Spring Reverb Tanks Explained and Compared
amplifiedparts.com
amplifiedparts.com
Spring reverb is neat - it's a weird sound and it obviously most famous for being in vintage Fender guitar amps, and also in rackmount reverb units used in reggae/dub music etc.
Something I'm very fascinated by is "convolution" reverb, using a recording of physical space ("impulse response") to make any other digital sound actually sound like it is in that space.
it's cool how easy it is to download impulses from all over the web and load them up into a free plugin to hear sounds in different spaces.
A fun little easter-egg with the Sequential OB-6 synthesizer, it has a digital spring reverb simulation with an accelerometer. So you can smack it just like a real spring tank [1]. The slaps sound a little unrealistic but it works well enough.
You'll probably have to wait until those instruments get as popular and then stand the test of time well enough over as many decades.
For each alphabetical tank type on the tables (like where you see two different impedances in the top row for Type 1 & 4 vs. Type 8 & 9, but the second row for that alphabetical type shows a single lower ohm reading for both), the lower ohms are about what you get when you manually measure the DC resistance at the input or output jacks of a disconnected reverb tank, using a regular ohmmeter. The higher ohms in the upper row are the much higher working AC impedances that the signal encounters under operating conditions.
This is referenced in the asterisked comment under each sub-table.
There may be a corresponding asterisk in the lower rows that is not displaying in my browser.
Also look at where it says "Avoid mounting the outer channel of the reverb tank directly to the mounting surface by using grommets, rubber standoffs, reverb tank bag and liner or other products designed for mechanical isolation." To me that should probably be changed from "avoid mounting" to "always mount" since the mechanical isolation is the preferred way.
Interestingly, about 25 years ago when Google first came out, you could easily find a link to a posted picture of a much-older vintage Accutronics tank showing the factory label which once proudly related that they were built by beautiful women in a climate-controlled environment.
Today's Google not so much.
> Avoid mounting the outer channel of the reverb tank directly to the mounting surface by using grommets, rubber standoffs, reverb tank bag and liner or other products designed for mechanical isolation.
was probably intended to be read as
> Avoid mounting the outer channel of the reverb tank directly to the mounting surface. This can be done by using grommets, rubber standoffs, reverb tank bag and liner or other products designed for mechanical isolation.
Had not heard of reverb tanks before today. I wonder what other interesting sources of reverb are out there.
https://www.nshos.com/HAMMOND17.htm
I have a couple of these lying around, but they're useless in a portable application.
https://www.youtube.com/watch?v=oXItDwgf6hM
Not quite portable, however.
If you dig fun reverb stuff, check out Stuart Dempster's recordings. His underground overlays album has trombonists in a large underground cistern with a natural 40 second decay.
I use a pedal based DSP stereo reverb to simulate spring and plate. (Ventris) My instrument make for playing with reverb. It is two strings with stereo pickup and played using a computer controlled rotary magnetic bow. (Electroduochord)
This one was done autonomously using a Puredata feedback loop. https://stefanpowell.bandcamp.com/album/autonomous-drone-lul...
All the code and the 3D model to build all of that is here: https://github.com/spDuchamp/OSCRMB