I was part of a long creative writing course (about 9 months), and our class of 20 formed a bond of helping each other A LOT. Sharing tips, beta reading, posting about prizes, open calls for literary magazines, etc.
In this class, we decided to start inviting published authors to share tips for beginners. We got mostly positive responses. Professional writers would spend about 2 hours with us (online) sharing tips and answering questions. All of them were very transparent about how they write and gave useful tips on how to get published. They said things that would be impossible to learn without talking to a professional author.
So I call you a cynic, as you asked me to, and a wrong one at that.
One is that while there are a lot of things that people will share with you (they often want to share their expertise/craft and be good humans), there are a number of things they won’t share with you.
Two is that when you are starting out you are in a position where almost all information from an experienced artisan is helpful. That can mean you may easily miss what they are not telling you.
This is not to say they are misleading you or hold ill will because the information they withhold from the conversation would not be useful to you anyway, as you are not in a position to use it or be a threat to them.
Also, the mentioned example seems very implausible. What makes an author unique is not what source they used for inspiration. Two writers will get the exact same “19th century travel journal” and write to completely different stories inspired by it. In different genres most likely.
I am saying that if you went in asking certain direct questions about the author’s work you wouldn’t get the same reception.
I agree with your point about the outcome of discovering a journal in a broad sense but think reading parent’s example accurately requires a lot of context of being in the industry, presence at the right events, and knowledge of the zeitgeist. There is still competition.
Also, the existence of secrets among humans due to competition seems to be a moot point. Bringing the discussion to the original point, if said competition prevents the existence of a writers' HN, I believe that is completely false. HN is good for entrepreneurs. The fact that they don't share their sales leads here doesn't matter at all for the existence and quality of HN.
Hiding the right secrets in an early company is critical, whether they are technological that you are hiding from competitors or business plan endgames that you are hiding from customers (but perhaps you aren’t aware of them and only the VC sees it). There is a big difference between some person thinking they have a great idea but won’t tell anyone, and determining where you draw the line on sharing product, go-to-market, etc. People who raise enough money have the “that’s the secret part” point of the conversation. The conversation goes better if they communicate that in a way most people don’t notice, though, and so at that point they frequently redirect, deflect or defer.
I think we see the audience of HN differently — from my perception it is predominantly aspirational entrepreneurs, not actual entrepreneurs that make up the majority of engagement here. While no doubt the percentage of entrepreneurs is higher here than just about anywhere else, entrepreneurs have less time and there are just far fewer of them. What I believe is predominant here though, whether entrepreneur or not, is engineer/developer roles.
Regarding your point on competition I think we understand the two cultures of engineers and writers differently. Writing has less constraint, and in my experience that means it is more reliant on ego expression. It can be humbling but a person can also make a great career being a terrible writer. Engineers make things that function. If you are a terrible engineer, your work will rapidly disappoint probably a lot of people, and either you improve, you hide somewhere adjacent, or you leave the profession.
I think HN works for a variety of reasons including the general humility of engineers, the general lack of desire for the spotlight, and the frequency of dramatic and immediate improvement of workflows due to new tools. I don’t know which of these and other reasons are critical but I am skeptical writing has enough of them. Maybe with a new generation of writers.
What I was referring to specifically was inspiration and knowledge of niche events that become the details that bring prose / art alive. These immediately lose their effect if they are reused which is why my friends who are professional writers dedicate an enormous amount of time to research in the hope that these details may jump out to them.
In a lot of contemporary art, a curator's view of work is often hung around a particular piece of research and that must be unique to warrant the attention of the public - my original point was that that research just can't be shared until the work is revealed.
However, maybe to your point, there is a lot of value in a more technical literary HN which encourages meta discussion on the process of writing rather than the content.
Cynics would rather be wrong.
Not even in work?