Once in a Lifetime
ethanhein.com
ethanhein.com
Pull Up The Roots has been the most impactful TH song for me so far. I was obsessed with it for about 6 months. I literally listened to it probably 2-3 times a day for those 6 months. I was in a point of my life where I felt like I needed radical change so "pull up the roots" was a powerful message for me. Also I love how weird and chaotic the message is and the song is just downright catchy to me.
https://www.youtube.com/watch?v=tQS6XfuH2wE
That whole Speaking In Tongues album is quite good. Definitely my favorite TH album. Great name for an album and very attractive cover art.
True Stories is also a very fun peak into the 80s. https://en.wikipedia.org/wiki/True_Stories_(film)
Wild Wild Life is my favorite Talking Heads song, and how does one even say that about any one TH song? https://www.youtube.com/watch?v=616-QGQyx-I
Byrne is featured singing on an Arcade Fire B side of the same name, which as a fan of both I find surreal to hear singing together. His part is towards the end of the song.
The entire NPR 100 series is solid gold and introduced me to so many albums and musicians that became favorites to this day. If you want some great stuff to listen to check it all out: https://www.npr.org/series/18955124/the-npr-100
Stop Making Sense is one of the all-time great music movies (and I try to watch 'em all).
Once in a Lifetime is a song where you just have to ask "where the hell did that come from?"
Same here! I thought, "there's no way Talking Heads is near the top of HN".
> Stop Making Sense is one of the all-time great music movies (and I try to watch 'em all).
I still find it hard to wrap my head around the fact that Jonathan Demme, the director of Stop Making Sense, also directed Silence of the Lambs and Philadelphia.
https://www.youtube.com/watch?v=BFvgWguaC9g&t=1763s
I make it a semi-annual tradition to watch all of Stop Making Sense. Never disappoints.
If this is referring to the original, it sounds like a Dsus4 atop the F-sharp/A ostinato in the bass. AFAICT the pitch class c doesn't show up until the guitar riff at the very end.
And that addition of c in that repeated guitar riff at the end is such a nice change. We should popularize a category of songs called "One Chord Substitution and the Truth." The Proclaimer's "I'm Gonna Be" is in that same category-- listen to it and see if you can spot the lone instance of a disco chord. :)
> Tina Weymouth never plays the tonic!
While I'm not sure exactly what Tina Weymouth was playing, somebody was generating the d a ninth above middle c and sustaining it literally the entire song.
Commits?
They are referring to a cover of once in a lifetime performed by Kermit the frog snd the muppets.
As an aside I read that fela kuti was an influence to eno at the time and I think that can be heard in the repetitive nature of the song, especially in the guitar lines.
That's very high praise.
With all respect and sincerity, I'd love to know your age and music listening background. While I, too, enjoy the song, it's definitely not in my top 100 of greatest songs ever written.
Perhaps you and I have nearly identical musical listening histories, in which case I 'high five' your pick for #1. Absent that, I can't help but think there are some songs you've not heard.
There are certain objective measures, e.g. Top 5/10/25/100 lists by critics and other credentialed people. There are record sales and polls and now, thanks to streaming, "listens". Yes, each of these have an element of subjectivity to them but also certain patterns become apparent, such that particular songs and artists show up again and again across the various measures.
Never felt much for many of his other songs either. I hate Psycho Killer.
I mean, there has to be lots of cocaine on that stage, but epic nonetheless.