The pre-Ghibli work of Hayao Miyazaki and Isao Takahata
vulture.com
vulture.com
Also, Future Boy Conan is really excellent, too. Its ending/credits song is one of the best ever when it comes to anime.
[1] https://www.animenewsnetwork.com/encyclopedia/anime.php?id=8...
[2] https://www.animenewsnetwork.com/encyclopedia/people.php?id=...
It is a great show, it’s just… variable. Some of this is by design, as a Jigen plot is going to be darker than a Fujiko focused episode. Every once in a while there will be an episode that’s pitch perfect and has a Spruce Goose (I wonder who directed that one?) but then the next episode is a bit lame.
Or there’s the version with better music, Cowboy Bepop. The tone is a bit darker because the Lupin analogue is age twelve but it’s still fun.
The TV series obviously toned it all down, but the first season is the closest to the original material - hence the bleakness and the crazy jazz score. Unfortunately it's also the worst one from a technical perspective, although it's one of the few products of that time that will continue to be watched probably forever, hence acting as a document.
I felt as the show went on, it became more and more silly, and I lost interest. I'm not sure how many episodes I ended up watching and at what point Miyazaki and Takahata left.
The movie is they directed was also very good.
I did enjoy the dark themed, somewhat recent spinoff "A woman named Fujiko", which is also recommended by a sibling comment.
Definitely simplistic compared to some more modern material, but I think it still holds up as something for younger kids who might not get more complex storylines. It's a cool modern fairy tale even if a few of the characterizations might be a bit iffy to modern sensibilities.
Every single film was fantastically unique and worth the watch.
So in a sense, Studio Ghibli is the product of Nausicaa, and Nausicaa is the product of the not-yet formed Studio Ghibli.
https://en.wikipedia.org/wiki/Daicon_III_and_IV_Opening_Anim...
as a sidenote, i'm happy vulture put "spirited away" and "my neighbor totoro" at the top of their ghibli rankings[0]. these two films are amazing. i wouldn't have ranked "castle in the sky" at 3, but do agree that "grave of the fireflies" and "princess kaguya" should rank highly. "howl's movie castle" or "ponyo" would probably be #5 for me. "arrietty" would be last, despite me not having seen 5 of the films yet.
[0]: https://www.vulture.com/article/best-studio-ghibli-films-ran...
Up to the Disney contract, the Ghibli heads (Hayao Miyazaki, Isao Takahata, and Toshio Suzuki) were explicitly interested in exploring japanese issues. Their priority was always to do well in Japan, and to communicate their views on japanese problems (like environmental and societal pressures typical of the country) and japanese lore. Some of the later tensions with Disney producers, which eventually resulted in them parting ways, were precisely due to pressure from the States to make the material more accessible to international audiences.