off for being stupid, so much so that it could get away with being aimless for a long time.
Another way to say it, X Files ended up being pointless, but it didn't feel pointless all along the way. Lost felt pointless immediately and never didn't (for the admittedly short time I gave it).
I recall liking Lost early on, when it seemed that they were all in purgatory, and, one by one, we'd learn their backstories, as they found redemption on the Island.
Frankly, I find him to be the most overrated writer and director in Hollywood because of this. I find everything he does to be borderline unwatchable. Though with his recent criticisms for Star Wars and Star Trek, it does feel like his audiences are starting to lose their love for him too.
The kelvin timeline from when he rebooted Star Trek is sort of mystery box but then we learn who Nero is in a coherent way early on as well. I did not like that JJ destroyed Vulcan and frankly made a confusing alternate, darker timeline at all. The reboots are good movies but they were not good Star Trek movies. Missed opportunities to explore the Roddenberry style themes of humanity and deep moral questions under a backdrop of optimism.
Yeah those things are great, but spending 15 minutes showing every member of the bridge crew standing up, and repeating "we are Starfleet" every episode kinda starts to get old after a little while. The shows have been great otherwise, but I'm wondering if they are making this over the top on purpose, or if they are just missing the point a little bit.
The Star Wars sequels definitely suffered from the fact that Abrams just threw a lot of shit at the wall to see what stuck, then Johnson saw it was all shit and took the story into a different direction, and then Abrams lost his shit in the final installment.
Can we please just get back to writing proper stories again?
It's actually astounding that they would treat one of the most lucrative properties in history the way they did. Maybe they just assumed Star Wars was so big it couldn't fail.
It didn't come out well, was muddled in other crap, and the whole trilogy was crippled by two arguing directors, but that basic idea was solid. If that was indeed the intention.
I also liked the first half of The Force Awakens, when it was still about the Search for Skywalker, before it turned into Death Star 3.
Combine the first half of TFA with the good bits of TLJ, and you've got a good story.
They planned a trilogy without writing it? They just shot ⅓ of a trilogy with no plan whatsoever of what should happen next?
Lucas then compounded things by selling the rights to Disney, a company famed for milking their IP.
Much as I enjoy the occasional Star Wars saga, I never really considered Lucas to be a great steward of the franchise either.
Lost was obviously in this category.
A five year mission is a much better premise.
I only watched bits and pieces and it never quite connected with me.
This is what I hate about most TV series these days, the writers value conflict over character. This basically prevents any actual character development, or even any character identity at all, as the character changes from episode to episode. This is what makes a series forgettable.
Roddenberry forbade intra crew conflict as a plot device, so Star Trek has identifiable character that people still remember. BSGs characters are already forgotten, because they lacked identity.
You mean the Book of Mormon?
https://en.wikipedia.org/wiki/Kolob#Kolob_as_the_inspiration...
https://www.beliefnet.com/entertainment/movies/2005/05/born-...
https://www.deseret.com/2014/11/22/20553208/mormon-creator-o...
https://www.millennialstar.org/battlestar-galactica-and-morm...
http://www.mormonthink.com/glossary/battlestargalactica.htm
https://www.quora.com/What-are-some-Mormon-themes-in-Battles...
Putting together a good collection of these would be valuable to founders.
Not just for tech startups by anyone selling ideas... Writers selling novels, governments pitching policy ideas, lawyers defending clients, corporate workers pitching new ideas internally, etc etc
I hope they study this stuff and I’ve seen it promoted heavily in the HN/VC world, but in practice it’s rare to find well pitched startup ideas.
Could also be stickers, hot metal typesetting (unlikely), or even phototypesetting.
I think phototypesetters arrived around 1974
Rub-off dry transfer lettering like those from Letraset or mechanical pantographs like the Leroy were commonly used for technical lettering.
But it was probably hand drawn -- "draftsman" and graphic artists were found in all sorts of office settings that you don't see today.
[1] https://en.wikipedia.org/wiki/Brush_Script
[2] Compare: https://www.pinterest.at/pin/brush-script-24pt60pt-letraset-...
Proportional computer fonts weren't printed much until laser printers appeared, which revolutionized everything.
Not sure if it was really that great. Maybe because it was so dark outside that night? But yeah, wonderful memories.
And even then, the episode only got made because there was a writers strike and they had to use scripts that were mostly finished already.
And even then the episode still sucked! It's currently ranked as the 170th episode out of a total of 176
"Beyond the farthest galaxies viewed by the greatest telescopes on Earth. Beyond the limits of our universe lies another place - a place of magic, myth, sorcery and science. Through the cosmic clouds spins a solar system with a type three star twinkling in the ether of interstellar space. About the star rotate worlds inconceivable to mere mortal minds. They are populated by deities and demigods, sorcerers and sybils, men and women imbued with the powers of good and evil!"
I can't help but wonder if that phrasing was an instance of simple alliterative coincidence or if the He-Man showrunners were tabletop nerds.
I legit consult (D&D)^2 once a full moon.
And not just for my hostname Sumerian naming convention!
https://en.wikipedia.org/wiki/What_Are_Little_Girls_Made_Of%...
For example, stereotyping (each "alien race" has its own predominant substantive characteristics) and glorification of the military are core parts of the structure.
> stereotyping (each "alien race" has its own predominant substantive characteristics)
Yeah, the so-called "planet of hats" trope is integral to the show, and spilled to many others (Stargate franchise being a good example). They did try to subvert it a couple of times, most notably and to great effect with the Cardassians and the Bajorans in DS9, and to a lesser extent with the Klingons in ENT. I wish they'd do it some more[1].
> glorification of the military
It doesn't sound that bad in context of the show itself, because the people are different. Starfleet may be a military, but (at least in TNG-era shows) it's one that's philosophically focused on everything else other than fighting and killing. For proper glorification of the military, nothing beats the Stargate series, SG-1 in particular.
Still, I'd argue that it makes sense in context. Even with the science fantasy of the franchise, by the shows' own numbers, every starship in Star Trek is a mobile, FTL-capable WMD platform. A single TNG-era photon torpedo is given a yield 30% larger than that of a Tsar Bomba[2]; TNG's Enterprise-D carried a standard complement of 250. Phasers are capable of (and shown to be used for) impromptu geoengineering. Impulse engines can speed things up to double-digit percentage of the speed of light. There's no way in hell a future with tech like this isn't thoroughly militarized - not because of potential of conflicts, but because of the need to control the tech that can casually wipe out life on planets.
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[0] - My second reaction was, my God, Roddenberry knew how to pitch a studio.
[1] - I generally wish the new shows would work more with what they have. There's decades of continuous worldbuilding to take from, there is no need to introduce new strange aliens and situations every other episode.
[2] - https://en.wikipedia.org/wiki/Tsar_Bomba - 50 MT for the nuke, ~64 MT for a Starfleet photon torpedo, based on its stated 1.5 kg antimatter payload and E=mc².
"...blonde with a shape even a uniform could not hide"
It's shockingly misogynistic!
> She is not dumb; she is very female, disturbingly so.
It is interesting how things change over time. The undercurrent in the character description for both of the women has big "she's real competent for a woman" vibes. I'm sure they were trying to be progressive and just stumbled over the attitudes of the era. Hey, we'll all be there some day, right?
Yes, the male gaze is misogynist. I don't think that still requires explaining, it has been written about a lot.
I'm which case, why is it still considered a bad thing?
Let me give you an easy out here, and tell you my assumptions. I am assuming it also only took you a minute to look up the definition. And after reading it, then couldn't come up for a reason for others to judge that kind of behavior.
I am kind of stumped of how to actually reply to this, to me it is just pretty obvious that any kind of prejudice or bias like that is strongly unwanted.
Eh? I thought you were using some obscure definition? What does any of that have to do with appreciating and making note of the female form?
Btw: this is kinda interesting: https://www.lesswrong.com/posts/yCWPkLi8wJvewPbEp/the-noncen...
Since you keep asking the same, here's some reading for you as well. It's not worth my energy to reply if your just going to ignore that and repeat your question. Best of luck.
And a more complete list: https://www.lesswrong.com/posts/FaJaCgqBKphrDzDSj/37-ways-th...
Of course that got axed after the unaired pilot episode, but in return the gender ratio took a hot with both the yeoman and Number One gone.
If you want to find a womanizer in Star Trek, try commander Riker from TNG.
Some of it does seem odd to a modern audience though, such as the episode where he gets flirty with a girl hitting puberty in "Miri." The odd part was he was taken aback when the others told him that she liked him.
What you should be marveling at is that, for the 1960s, Star Trek TOS had highly progressive aspects, such as having women about a warship at all, let alone as officers and even the first officer. For comparison, in the United States Navy, women were not allowed to serve on combatant ships until 1994[1] and having the first woman to be assigned to command a combatant ship didn't happen until 1998[2]. Even I'm a bit surprised to discover that it was that recent.
[1] https://www.history.navy.mil/content/history/nhhc/browse-by-...
[2] https://en.wikipedia.org/wiki/Women_in_the_United_States_Nav...
Meanwhile, the audience had pleasure of dealing with a Starfleet fleet admiral Nechayev in 1992, and then rear admiral Rollman in 1993.
> having the first woman to be assigned to command a combatant ship didn't happen until 1998
By that time, captain Janeway was in the middle of the delta quadrant, stirring up trouble.
I wonder if the shows had any influence on the US Navy letting in women earlier.
Trek also featured an interracial kiss (not quite the first, but nearly) at a time when interracial marriage was still illegal in several states. It was very much the SJW show of its time.
"Mirror" and "Charlie" for examples, and many others.
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Sigh.
In fact, I think technobabble was critical to the effect of the show getting people into science and engineering, and its omission would kill that effect - it's because it delivered a message: any problem faced can be overcome with help of science and technology. Sure, the terms were bullshit, but all this talk about nadion particle counts and how many cochranes does the subspace field measure, etc. reads as "this is all things we can investigate, understand, measure, build machines around".
This overall feeling - that there's nothing out of scope for science and engineering - is a major theme of all Trek shows, and pretty unique to Star Trek. In other works of sci-fi on TV, the writers tend to be too busy writing character stories and focusing on people to the exclusion of everything else.
(I may be biased about this, because TNG and its technobabble are what got me interested in the sciences, and is indirectly why I ended up working in software.)