Why the Rings of Power Show Is Not Good (Part #7934)
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I'm almost certain they cast these shows specifically so they can find someone on twitter to say something racist, and then all the journalists can write ads- er I mean "articles" about the supposed backlash to the diverse casting that's apparently very widespread, even though I never see it. Every time a new show comes out, I only find out because of the dozens of articles claiming that there's a huge swathe of people upset about a black person in it. The entire marketing ploy is so clearly planned in advance, I can't believe we're still doing this routine after all this time.
I mean, seriously. Race-baiting? Race-baiting. I can't even fathom the twists of mind it requires to believe this.
I've seen a lot of people talking about the "supposed backlash to the diverse casting" that they never see. Those people don't realize that they're the backlash that the rest of us are talking about. That's why they don't see it. It's a blind spot. It doesn't require someone to say something overtly racist like using slurs or whatever. We've already got legions of people complaining about race-baiting and how there is no other explanation other than it being a cynical marketing ploy, like NO other imaginable explanation because of course these POC would not be hired for reasons other than being POC.
Why is it so hard for some people to believe that these days, casting can cast a wider net and that there are plenty of qualified actors of all races that will still fit the parts being cast?
that's not the part that's hard to believe. there are enough talented actors to make an entire (good!) cast out of any single race if the management so desired.
the part that's hard to believe is that the racial makeup of the cast is not itself an intentional choice. this particular story is a PR minefield for a large company. in universe, there are multiple literal races (species?) of humanoid creatures that have intrinsic differences. there's no way they just "let the chips fall as they may" on those casting decisions.
I don't think they deliberately chose a diverse cast to be able to argue that anyone who didn't like the show was a racist. I do think it is part of a larger strategy to make their $750mm show appeal to a broad audience at the expense of upsetting nerds whose suspension of disbelief is shattered by an interracial dwarf marriage.
I cannot imagine being this cynical about something that is, at the end of the day, an Amazon Prime show.
edit: removed judgmental tone
- Tom Holland Spider-Man does not have a red-head MJ, Flash is Indian and the made up best friend is Filipino.
- Domino in the Dead Pool movies is black. NTW doesn't seem to have the same powers and is gay. But I'm not sure what the current character status is.
- Everything Everywhere All at Once
- Black Panther
- Shang Chi
- Jordan Peele does good work: Nope, Us, Candy Man, Get Out
- The Expanse
- Life of Pi
- Sandman swaps a bunch of stuff
Appetite for completely foreign media is much slower in English speaking countries but once in a while you get a major break through: Crouching Tiger Hidden Dragon, Parasite.For iconic female leads: Terminator has Sarah Connor, Ripley from Aliens, The Bride from Kill Bill, Charlize Therons character in the last Mad Max movie. Buffy. I apologize for how narrow the genres are here.
I don't think the popular media for anything I just mentioned was too negative (maybe Black Panther?). Is it really just the fans? I bet the overlap of Rings of Power watchers and watchers of the stuff I listed is pretty big ...
edit: formatting
My main frustration is how they did not have Durin as a reincarnated figure, but as part of just a lineage who happened to name themselves the same, like an English king. Thats pretty central to the dwarven situation in The Hobbit and LotR, and it feels incredibly dumb they left that out. I would love for an adaptation of the Children of Hurin, or the struggles of Fingolfin leading to his final battle with Morgoth, or something...but no, they decided to write their own lore in.
I have not watched it for the same reason that I avoided Shadow of Mordor. What I know is from the articles and reviews of the show surrounding its release. But the fact that they did not have the rights to the Silmarillion bewilders me why they would try to appeal to fans who have already read it. Tolkien and his son spent near a century working on the lore, and it feels wrong to have a corporation decide to throw it all out for a quick buck.
If they wanted a fantasy show to fight Game of Thrones, they should have had an original work. I mean, look at Invincible! Outside of the hardcore comic book scene, nobody has heard of that. Because it was such a good story, people spread the word like wildfire. They can create something original, and that original work can succeed. They are Amazon. They have the marketing to put it in the public's eye, and the money to make it good. Instead they rode the coattails of an author, and even claimed "it was the story he never wrote" as though any of that was based on his works.
They had to. They didn't have the rights to Children of Hurin, or the Silmarillion. And they're never going to get them, because the Tolkien estate is never going to sell those. (And I'm frankly surprised that they let the LotR rights get so far out of their control as to make The Hobbit and this possible. Plenty of authors these days want more control over what happens with their story.)
They only had the rights of the Appendix to LotR. There's tons of material in there, but not a complete story. So they took the events from the Second Age to write a story about (though they already seem to be mixing some events from the Third Age into the mix). They could have made this a grand multi-millennia epic, but instead they decided to mix the events of 2000 (or even 4000?) years together into one big soup.
Like, imagine if I wrote a story where everyone who died in Hunger Games duked it out as zombies, then claimed it was Suzanne Collins because I have the rights to the characters but not the books. I would rightfully be mocked, even though the story was loosely based off of the original story.
Rings of Power should have been its original world. Not a ripoff of an author that people love dearly, because they wanted the name recognition without the rights.
Sauron the flaming eyeball? Denethor smacking his lips and dribbling food down his chin so that even the last person in the audience understands that he's a "bad guy". Faramir getting tempted by the ring? It's quite interesting how some people treat it as some sort of gold standard of faithful adaption...
Personally, while I loved the LotR movies, I also feel like they were the worst thing to happen to the books. Ever since the movies came out every studio has wanted a piece of it for nostalgias sake. I remember when the first two Narnia movies came out I was sad that not as many people liked it since I love Lewis every bit as much as Tolkien, and I wanted my enjoyment of the books to spread. Prince Caspian had inaccuracy problems, but the core story was there. After the abomination that was 2010s Dawn Treader, and seeing how corporatized Middle Earth has become, that seems like a mercy in hindsight.
But they do have the rights. They have the rights to this.
The problem is that they're mixing everything up into a nonsensical story and telling it poorly. And I really don't understand why, because with their budget, they should have been able to get the best writers in existence.
> Rings of Power should have been its original world.
I don't think it would have been able to stand on its own without Tolkien's name attached. Certainly not with this kind of budget.
Same here. The pacing is inconsistent, and some of the characters seem pretty off. The pacing is not as inconsistent, and the characters not as off, as The Hobbit. Therefore whatever, it's fine. Is it going to be my favorite show? No. Will I watch it? Yeah.
Still, low bars everywhere. Why can't these sort of shows be made by people who simultaneously love and understand the source material, but also know how to write a good story?
I can definitely relate to this. I didn't mind the first two at all, but the last one was not enjoyable at all for me. I'm the type of person who usually has absolutely no interest in cinematography as an art form (tending to roll my eyes a bit internally when someone actively makes sure to use the term "films" instead of "movies"), but watching The Rise of Skywalker was the first time I ever felt strong negative feelings towards a movie purely based on, well, film-making reasons. I was almost overwhelmed by how quickly the camera shots were changing; at one point I started counting how many seconds each shot lasted, and it took several minutes before I counted one over four seconds. The dialogue also felt extremely stilted; I remember reading beforehand that they had used existing footage of Carrie Fischer due to her dying beforehand, and it seemed like their solution to shoe-horning in the lines of hers they had without making them stick out was just to edit it so that all dialogue in the entire movie felt spliced together rather than the actors actually being on set together.'
The Rise of Skywalker may have done a better job of catering to people's nostalgia in terms of where they expected the plot to go after the original movies, but I don't think that doing what people expected is what made the original movies good in the first place.
Given these constraints, I probably won't be too upset by any liberties they take once I get around to watching the show - never mind that by now, I've probably forgotten most of the lore anyway ;)
That said, I'd have preferred a taller Galadriel and bearded dwarf ladies would have been fun...
When I read this review, the author's complaints are all trivial. The three examples of the show being terrible are: 1. Elron and Durin are really good friends, 2. Galadriel looks suspiciously strong, and 3. the Hobbits aren't reacting the right way to a broken ankle.
I'm sure this type of article plays well to a person with a disposition, or someone who has been steeped too deeply into certain internet subcultures.
I'm enjoying it and I'll keep watching it, but they've stirred the entire history into an incomprehensible soup, and the questionable plot keeps jerking characters around to places where they shouldn't be. But if you can sit back and not think too hard about it, it's great. Especially the Disa+Durin+Elrond scenes.
What I would do instead is this:
Season 1: Galadriel founds Eregion, Celebrimbor makes friends with the dwarfs (with Elrond's help, if we really have to have him), and they get to work making that forge and whatever else Celebrimbor needs, possibly with some politics and negotiations. Numenorian ships arrive and set up some trading posts all over the coast. We probably get to see some stuff happening in the southlands, including Orcs preparing to turn it into Mordor on behalf of Sauron who we don't see there. Instead Sauron shows up in disguise and tries to persuade Gil-Galad, gets blown off, eventually succeeds with Celebrimbor, and teaches him how to forge the rings. The rings get forged. The season ends with Sauron completing Barad-Dur and forging the One Ring in Mount Doom. (Or maybe he does that in the penultimate episode and in the last one he starts his invasion?)
Season 2: Sauron attacks Eregion! This season is mostly going to be war. It's not going well for the elves. The Numenorians are doing great, but not getting involved very much yet, until the final episode when they arrive just in the nick of time to bail the elves out. Together they defeat Sauron. Everybody is happy and all is right in the world.
Season 3: The focus shifts to Numenor. They grow more powerful, their trading posts turn into forts and cities, but they also grow more jealous of the elves. Rebellion and division in Numenor. Sauron is subtly corrupting some human kings, giving them rings, and turning them into nazgul. (Or maybe they got those rings in an earlier season? When do the dwarfs actually get their rings?) This season lacks a bit of a climax. Probably something ring-wraith related. Or maybe the repentance of Tar-Palantir when he realizes how Numenor is going wrong?
Season 4: Ar-Pharazon seizes power! His expedition to capture Sauron. All the events up to the fall of Numenor. Spectacular climax assured. We've got to know Elendil and his family during this season and they escape the destruction.
Season 5: Elendil makes friends with the elves and they form the Last Alliance, fight Sauron, Elendil and Gil-Galad die, and Isildur refuses to destroy the ring.
That's epic. It's in the right order. Every story has room to be told, but keeps focus. There's plenty of room to invent more stuff in every season. You can still have Sindar in the southlands discover Orcs there, for example. Just let all the big events each have their own season.
I would concur with the article's assessment that the Galadriel character is not true to the world.
If they didn't have the rights at all, maybe they shouldn't have pretended it was Tolkien and not used his names.
I would have loved an original big fantasy show, but I think it's pretty clear that would never have gotten this kind of budget. They're entirely trading on Tolkien's name and not fulfilling that promise.
They cannot even accidentally make a Tolkien-accurate story in the universe unless it’s directly depicted in one of the sources I listed above. My assumption here is that they chose to intentionally make a unique story to avoid a lawsuit. However, this is also the equivalent to rewriting the backstory for Jesus and telling Catholics to just give it a chance because the cinematography is so good.
Some people are happy to watch badasses swing swords at things. Other people are interested in character development, world building, and storytelling. He is saying the show panders to the first group while neglecting the second.
Some people say that hardcore fans will hate on any new adaptation, regardless of content. But the few SciFi movies that actually did commit to narrative focus and believable characters got rave reviews from the same crowd. Dune and the Blade Runner sequel come to mind.
It is absolutely possible to do justice to existing properties, and to write new great stories in them. But existing successful properties also seem to attract writers who are just looking to milk the franchise's reputation for a quick buck.
The story you're telling should be able to stand on its own without the big name attached. If it can't do that, it doesn't deserve the big name.
they really weren't...
the choreography of the big lightsaber fight in the last jedi is mediocre at best: https://www.youtube.com/watch?v=C3HMz25LvnY
you could almost pick a lightsaber fight at random from the prequels and it would be way better than what's linked above. but here are a couple examples: https://www.youtube.com/watch?v=onRnL6MBunU https://www.youtube.com/watch?v=3mJFjNu51IQ
george lucas did a lot of dumb things in the prequels, but by god he cared about the fight choreography.
And other people are saying that nothing happens, that it's all character introduction and setup. Peoples' complaints aren't very consistent
I think this is the problem with dual purposing movies for both kids and adults: you can’t have intricate politics in kids movies and you can’t have simplistic world building in adult movies.
I don't know about that. I didn't read the Harry Potter series until my 30's and I absolutely loved it. Full of imagination and wonderment, I was utterly captivated. I've also re-read The Hobbit and Lord of the Rings multiple times throughout my life and it seems to get better every time.
I'm pretty cynical about big budget movies and TV shows in general though. I prefer shows where all the emphasis is placed on the writing and acting, such as Better Call Saul.
If people think this is bad, then they truly haven't see a bad tv show - with bad effects, bad writing, bad delivery, bad acting, continuity errors, and so on.
> Rings of Power Is Dull
Some TV shows are slower than others.
> Example the First: The Dwarven Test of Endurance
Durin commands the other dwarves, and was punishing a friend for imagined or otherwise misdeeds. I'm pretty sure he can do what he wants with his own agency.
> Example the Second: Galadriel Sword Troll Thing
I can't see this as anything else than sexism - there was no complaints at the absolute insanity that Legolas did in the LOTR trilogy.
> Example the Third: Broken Hobbit Ankle
These aren't people living in the modern world. Why apply our sense of fairness or compassion. The author even says we wouldn't be able to understand what the middle ages were like.
> I'm Not Watching More
LOTR films were not as Tolkien wrote. I recently re-watched them and they're not perfect either, to heap praise on the films but scorn the TV series is looking back with rose tinted glasses at best.
> The violence in this show is way too explicit.
Again, perhaps the author should revisit the original film trilogy because it was certainly violent.
You definitely can. It's better to just defend the show if you like it, rather than telling other people what they can and can't do.
You should take your own advice.
Eh, I very explicitly remember them going over board with him and talking w/ friends how it really took us out of the movie. Same thing with Yoda in episode 2 (I think?) where he's flying around like a ninja. Feels like the movie stopped and some exec swooped in "BUT WHAT IF HE WAS A NINJA MAKE IT HAPPEN!"
I felt the same thing with that fight scene. And I think author did a pretty good job of explaining why it was off putting (because it felt shallow). For me personally I might re-phase to say it felt childish. Leader of a group of warriors goes and fights this huge ancient scary thing, they are all worthless and get beat up (but seem totally unharmed?), she swoops in and insta kills it while doing backflips without being touched by it. It just feels like something an 8 year old would write.
There are examples of bad writing in here. But you're right; it's not all bad. And effects, acting, etc are generally pretty good. Though not great. (Except Disa; she's great.)
> I can't see this as anything else than sexism
The complaints about Galadriel aren't sexism. At least, the legitimate complaints aren't. If anything, the show undersells her. She should be one of the three most powerful elves in Middle-Earth right now. She ruled Lindon and rules Eregion, and yet her nephew the high-king dismisses her like she's a nobody. And she acts rather irrationally much of the time.
I think the main complaint about the troll fight isn't that she's the one to kill it (because of course she is), but that the other elves are so completely useless.
> LOTR films were not as Tolkien wrote. I recently re-watched them and they're not perfect either, to heap praise on the films but scorn the TV series is looking back with rose tinted glasses at best.
The LotR films are really pretty good. By no means perfect, you're right about that, but they treat the source material with a lot more respect than The Hobbit or the Rings of Power did, and the result is a much better story. It was made with love, and you can tell. I can forgive Osgiliath (even if I still miss the Scouring of the Shire).
I am reminded of this quote by Gildor: "Elves seldom give unguarded advice, for advice is a dangerous gift, even from the wise to the wise, and all counsels may run ill."
Galadriel and Legolas are very different characters in more ways than just sex and ignoring those differences makes the characters more superficial. I read the critique as suggesting another kind of sexism in play: that Galadriel had to be portraited similar to Legolas (in a kind of macho way) to be seen as powerful, rather than exploring the traits that Tolkien gave her. For example, when I read the books, Galadriel gave me associations to Virgin Mary - and for Tolkien, a resemblance to Virgin Mary would be the greatest honor for any character, far more than being competent with a sword
I agree with you that the films also contained violence - and the author does not deny this. But I agree with the author that some of the scenes are more explicit than necessary and they made me too uncomfortable
I do understand why they did it: they wanted her to end up in Numenor. But they did that in a poor way, and for poor reasons, because the destruction of Numenor isn't supposed to happen until millennia later. The rings haven't even been forged yet!
Incredible that you were able to go back and verify that "The Bottom Feeder" had not complained about the absurd depictions of Legolas in the LOTR trilogy. Alas, more misogynists and bigots!
/spoilers
Can’t wait to find out who Sauron is, if he’s in the show so far.
They're clearly writing a completely new timeline, made up of parts of Tolkien's timeline.
(Of course, this makes the trope I'm complaining about Older Than Dirt, since the Sumerian King List claims their kings ruled for tens of thousands of years)
Sauron can shape-shift so in the second age he shows himself as a fair and beautiful man, but he's also portrayed as a werewolf and vampire in the books at different times!
-All the rings were made for elves except for the One. The 3 the elves ended up with were made in secret which is why they escaped Sauron.
With the elves warned (when Sauron out on the One), the other rings went to dwarves and men instead.
-Sauron lost the ability to shape-shift and appear fair with the drowning of Numenor, where he was.
Doctor Who was great, opinion disregarded.
I can't tell if the Bezos Rings show is bad or not yet, it certainly has some very corny scenes but it does some things well (for example the casting is very good imo, all the actors are distinctive/weird looking instead just being blandly handsome and forgettable like 99% of shows). I've definitely seen worse.
The Peter Jackson movies were also pretty corny in parts and had no surprises except for the unconscionable omissions, but I quite enjoyed them anyway. Maybe this was mostly affection for the source material, idk. I don't expect the Bezos Rings show will be as successful, but it might be. We will see.
People talk in very emphatic terms about liking or disliking it mostly as a form of affiliation. Critic vs audience numbers are all over the map even for 2022, ratings are crazy bimodal, there’s very little serious cinematography criticism going on.
I’m not even taking a side here, I think it’s fine but not worth the billion bucks or whatever, I have very “medium” opinions, but it seems to be driving everyone berserk in a way that I can only attribute to the power and money of Prime.
(Not to disparage the skill that goes into light rigging).
That's technically true, but so many people are just SO happy to see orcs and wizards, none of the writing matters. Especially if it has a big brand like 'lord of the rings' attached to it plus an enormous CGI budget. You could have children write the story and it'd still make people happy.
I didn't watch it so I have no opinion so far. But, I also hear people say "Netflix is a wasteland of unfinished shows" but I still like a lot of shows and movies on Netflix.
In a way, these people portray it as so shitty that when I do watch these shows I enjoy them. To these naysayers high expectation was met with disappointment. For their readers who watch it anyways, low expectations are met with enjoyable mediocrity.
I don't care how much money is spent on it, does it entertain me? Can I turn off my brain for a few hours and watch this? That's my low bar.
This is based on tolkein's work, these stories are obviously not written by him. The audience is also basically every prime subscriber not a nice audience of fantasy book readers tokein wrote for. The culture and social dynamics have also changed a lot since the early 2000s movies.
I mean, I was shocked when people were hating the hobbit, it was in some ways better than at least "the two towers".
Im gonna have to disagree. Overall it was decent, but the pacing was horrible. As well, adapting a childrens book to be gritty leads to a lot of tonal problems that I had problems with. The Two Towers, at least in my opinion, is the best movie in the Jackson series. Especially when you factor in the emotions of Theoden King when he lost his son, and the fact that it was all his fault he died. He was the one who listened to Wormtongue, and banished him. Pair that with the highs and lows of the Battle of Helms Deep, and you got an emotional masterpiece! I didn't get any of that from any of the Hobbit movies.
But are they finished?
To me, yes there are execution problems. But the core problem is different. It is trying to be Game of Thrones. It's telling several different stories in parallel - the harfoots, the humans, Galadriel, the other humans, the elves. Clearly, one day, these will combine, but at the moment it's five under-served, boring stories. None of the characters are worth getting to know. This is because they're trying to do the complex plotlines of Game of Thrones. But they miss that GoT started as 1 plot. It was the starks of winterfell. Stark went to the capital. End of season 1 he dies and his kids are thrown to the wind and it's only then that the multple plot lines start to explode. By that point you've got a deep investment in the characters and it evolves from there. The exceptions to this - Dani etc. struggle through this, I remember watching the Dani scenes in game of thrones and thinking "For gods' sake when is this going to actually link up with the story" and entire plotlines fail when they don't keep the thread (Dorne).
That said, nothing against folks who enjoy it. It's a very well made fan fic! Who am I to tell others that they shouldn't enjoy it.
Given the licensing constraints I truly don't know why they didn't just remake Lord of the Rings into a TV show. Rewriting background stories for established characters is a fools errand.
I'm curious about the differing fortunes between "Rings of Power" and "House of the Dragon." The "Rings of Power" peaked at episode 1 (7.4) on IMDB, and has been declining with every new episode. Compare this to "House of the Dragon" which seems to be picking up momentum, and the most recent episode was rated extremely well (9.1). Both of these shows cater to audiences with strong opinions set in established worlds.
I think he nails part of why, but in general the problem is these shows (due to the economics behind them) have to make people "relate to it" like a modern Disney/Marvel/Pixar movie, whereas the story is set in a time which is _not_ relatable.
When you know this, every part where a character does something that is "too much in line with modern sensibilities" can feel inauthentic, and suddenly "break the experience of watching it".
At the same time, _shrug_. It does seem inevitable.
No it's not.
(meta... meta... meta...)
--A guy who watched Suits
Few people bother to climb the steep wall of cognitive dissonance required to embrace the fact that the source of their problem might be intrinsic. Much easier to paint your displeasure in the palette of extrinsic and objective failures.
You’re still an ass, but at least you don’t have to think of yourself as one.
The reciprocal of this in comedy is claphter. When people clap or laugh because they hear something they agree with, whether it's funny or not. Usually not.
People say things like "It's/They're not funny" if they don't agree with the person, sentiment, message a lot now.. Which, doesn't work. My favorite thing to do is give comedians, any comedian, at least 5 minutes after the end of their first joke to see if they can make me laugh. There are comics out there who really rubbed me the wrong way at first but had me laughing before time ran out. Can't make me laugh in 5 minutes, your special is over. If I'm giggling before then I'm watching the whole hour, don't care who you are.
I'm not really digging Rings of Power but She-Hulk is the current "show that is bad™" that I really like. I was a huge Marvel kid but I've been sick of the MCU since about Iron Man 3. [0] She-Hulk gets the comedy structure right (the show runner wrote for a bunch of Adult Swim shows and Silicon Valley) and doesn't feel like it was written exclusively for ten-year-olds. Feels like they'll get their footing by season 2.
I've been reading a lot of articles saying things like "the men are unrealistic in She-Hulk." But, I've heard guys say some of the lines from She-Hulk verbatim. The dialog can be an exaggeration.. But it's not that inaccurate. I'm guessing parts of the scripts were transcribed more than written.
The best part about She-Hulk is that you have people who are good at what they do but are still pathetic playing off pathetic people who aren't good at what they do. It's funny.
[0]: And yet, I still watch every single one of them. WHY? I don't know, hope? Hawkweye was pretty good. And, that's from a guy who would say "Shut up Hawkeye" to his girlfriend every time Jeremy Renner opened his mouth.
Is She-Hulk bad? I think it's pretty good. It's very different because it's very light-hearted and seems to be staying that way (unlike Wandavision, for example). I think it does what it does very well, but you have to judge it for what it is, and not by the standard of other MCU shows, because it's completely different.
That it's you saying it implies that it's your opinion.
There's plenty of room to say "it's good" or "it's good except these parts"
"I don't like it" leaves little room for disagreement. I can't disagree that you don't like it
I'll submit that this proves the existence of people who only LIKE it for political reasons, and not aesthetics.
The latest Star Wars trilogy was heralded as magnificent, and only bigots wouldn't be able to appreciate it. Really feels like The Emperor's New Clothes here.
None of what is happening here is lost on us no matter how much you attack HN. We can see through it and that's why they hate us.
These new series seem to jump around time and traveling much quicker. Overall, I still am enjoying them though and don't understand a lot of the internet criticism.
The article gives legitimate criticism based on story and character.
> Rings of Power could never, ever be Tolkien. It could be, at best, competently made "I Can't Believe It's Not Tolkien." Yet, Partially-Hydrogenated Tolkien Substitute still could have been a good show.
Okay. Sure. But they can launch movements where people try to expand on what they've already created. In this case, the Rings of Power show is beautiful, jaw droppingly beautiful in scale and execution, showing a world larger than has ever been depicted on TV before.
https://winteriscoming.net/files/image-exchange/2022/08/ie_9...
https://winteriscoming.net/files/image-exchange/2022/08/ie_9...
A lot of attention to detail has been paid in the little things and I think it's amazing.
But that's besides the point. The point is that these are shows and properties meant for the young, people in their teens or those who are growing up. The Hobbit was meant for children. The Lord of the Rings for adolescents. These are stories meant to fire up a young person's imagination and get them to dream bigger than before.
By reducing these properties to an audience of adult fans, I feel, does them a disservice. As yes, absolutely media can be made to be enjoyable to all ages, but trying to please these fans is often an exercise in self immolation as whatever you create will never be as rosy as the memories from their childhood. But they are a powerful market. They are the ones buying the merch usually, instead of parents buying it for little kids. And so they have an outsized say on what happens within the product.
It's baffling to me to see older generations maintaining a stranglehold over the stories that they enjoyed when they were younger.
I think we should give these series and places room to grow and become into something more for each successive generation. And enjoy the process of that growth.
Because almost every single person who is disappointed by this series is a diehard, middle aged, Tolkein fan (often male). Who grew up with Tolkein in the 80s, a time when its very reading was an act of mild rebellion. From the article,
> Wayyyy back in the 70s and 80s, science fiction/fantasy/superhero content hadn't completely taken over the culture yet. New nerd content was rare and treasured.
> The Superman movie (1978) was mind-blowing. (I’m old enough to remember when Superman was a good guy.) A new Star Trek series was an impossible dream. Battlestar Galactica was cherished. We were so desperate for sci-fi stuff that we watched Doctor Who, for God's sake!
This is not true anymore. And in that change, the stories that have been told and whom they're being told to has changed as well. And that genuinely seems to bother these middle-aged fans. And I think that's okay. It's hard to let go, but let go they must so that future generations can cherish what they cherished, with fresh, unblemished eyes.
/spoilers below
I think it's good. And personally I like that they managed to keep some characters completely mysterious, like Adar and the Stranger and you can't tell who Sauron is. I'd guess it's possibly neither.