How We Read Now
charlesschifano.substack.com
charlesschifano.substack.com
> as the writing in our century, it seems, comes in sentences that are a tad more malleable, with the age of permanence pretty much at its end
Does the author even care if this has any resemblance to truth, or does he just think it makes him sound smart? The age of permanence is at its end? What is he even talking about? Is literally anything he says in this article backed by any sort of research or evidence?
This is a good example of the Uncanny Valley just before actual interesting writing. If it were a few Twitter sentences or a snarky YouTube comment it might be boiled down to an actual point or two. But clearly this author is too good for such philistine methods of writing. No, he's much, much better than you are, you Twitter users. He's a writer. A writer with absolutely nothing to write about, apparently. So he fills an article with almost-intelligent-sounding language and unsubstantiated claims and derisive assumptions about you and everyone else and "society" and "kids these days" and shakes his fist at some cloud we're not even sure is really there and fails to make a single rational point along the way. And then he preemptively insults you for not reading the whole thing, as if this somehow proves him right.
>What is he even talking about?
The "malleable" is referencing his later paragraphs about SEO A/B testing of headlines[1] and dynamically generated text of news by A.I. based on your personal data.
Unfortunately, his writing style doesn't make it easy for readers to extract his main idea.
We also see this with titles for YouTube videos, taking down social media videos which don't get much attention to create a specific narrative, and so forth.
In other words, the media of today is not static, even once publicly published.
It's not true (or common, at least) that you can discover anything by skimming through random shelves in a library. Libraries are big and this method is unlikely to expose you to the whole range of diverse ideas and works out there; you'll just find some, possibly filtered by your own choice of library sections.
I do enjoy browsing the shelves of used book stores, though!
usually you go to a specific section _because_ it will contain a plethora of views and ways to express them, in that section, and the librarian, if asked, will guide you to the core works and what to read first to get an overview, or has them singled out in an extra shelf or table.
and in addition, your skimming is not page limited.
discoverability is the second, subordinate case the article makes, though.
persistence is the even bigger challenge: how do I know the article I've recommended to you is the article you're going to see? not just some little edition and helpful factual correction, but a subtle rewrite, twist in tone? or even worse, differently tuned articles depending on who we are, as identified by, say, our cookies, we see a 'libdem' and a 'repcon' version of the same article under the same headline? and we'll never know because your device shows one, my device shows the other one?
It could happen, but it doesn't right now, and therefore the article is overstating its case.
I had a strange feeling while reading the article, and this describes it so well! This is what I imagine writing generated by an AI to sound like if you give it the prompt “pretentious”.
And that’s coming from a self-described lover of pretentious writing.
If you're going to have a pop-up asking for my email as soon as I scroll the page, yes it is.
Are we comparing articles, opinions and news (mostly impermanent, at least by intention) with books and treatises (mostly permanent)? Or is this about how we index supposedly permanent stuff, i.e. "the library" where we store it?
I'm confused because the article starts with Herodotus and the alleged elegance and permanence of his works; but Herodotus was a historian, not an influencer. We still have historians and writers in this day and age; aren't their works as "permanent"?
And given that even physical books have multiple releases with changes, they are not exactly written in stone either.
Whether this should be allowed is a topic in and of itself.
It's only made technically easier with ebooks, but this is nothing new or extraordinary.
Ebooks are not malleable in the sense I think the author meant, of impermanence and of being specifically tailored for your living-in-a-bubble preferences. At least not now, who knows in the future?
As for the "tailored for each user", we do have proof that some personalization can and is made for ebooks (DRM, buyer's name). Is the content itself being tailored? I believe it is (with the caveat of I have no evidence). I think some censorship for sales to Russia, China, et.al. is being done transparently.
I think my Kindle notifies me when there's an update of a novel. This could of course be subverted. But are we ready to claim this is what happens to the majority of e-novels? I don't think it is. I'm also willing to bet that so far no novel in my Kindle has been edited with changes specifically tailored for me by an algorithm (meaningful text changes, I mean. I don't mean the book cover or DRM or whatever, and neither does the author of the TFA. That's why he talks about the elegance of words, which has nothing to do with DRM!).
This could change and I absolutely see a dystopian future where this can happen. But my understanding is that the author is describing the situation now, and I just don't see it.
Because you've focused on one kind of writing: books. The original article was more broadly scoped.
> you’ll have a difficult time stumbling upon anything outside your current awareness on most screens