Books are physically changing because of inflation
economist.com
economist.com
PS: e-book readers have greatly improved in responsiveness and refresh rate that it is different enough experience if have only seen the early ones
Dry eyes? Maybe Sjogrens.
I spent years barely able to look at a monitor. Turned out my prescription was constantly shifting due to cranial pressure. Medication fixed.
Eventually found out that eye doctors were giving out wrong prescription when using machine. Has to be done by hand. It’s rare, but happens.
For e-books, hopefully they shouldn’t. The reader should.
What? This article was clearly written by someone with an angle or who doesn’t follow the publishing industry. The reviews were “largely positive” simply because the book was so terrible the vast majority of reviewers opted not to review it at all. JKR obviously wields a lot of influence in the publishing world and silence from book reviewers about her latest novel speaks volumes.
Compare the four reviews of JKR’s The Ink Black Heart[1] with the 12 reviews given to Richard Osmond’s latest The Bullet that Missed[2] or Stephen Kings newest title Fairy Tale[3] which received 13 reviews or even debut novels from unknown authors like Kaikeyi[4] Beautiful Country[5] both of which received nearly twice as many reviews as Rowling.
[1]https://bookmarks.reviews/reviews/the-ink-black-heart/
[2]https://bookmarks.reviews/reviews/the-bullet-that-missed-a-t...
[3]https://bookmarks.reviews/reviews/fairy-tale/
[4]https://bookmarks.reviews/reviews/kaikeyi/
[5]https://bookmarks.reviews/reviews/beautiful-country-a-memoir...
In Poland there is this weird contest of making books largest possible. Mandatory points are huge font, enormous margins, huge spaces between paragraphs and chapters always starting from new page. Preferably with some graphic on half of such starting page. Magnified if it's a children's book. Also polish stylistics use new line for each character speaking so short conversations can take many lines.
It is shocking when you take same book released in UK or US. It looks like at least cut in HALF and actually much easier to read.
Meanwhile there are "pocket" editions that are on the small side, but better.
The only positive excuse i can find is that publishers consider that the majority of their readers would be older and with poor vision, so bigger books.
Both German and French have longer words statistically, so a translation of e.g. a 500 page English book might result in 650-700 pages after translation. Now publishers have to ponder the question wether that's still a "handy" book or if they should split it into two.
And now happens, what we see: books with 300-350 pages look a bit small, so they increase the font size, expand the whitespace and, voila: two "decent" sized books where they "accidentally" increased their revenue too, because they can sell two books.
One thing I appreciate in portuguese books is the font size. All the books I order from the UK have a smaller font than what I'd want to read after work.
I don't think the rest changes.
That's pretty much universal in modern English books, too, and I've seen it given as a rule in several places.
I'm not sure about other languages and other times, but first editions of Kafka definitely have some long paragraphs: https://de.wikisource.org/wiki/Der_Prozess/1._Kapitel
I'm a bit of Philip K. Dick fan and have "A Scanner Darkly" in two languages. Polish version is 150 pages more, an inch wider and an inch taller in size. Not that PKD elaborate language would justify more flourish translation, he was very "straight to the point". It's such a waste.
No. Not a single person has read a paper book in the last 15 years. If you go into a book store right now and see someone buying a book with cash, then you can be sure they are a mule for a money laundering operation.
The people in public spaces that are "reading books", the pages are actually all blank. They are paid actors employed by Big Publishing to keep the facade up that they are legitimate businesses, and are not just fronts for laundering money for drug cartels and the like.
They are all in on it, and you better keep quiet, or they will be on to you.
As a student (or even researcher), you often gets these papers from similarly "questionable" websites because the typical university subscription for academic journals is not as encompassing as you need it for your studies/work.
Few wrote read textbooks, they are often used as reference or worked from. But textbooks can form a through line or a framework to guide you through a subject in a bespoke way - as pictured by an expert or team of experts.
Try a non-university library, an airport, a beach, a coffee shop, poolside, or any number of other places, but university libraries are for studying and doing homework, not usually reading books.
They are very very big blocks of plaintext in sequential order. There’s only so many things books are good at. I’ve seen people buy paper books for classes with open book exams where ebooks are allowed and that’s just a mistake.
I feel as ebook technology improves just a tad from where it is today so we get some great large format color I’m probably going to stop buying books to save my wallet and I feel long term the physical book will become a novelty and picked up by hipsters in the same fashion as vinyl.
This also makes it harder for my kids to read. Too many screens, games and youtube, and they just don't want to read from paper. My oldest at least reads some manga online.
I am having some cognitive dissonance here.
I have hundreds of books in my pocket. Thousands if you count my O'Reilly subscription.
Nothing about them has changed because of inflation. Except maybe the price.
Yes, all my books "feel" about the same now. And if I don't like the way they feel - maybe because of the font size - I can adjust that for any book.
Here is what I am confused about. Nobody calls an old vinyl LP or a CD "music". No one calls a DVD a "movie".
Why is the idea of a "book" tied so closely to the physical medium it is printed on?
Yes, of course I realize that many people prefer those creamy pages and beetle-black fonts. And for some things I do enjoy the printed page.
But for the most part, I am happy that I have all my books handy on whatever device I'm using. I don't think any more of a book as being the printed word.
> A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover.[1] The technical term for this physical arrangement is codex (plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.
...so the book is the medium, not the abstract work of literature. A novel can be available as a book or an eBook (or, if you feel really "retro", as a scroll) the same way as a music album can be available as a vinyl record, a CD or via streaming.
Literature is to music as a book is to vinyl or CD.
This is orthogonal. A glass can either be the physical item, or used as unit of literature. In the current context, nobody cares about the unit.
Not really. More like, "a container". It goes in the direction of "physical" (as opposed to the content), but it is not necessarily physical. For example, a file already is a "book".
> Yes, of course I realize that many people prefer those creamy pages and beetle-black fonts.
> But for the most part, [me me me]
So is your confusion about semantics, or that some people prefer physical books, which you seem to understand anyway?
How is your preference for digital books in conflict with line you quoted?
The drawbacks and upsides of both medium types are obvious, as is the fact that a medium isn't synonymous with it's content but not irrelevant.
Maybe because until some 15 years ago, physical books/magazines/newspapers have been _the_ medium that people had been using to consume the vast majority of written texts over centuries, from their very childhood to old age.
Doesn't surprise me at all.
Well, terminologically (which is not the exact focus), because 'book' is the «medium»: 'book' comes from "bark" ("beech") and as such intends the container; the content could be called 'text' ("the weaving of ideas").
So, on the actual point:
-- the distinction involving "vinyl" and "opticals", "music" and "movies" on the one hand, and books on the other, is simply that relatively little option for the "storage of words" has fused the ideas of "books" and "texts" more closely.
-- and going towards the point of the quote, there is an actual experience of the object, an appreciation, which is important to some. You have a parallel in "music and movies", but more than in the container, it is in the "reproduction equipment" - theater vs mobile vs television vs projector etc.
That's a pretty neat feeling when you don't remember the words but the idea and the rough location so there's some distinct utility. But perhaps AI fuzzy search will suffice in the years to come.
Movies used to come on VHS tapes, now they come on DVDs or via streaming.
Music used to come on 8-tracks, then cassette tapes, then CDs, now streaming.
Novels once came as scrolls, perhaps, but still mostly come as books, although now often ebooks.
Non-fiction writing also mostly comes as books, and I suspect non-fiction ebooks are a smaller percentage of overall non-fiction sales than that of novels.
For what text amount - which one cannot really write as "content amount" - is concerned, that is limited to some specific slices of the "market", e.g. what in some territories is called "literature for evasion". For that matter a piece of information run according to which the highest slice of market in the USA is of colouring books - but that just stretches the gap between "what a book can be" and the standard of "the codified way to convey information and wisdom". It is odd to speak about books and refer to "commissioned hypnotic material".
what once was denounced as "undoing" was "newspeak" (as per Orwell), which is in a way the opposite...
I can confirm that the original post was the opposite of "«salad»": the structures were intended and all (reasonably) terms were chosen.
For example, sentences begin with capital letters. Your parenthetical word should have been "reasonable," not "reasonably."
If your English were correct, one might think that readers just aren't putting in the needed effort. Since your English contains multiple errors, I believe that's asking too much of readers.
Now: «sentences begin with capital letters»: yes, not always. In the specific case, a colon was placed and a LineFeed-CarriageReturn for highlighting - the sentence was judged as clearer in two lines. Please note that conventions are local and hardly objective: for example, the French add spaces around (some) punctuation, the Germans invert the acute quotes (those which I use for quoting, '«' and '»')...
The parenthetical was set as 'reasonably', an adverb, because it was meant to be joined to the verb at the end, 'chosen', and placed in that position to modify 'all'. It means that you cannot write 'all terms were chosen' because that would be possibly literally false, but they are substantially so - "a particular effort is taken in choosing the terms - reasonably", with an accent on "more effort is spent on some than on others".
As you see, those you noted are intended choices. You are calling them "«errors»", they are more "deviations". To "err" is more random, like the Brownian motion of those who are lost; to "deviate" is more conscious - and done because the statistical norm, that of consuetude, that of the patterns for GPT (etc.), did not fit.
--
If you, like many of us, fiddled with music: yes, like Schoenberg said, first you know the "general rule", then and only then you break it - I largely agree, especially if you mean "you have to be competent to hack".
You clearly have a goal other than effective communication, and I wish you well in pursuit of that goal.
"Stubborn", makes a contradiction, if you - correctly - understand that the goal is different.
The goal in fact is more than «effective communication», but "correct expression". And as you should know, "wrong" means "twisted", but I am the one who is attempting to "make it straight".
Language "in use" will be followed as much as it fits with the prevailing goal of correctness. A philologist is not an ethologist.
For the other goals that you could adopt, consider "cleanness of thought".
And of course, I thank you for your best wishes in the pursuit!
You seem articulate in whatever your native language is, but you clearly have no idea how to express yourself in English.
Here's a tip for you: Write simpler. Good English is short and simple.
I may be not using "English in use" (that is honestly really very far from my aim), but the effort is towards a """certain""" English. I am sorry if you may find it unclear. (Also, it can happen that sometimes I "cut corners" on the time required for proper expression.)
> translator [...] You seem articulate in whatever your native language is
No. I absolutely am not expressing myself according to any native language. Even in my native language it happened quite normally that, for example, professors at school said "ok, let me concentrate intensely now" before starting discussions and exams. I can tell you that I was said to have the highest talent for writing - but unfortunately for this public, here we exchange information and ideas instead of "poetry". :) This is not a translation of anything, just the transposition of elaborated thoughts (of thoughts as they are developed).
--
Edit: I also believe that "Now drop and give me twenty" will return us fitter personnel than "Please, be fed from a straw" - about the Newspeak I mentioned. That is not to be over-used and certainly not abused - just used proportionally to the intended message.
If you intend to accuse my style of something, be more substantive - I just rechecked what I wrote and, yes, I had to correct a 'could' into a 'can'. For the rest, I do not see anything wrong.
You state you "«feel»", but in a discussion board you should elaborate.
If I didn't know better, I would say you just threw a prompt into some overgrown Word document macro and copypasta'd its output.
-- the article seems to convey the idea of the emergence of grounds for further degradation of quality in the material used for printing books, and I observed that in some territories the "build" quality (for publishers with the highest output) is already dire, using other territories as a parameter. So, "worse than that it will be either a challenge (vertically, for the publishers already going for "pulp fiction" quality) or a further spread (horizontally, for the publishers that still tried to avoid "pulp fiction" quality)"
-- the article seems to stress the issue of "verbosity vs scarcity", and focus on that "literature for spare time" in which "the longer the text, the merrier" is more frequent than in intentional artistic literature, where text length varies from a few megabytes, but very exceptionally, to possibly very little (I noted in a different recent post that texts seem to vary from ~100k to ~1000k at the quintiles) - to write huge texts is much more frequent in works with the sole purpose of filling gaps in an "entertainment market". So, I noted that it is an odd presentation that which brings books as a topic but seems to focus on "attempted blockbusters" (which may be prominent in quantity but will not match what a book, i.e. "«the codified way to convey information and wisdom»", represents).
What I originally wrote does not seem that complicated to me - at least, not unnecessarily: it matches what its intended content is. You are not "at McDonalds", "where chewing is an effort you are spared": real world, relative effort is part of the game. When you "read" something, you have to be an active part in understanding, you are called to "fill in the gaps". I mean, you would be right in accusing of making it overly complicated if there existed ways to express what I wrote - but exactly that - in a different way; whereas, what I wrote was exact (though incomplete, to keep within a reasonable amount of text).
And if something is not clear, just ask.
--
Edit: also (speaking in general, really not necessarily about the present exchange): one can note a phenomenon of "people who simply cannot read, unless the message and its form are the simplest" - this, out of experience. This is extremely worrisome, in the social context. One can also note that some seem to be embracing an idea according to which, "if they don't understand, the problem must be in the message" - which is differently but equally worrisome. These are signals that should call for the highest concern.
> and to me, boring
We are not here "to avoid making you bored"...
--
Edit:
> overly verbose
Well, in a way, but that comes because when one is asked for clarifications one tends to be more "complete" in the writing, leaving "less gaps to be filled by the reader". The verbosity is there because the original shorter expression was not clear to some.
--
Edit2:
> the way you communicate
I would say, it's (also) "the way I think". From reflection to expression it's pretty literal (apart from the hassle of picking the most proper terms).
This is not the problem here.
> - this, out of experience. This is extremely worrisome, in the social context. One can also note that some seem to be embracing an idea according to which, "if they don't understand, the problem must be in the message" - which is differently but equally worrisome. These are signals that should call for the highest concern.
The highest concern for everyone reading this thread has been your pompous writing style (think in SNR terms if the word "pompous" is too loaded/offensive)
But feel free to believe everyone is lying and only you know the truth.
Oh, also:
> the truth
Well, show it then.
As I was posting (the initial, original post), I was actually a bit concerned about "you are saying that publications from the UK and USA already often feel a bit cheap in their make, and you are noting that the article's author indicates a book crisis but heavily remains in the "entertainment" area: that is probably not the most insightful of posts" (it was meant to be an initial kernel for possible further development), and instead there has been an uproar about the style. Oh well.
> It is difficult being a deep thinker manytimes
I would not regard myself as a particularly «deep thinker» - I could not measure and rank that, the level is that which it is - though I have a mandate to that for academic and other reasons, but I am seeing strange directions, exacerbated by social networks, involving people claiming rights to judge through basic emotional reactions, and dismissals of whatever is not immediately digestible (and more). That "everything" requires an effort was a basic tenet, in a past society.
> For what paper scarcity is concerned...
> For what text amount... is concerned...
I don't think this construction works as well as you think it does.
If I can try to translate what you meant, I'd guess:
As far as paper scarcity goes, the foremost US publishers have already been publishing only "pulp fiction" for a long time, especially in contrast to publishers in other countries.
As far as text size goes, that's only an issue in some segments of the market. In some countries it's called "literature for evasion." For that matter, the biggest slice of the market in the USA is coloring books, but that stretches the definition of "books."
I don't even think I agree with most of what you said, but it wasn't until I tried to translate it into readable English that I knew that.
In the second point, I noted that the amount of text (character count) seems to have a critical relation to the burden set by inflation primarily with that literature that seems to be inflating the number of pages as part of its virtual "key performance indicators". Which seemed to me an odd focus in the article, since "many things are a book" (it seems to some data, as I mentioned, that the largest part of books sold in the USA are colouring books), but for Books (especially when we are talking about a context of crisis), I think of James Joyce and Umberto Eco, not of those produced with the purpose of "I really need to think to something different than the daily hassles, for the longest possible time".
I would avoid it just like I would try to avoid in French the expression 'tout le monde' for "everyone", because "it is not the whole of the world: it is just this room", or in Spanish the term 'Argelia' because, "really, you inverted them sounds".
That is how I write: vetting the expressions like a judge. I do not know if you do the same.