Agreed. They should be, right?
Nothing annoys me more than paying for a movie ticket and sitting through 10 minutes of commercials before a film.*
I would hope after the customer backlash over the pricing change that Netflix will be smart enough to stay away from commercials.
* Drivers who camp out in the left lane annoy me slightly more. "Stay right except to pass."
That way I don't get constant adverts for women's skincare products and get stuff about new video games instead.
But more importantly, pre-allocated seats encourages people to show up late to the screening and miss the ads and trailers, and potentially even miss out on the concession stand. If you don't have pre-allocated seats, you need to turn up early to be assured of a good seat; and what are you going to do in the (initially darkened) cinema waiting by yourself, if not consume some snacks that you bought.
The cinemas around me (London) charge extra for the privilege of pre-allocation.
I don't go there much since it is too expensive and it isn't kept clean but at least the seats are numbered.
The local cinema were we use to live didn't have numbered seats and was much more cozy.
Is this really a problem? All cinemas in Norway (that I know of) have pre-allocated seating, but there is never anybody who ensures that people sit in the right place. If you find that someone is sitting in your seat, you simply tell them to move. I've never heard of anyone refusing to move.
I've watched movies in cinemas all over North America, and the only one that ever had numbered seating was a dinner-and-a-movie place where your seat was used to keep track of your order.
I love movie previews.
Some theaters I go to play commercials (i.e. ads for products) before the movie previews.
I would more than happily sit through a long block of all the commercials before the show if it meant that I could watch the show, in its entirety and without interruption.
I can't find it, but I recall a conversation with Joss Whedon who proclaims the commercial interruption to be the hardest thing in TV-writing to accomodate, and are the most jarring obstacle to an otherwise well-told story.
A month of Netflix costs much less than a single movie ticket. Sometimes I wonder how they manage to keep the subscription rate so low without advertising.