Peng Cheng on how ancient crafts inspire her masterful typographic posters

Personally, some of these are evocative of Alegria[0] -- the bubbly monochromatic (hideous) corporate art style that is dominant in America -- with a Chinese flair.

0: https://eyeondesign.aiga.org/dont-worry-these-gangley-armed-...

Large flat bold colors are pretty much the trend these days.

They are posters, so the colors will definitely look different in print than on screen.

I’m guessing these are spot colors from the Pantone catalog. The nominal sRGB value is often quite different from what the actual pigment looks like in different kinds of lighting.

The lighting of the space is something to consider particularly for poster color design, as posters typically need to look striking from a distance in rooms with uneven lighting.