No matter its goal, the story hits a raw nerve. The mix of emotions over inequality, natural superiority, and its implications one way or the other is one of the strongest cocktails, I feel.
No matter its goal, the story hits a raw nerve. The mix of emotions over inequality, natural superiority, and its implications one way or the other is one of the strongest cocktails, I feel.
(Seeing other Westerners confusedly borrow the same dichotomy is also entertaining, as it often fits poorly to them and they surely should know better.)
The US left do advocate for something resembling weak ‘equality of outcome’ in that poor and ill aren't thrown under the bus. However, while the left can be seen as reducing personal economic freedom, the oppression of social freedoms is a purview of conservatives. So ‘Harrison Bergeron’ is closer to a parody of a right-wing dreamland. Perhaps incels would in fact welcome an ‘equal outcome’ social world, where they are on the same level as Chads.
The story itself is pretty light on discussing any specific norm (other than maybe gender, but I think that just wasn't on the author's radar), whether economic or social, but it does tackle the general sense of 'master' vs. 'slave' morality as described by Nietzsche, which is somewhat perpendicular to the left-right spectrum and shows up at both of its ends. Harrison is parodied as the extreme 'master' who justifies seizing power as a natural birthright deriving from his absurd set of qualities, and the government is parodied as the extreme form of 'slave' morality where nothing counts beyond the good intentions of people and any form of competence is seen as dangerous and unfair.
We have a word for this in English: Americans.
Nevertheless, I feel that 'USian', despite being motivated by an understandable disgruntlement, is used/proposed in bad faith for these reasons: 1) 'American' is the demonym a consensus majority of Americans have have chosen for themselves. 2) 'USian' only works in textual conversation, in spoken conversation it is one small mumble or tongue fumble away from 'US Asian' aka Asian-American. 3) Combining an uppercase initialism with a lowercase suffix is unnatural, not idiomatic English. The clumsiness of this term seems deliberate. 4) It is rarely used except in the context of bitter remarks about Americans (such as above.)
These four factors combined lead me to conclude that the term exists and is primarily used for trolling Americans.
I say all this just to be annoying, of course. When I'm talking to a Latino in person who complains about it, I explain it all in fluent Spanish to make sure my point is well taken.
Every country in the world has a name for its people, and that just happens to be ours and it's not going to change any time soon. Besides, not even Spanish speakers enjoy using the word "estadounidenses".
Remember that his exemplars aren't great Randian industrialists, but like... dancers. Artists. Quietly intelligent men like himself. Vonnegut isn't saying "the strong should triumph and stand on the backs of their lessers and dominate the world" but rather just "let great and beautiful things be great and beautiful".
And there's the subtle misogyny that our hero is smart and his wife is a bit dense and happily accepts their dystopia. I love Vonnegut, but that fits with his writing through and through. Vonnegut's women generally... aren't great.
Yes, letting greatness be victorious has kind of a conservative bent because it also implies letting the losers lose, which runs runs against progressive ideals that Vonnegut seems to hold of making sure everyone is taken care of. I think Vonnegut was the kind of man who could hold both those thoughts in his head at the same time.
We contain multitudes.
In general, it's a cute story within Vonnegut's body of work, but anybody who fixates on this one piece... it's kind of a red flag of "I would do great and awesome things if only the bleeding heart liberals stopped holding me back!"
Let's be brief and accurate instead.
Because they have genders, right?
Sometimes a cigar is just a cigar, not a statement of identity politics.
With that lens, kind of reflects the 20th century nerd experience; The tall-poppy nerd kid who is "handicapped" in school and, escaping into adulthood, becomes an arrogant and overbearing prick.
I have found it to be multi-layer, with an obvious layer at the top, and other stuff for those who delve deeper.
This is first degree satire. Your third degree satire is actually satire in the second degree.