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Comment by kiba | Hacker News Reader

Here is my creteria for art:

If someone mistaken it as trash and throw it away when cleaning up the gallery, then it is not art.

If trashmen are arguing whether or not a piece is art, then it is borderline art.

If they ignore it, then the art piece is art.

Otherwise, we have no standard at all, and the art world would only belong to elitist who can't draw a damn and status seeking idiot who up the price of a particular 'art piece'.

Beautiful is not in the eyes of the beholder.

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  If someone mistaken it as trash and throw it away
  when cleaning up the gallery, then it is not art.

Would a random person from the 1500s who did not grow up with Jackson Pollock as part of acquired culture know that they shouldn't just throw away a Pollock piece that was laying around?

Indeed, there are several examples of museum janitors from present day removing a portion of (or the whole) art thought to be trash. http://news.bbc.co.uk/2/hi/entertainment/3604278.stm http://www.powerlineblog.com/archives/2011/11/swept-away.php

And funnily enough, the reverse scenario played out at least once also. In 2009 in New Zealand a very controversial 1st prize of $15,000 was awarded to artist Dane Mitchell in the Waikato National Contemporary Art competition.

Dane did not even come over to NZ from his residence in Berlin, or send any artwork to the competition. He simply phoned in instructions to the janitor to wait until all the other exhibits had been prepared and their packing and scraps had been cleaned up, and then told the janitor to empty the contents of the rubbish bin and enter it as his sculpture :-)

I do hope he split it with the janitor.

The latter is funny to me, because claiming the removal of paint makes a work "irreparably damaged" just sounds like insurance fraud to me.

The piece could, in theory, be restored to its previous form. But the question comes down to: is the art the result or the process that creates it? If it's the latter, then it can never be properly restored.

That's a terrible argument given that I consider Pollock paintings trash, not art. (Or in other words kiba's criteria is excellent and you just proved it.)

And I'm sure there are a lot of people who agree with me, but less who will say so.

The emperor has no clothes.

And many others who disagree, like me. So how is a completely subjective definition 'excellent'?

I've actually always wondered this, so I might as well ask you.

When I first came across them I was sure it was a joke or a fraud, but people seem serious about seeing some kind of art in them.

So what is it? As best as I can tell it seems to be a form of http://en.wikipedia.org/wiki/Pareidolia

I don't see any characteristic shapes or figures in them; in fact, I'd say that would detract from it. If it's a sensory experience, a feeling transmitted in a very raw form.

It's something like seeing atonal free jazz.

It is also worth noting that, at least for me, seeing a tiny jpg of a Pollock can in no way compare to actually seeing the real thing. I was totally indifferent to his work right up until the point I stood face to face with an actual painting. The size and 3-dimensional textures and all the other little details that, to me, really make the works great, cannot be translated via an image.

Yes, you could perhaps call it Pareidolia. When I look at the aforelinked image http://www.terraingallery.org/Pollock-Number-One-1948.jpg , I see many things, or rather the hints of things. I have a hard time believing it is not intentional, or that the paint was thrown on canvas at random.

While the form is chaotic, the palette and composition are delectably on target. I am very much reminded of this image: http://cache.foxsaver.com/thumbnails/2008/01/04/205959019l.j...

See, someone should "know" that it's a piece of art. Just by looking at it wouldn't be enough. Someone has to tell someone else that it's an art. And exactly that type of art is something I cannot digest.

So, Pollock: http://www.terraingallery.org/Pollock-Number-One-1948.jpg

And random art from 1500s: http://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mon...

I wouldn't call the first one "art", but perhaps it's just me. So 1500's...

Funny you should make that comparison. The first time I saw a large Pollock drip painting up close is probably one of the most profound art experiences I've had. Seeing it in full scale and being able to truly comprehend the the 3d texturing and layering and dynamics of the work was awe inspiring.

The truly amazing thing about the experience was really how completely by surprise it took me, I had no expectations or pre-conceived notions. I was just walking around the museum and all of a sudden there was this painting that I couldn't take my eyes off of. I probably spend half an hour just standing there studying it.

Conversely seeing the Mona Lisa in the Louvre left me completely unmoved. I mean don't get me wrong I totally get it's almost unprecedented cultural and historical significance and as an historic artifact I'm really glad I've seen it, and I completely appreciate the amazing skill and craftsmanship that's gone into it. But as Art and as a profound artistic experience it falls far short for me.

Really a poor definition to be honest with you. Ignoring the questionable premises listed there, it also fails to fully encompass art.

For instance,

Are forgeries art? Are movies art? Is literature art? Is pornography art? Is a pianist playing a piece composed by Liszt an artist? Is cuisine art?

None of these questions are answered by your definition.

> Beautiful is not in the eyes of the beholder.

Art isn't about beauty.

> Otherwise, we have no standard at all,

But there clearly isn't a standard. If there was, there would be somebody trying to break it.

That reminds me of a scene from that animation movie about Iran (Persepolis). There is a scene where someone can not get required heart surgery because the revolutionary party denies it - the person responsible for the decision is the former janitor of the person who needs the surgery.

In the same vein you want to leave it to trash men and cleaning ladies to decide what is valuable culture. I don't think it is a good idea (and I am trying hard to avoid Godwin's law here...).

In all scenarios it's still art. Nobody can disprove that. You can, and should, however debate whether it's good art or not.

That definition is limited to small physical objects. What about 4'33", is it art? What about Christo's works, like wrapping the Reichstag or the Umbrelllas[1] ?

[1]: https://en.wikipedia.org/wiki/Christo_and_Jeanne-Claude

Or what about Gianni Motti, who created a piece of performance art by walking the length of the Large Hadron Collider?

http://arts.web.cern.ch/works/walking-arts-sake

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