Moon Illusion
en.wikipedia.org
en.wikipedia.org
[0] https://en.wikipedia.org/wiki/Terminator_(solar)#Lunar_termi...
EDIT: here is a better explanation: https://chrisjones.id.au/MoonIllusion/
OK, the point is that when the moon and the sun appear to be the same height in the sky the sun is actually "above" the moon, because it's further away. Therefore the moon is lit from "above".
Sure it does. If the sun were closer to us than the moon it wouldn't be possible for the sun to appear lower in the sky yet appear to light the moon from above. Indeed the opposite would be true: it would appear to light the moon from below.
So the relative distances to the objects is exactly relevant to determining from which direction the moon appears to be lit.
> It doesn't have anything to do with distance to the objects
yet if the moon and the sun were the same distance from the Earth the phenomenon would not occur, so I'm having trouble understanding what your claim means. It seems the phenomenon can only arise because of the difference in distance to the objects.
EDIT: No, I think that's not even right. This is very mind bending!
This stackexchange question[1] has some interesting answers. The pictures where the lady is holding a globe and the one that shows the sky as a circle (round horizon) vs a flat horizon are my favorite.
[1] https://earthscience.stackexchange.com/questions/14809/what-...
Edit: but ignore the flat-earther in the comments.
Unlike a camera? ;)
> equally imperfect recollection of prior experiences
I guess we (humans) put our understanding of the world into the mechanics of the camera, so somehow I see the mechanics of a camera like a summary of human "recollection of prior experiences" regarding visual imperfection.
Cameras have higher overall resolution than the eye, as well as it being consistent across the sensor surface (unlike the eye). Eyes have pretty good dynamic range, but DSLRs are definitely catching up. Same with sensitivity. So I'm not sure whether I'd describe a camera as being all that imperfect.
But the point I was making is that we mostly navigate the world unconsciously believing that we perceive it directly via the light that hits our eyes. But we actually "see" an unfolding reconstruction that our brain pieces together from evidence contributed by our eyes and memories. If your vision is good, and especially when you're young, it's easy to be completely unconscious of the actuality of vision.
> I guess we (humans) put our understanding of the world into the mechanics of the camera, so somehow I see the mechanics of a camera like a summary of human "recollection of prior experiences" regarding visual imperfection.
Interesting question. I wonder if photography changed the way that people think of their vision - compared to previous methods of visual capture like painting or drawing? I suspect not but I don't know.
While it’s better at that than your eye, that is vastly different from perceiving reality over time. Which is, incidentally, the only way humans perceive reality.
The way you perceive a scene to large extent depends on experiences you have had immediately before that (as well as in all of your prior life), your mood, what the air smells like, whom you are with, and so on. If you sit in a grey room for a long period of time and step into a garden, the colors will jump at you. If you grew up in a small town and stepped onto a rooftop in the middle of a modern megalopolis for the first time, you might initially be stunned by the amount of detail hitting you all at once; if you lived and seen that image every other day for years, you’d be inclined to filter out a lot and focus on what changed. You would not be able to be tricked by your mind into thinking the moon is surprisingly large when it’s near the horizon have you not had the prior experience of seeing the same moon overhead. So on, so forth.
Furthermore, the “objective” light values captured by the camera are fairly useless by themselves. We have to trust bundled software, film manufacturers, or indeed our own skills to interpret those raw values in terms of display space, and hopefully produce something resembling what we have experienced in the moment.
As an aside, it’s often frustrating how some believe that the output of camera’s JPEG engine at default settings is how reality is. It irks me when someone characterizes a dull[0] photo as “true to life”, and a photo interpreted to make the most use of P3 color space as “edited”, implying that it’s no longer representing reality objectively. There’s no objective representation of a single moment in time and there’s no useful reference point here; both outcomes are “edited”, but perhaps in the latter case the photographer tried to convey how they felt in the moment rather than defer to the view of whoever engineered their film or camera’s JPEG engine.
[0] A film or camera engine, while designed by undoubtedly skilled people, is optimized to provide acceptable outcomes for most diverse scenes and doesn’t really know much about final output medium, and as a result the outcomes tend to make a very conservative use of available color space.
Addendum: and yes, I do suspect that this aspect of photography has influenced (and not in a way I would characterize as “good”) our perception of reality and how we think about our vision.
Cover one eye and look at something, then uncover the eye, and notice the added "depth" information. Personally, I don't observe the depth information from stereo vision in a way that I can easily describe in terms of a (single) photographic image.
Apparently the images from the two separate eyes are combined after processing some of the depth information. My consciousness does not seem to have direct access to the entire pipeline.
(I made some goggles to experiment for longer durations. Great fun.)
Similar things apply to face recognition, instantly comprehending words from letters, mathematical formulas (possibly only for trained mathematicians), and perhaps even fear of spidery images.
For example, he is able to show that our unconscious processes that are responsable for parsing text and numbers are able to assign conceptual meaning to words/numbers (ie "five" and "5" lead to the same meaning), before any conscious awareness.
Although my summary hardly does it justice (as I'm still half-way through reading it), I highly recommend Scott Alexender's book review on Astral Codex Ten[0], it gives an exhaustive overview of the book and the subjects it covers.
[0]: https://astralcodexten.substack.com/p/your-book-review-consc...
It sounds like you might be interested in experiments with deliberately redirecting your eyes. There's lots of interesting phenomena you can achieve by pointing one eye at one thing and another eye at another thing. Here's a paper of mine which can serve as a sort of stepping stone into this wide unexplored field: https://philpapers.org/archive/ALEDSK.pdf
… like a camera does :)
https://www.cambridgeincolour.com/tutorials/cameras-vs-human...
Dictionaries:
merriam webster: to perceive by the eye [1]
dictionary.com: to perceive with the eyes; look at [2]
cambridge: to be conscious of what is around you by
using your eyes: [3]
Etymology: eymonline: Middle English sēn, from Old English seon (Anglian sean)
"be or become aware of by means of the eye; look, behold;"
and
It is attested by late Old English as "be able to see with the
eyes, have the faculty of sight, not be blind." [4]
[1] https://www.merriam-webster.com/dictionary/see[2] https://www.dictionary.com/browse/see
[3] https://dictionary.cambridge.org/us/dictionary/english/see
Where does this "perceive" happen?
> merriam webster: to perceive by the eye [1]
> perceived ... attained awareness
Perception is part of the definition you provided. How do you come to call it not relevant now?
Does the eye of a dead person see anything? Is it like a camera that clicks in a forrest with no-one to hear?
The notion of eye mentioned in the definitions you quoted is to distinguish "see" from other senses such as "hear" or "taste." Even at a physical level, the eye alone is little like a camera. It has an uneven distribution of light sensors with spaces without coverage (optical nerve).
"The retina is actually a piece of the brain that has grown into the eye and processes neural signals when it detects light. Ganglion cells carry information from the retina to the higher brain centers; other nerve cells within the retina perform the first stages of analysis of the visual world. The axons of the retinal ganglion cells, with the support of other types of cells, form the optic nerve and carry these signals to the brain."
"Investigators have known for decades that there are 10 to 15 ganglion cell types in the retina that are adapted for picking up different movements and then work together to send a full picture to the brain. The study estimated the amount of information that is carried to the brain by seven of these ganglion cell types."
I was providing an answer to your question. The location of perception isn't relevant to the definition of the word "see". This conversation was about the word "see" applying to the eyes.
"I saw a cow outside" - "No, you perceived a cow. You have no idea what you saw because you cannot access that information."
Does this seem like a good definition of "see" according to you?
Of course that's not true.
> "I saw a cow outside" - "No, you perceived a cow. You have no idea what you saw because you cannot access that information."
No. You both saw and perceived a cow. You also thought the cow outside was too skinny for being a Chianina. We perceive things through the use of the senses, and then we interpret, discern, and think.
You perceived a cow through the senses of sight, smell, and maybe sound and touch but probably not through taste. Your sense of sight was used to see, making you aware of the cow in that way.
Why so much discussion about the basic meanings of words that can be viewed in a dictionary? I find it odd that on HN people want to debate the meanings of words, when those words are already well defined.
Are you saying that the brain interpreting signals from the eyes (real-time) cannot be affected by past experiences (i.e. interpreted)?
If that’s not what you’re saying then I’m not sure what your opinion is, feel free to re-state it if you want to have more pointless discussions ^^
Night Vision, Heat Maps, LIDAR, and Telescopic lenses can capture more of the world 'as it is' than humans could ever hope to achieve. It's why we developed them! :)
Cameras and their sensors are just different from the human eye. This doesn't make them capture reality "how it is", they just have different capabilities and they make different trade-offs. They are certainly different, but not necessarily "more real".
Cameras don't capture "reality".
An insightful link on this topic, shared previously here on HN, which is very illuminating: "Photography is not objective" [1]
[1] https://aaronhertzmann.com/2022/03/17/photography-is-not-obj...
But really maybe there's no simple explanation other than "that's how the brain works", and we assume there has to be one.
The Ponzo illusion is one possible explanation of the Moon illusion, with objects appearing "far away" (because they are "on" the horizon) appearing bigger than objects "overhead". However, some have argued that explaining one perception ("appears far away") in terms of another ("appears bigger") is problematic scientifically, and that there are probably complex internal processes behind these illusions.
It is how proved to myself my eyes can not be trusted really
herein lies I think the real cause of this illusion - It's the way our brain perceives size in things that are considered to be at a disconnected distance from each other, and things that are seen to be 'connected' being perceived as being the same distance. As soon as the moon comes close enough to the horizon to be perceived as 'connected' in our minds, the perception of it's size is shifted dramatically.
This same effect occurs with tall islands - If you're standing on the shore and look towards the island, it appears one size. If you move inshore and lose sight of the water, viewing the island over rooftops and such, it appears much more massive.
Screw games, I'm more interested in stuff like VR/AR software that's helping surgeons and mechanics. That's the real future to me.
https://cdn.theatlantic.com/thumbor/r3PYEwue-SKDCmd_v7HgzEF2...
In the same page they clearly state that the full moon's size varies due to its eccentric orbit. We all know the moon is sometimes clearly larger and that's the reason, this illusion stuff strikes me as mostly subtle b.s.
You mean looking at the images on the wiki page ? Yeah it doesn't work for me either, seeing it in real life works every single time on me though
I saw this illusion tonight when I suddenly saw the moon behind the top of a distant tree. I think the suddenness adds to the illusion, and the explanation of the brain's image processing reasoning about the size because it is compared to something distant feels right. It does not feel just a small amount bigger - at least double the usual size. Even as I looked at it, the illusion weakened. It was obscured by trees and building as I walked towards it, and again I saw it rise again over a building a little way off. The illusion repeated, though not as strong. Much later I saw the moon in the sky, and it looked normal size.
I do not have the illusion anywhere near as strongly when I look at that skyline photo, although I can sort of see what they are trying to describe.
I think many photos of the moon zoom in, greatly increasing the apparent size, and I don't think this is the same as the illusion, although in a way, comparing the moon to a building which is known to be large may contribute to the illusion we perceive when seeing it in real life (not in a photo).