It's also a matter of finding the right instrument for you, which could turn out to be a surprise.
I suspect I'm older than they typical HN demographic, but I made several attempts to learn piano over the years and was never able to stick with it. I also tried bass guitar and that was fun (and pretty easy!) but you only get so far without playing in a band which I never had the time for. Then I picked up my dad's accordion (of all things) and got to wondering what it would be like to learn to play a simple song on it.
That was two years ago and since then I haven't missed a single day of practice, learning, or playing for fun. Which surprises the hell out of me, because I'm the kind of person who bounces from hobby to hobby and project to project and rarely finishes anything. It's frankly amazing to have _something_ I can say I have worked on (and towards) every day for a long time. THAT inspires confidence and some sense of self-worth. (And I generally need all of that I can get!)
Sometimes it's frustrating to get "stuck" on a difficult piece or hand movement that's new to me, but I always have to remind myself that I've been stuck before and that I'll eventually get it right with enough repetition, even if it takes weeks. The joy felt when I finally _do_ get it right is so intense that it probably ranks up there with some of the best drugs, minus the considerable negative consequences.
I'm still early in my journey but from what I can tell, the key to learning piano/accordion is practicing scales and chords more or less relentlessly _before_ trying to play anything more complex than Twinkle Twinkle Little Star. Once you get the hang of them, and spend a lot of time playing around with them in various combinations, finding the melody of any given song by ear is quite often trivial.
And for what it's worth, the piano can be a monophonic instrument too. :) On the accordion, I'm still somewhat inexperienced so I generally only play one note at a time on the piano side. Which I can get away with and still sound decent because the bass side of the instrument is far easier to play and sound good on than the piano side. Put together, they sound passable even if you barely know what you're doing (like me!).
Accordion is going to be very tricky. I've been toying around with synthesizing the notes/chords and then to compare the spectrum with the microphone input, that just might work for accordion as well though those tines tend to have lots of harmonics that may make that harder than it seems. I haven't gotten this to work for piano yet, the idea is to have a 'virtual midi' device that just listens to the microphone and turns everything it hears into note on/off pairs. That way you could use the site with non-midi instruments.
Agreed on sheetmusic reading skills being useful. For accordion jazz lead sheets might be useful as well.
> the key to learning piano/accordion is practicing scales and chords more or less relentlessly _before_ trying to play anything more complex than Twinkle Twinkle Little Star
Yes... it is also stupendously boring which I think is why a lot of people get turned off from practicing. There has to be some way to make this fun.
> Once you get the hang of them, and spend a lot of time playing around with them in various combinations, finding the melody of any given song by ear is quite often trivial.
Picking out the lead is trivial, picking out all of the chords is not (at least, not for me!).
> And for what it's worth, the piano can be a monophonic instrument too. :)
That's very true :)
> On the accordion, I'm still somewhat inexperienced so I generally only play one note at a time on the piano side. Which I can get away with and still sound decent because the bass side of the instrument is far easier to play and sound good on than the piano side. Put together, they sound passable even if you barely know what you're doing (like me!).
My dad was very good at the accordion, he could play both the clavier one and the 'button' style (chromatic) one. He's long dead so I can't ask him for any tips.
> If you've ever fell in love with a song, or an artist, or totally jammed out to some track in a manner that would be embarrassing had you been observed, or if you constantly walk around with a tune in your head, then yes, learning an instrument is a great idea.
That is very much how I am. I almost feel restless if I'm not listening to music, I wake up with specific songs in my head almost daily; I have a decades-old music collection with all sorts of stuff, from the most commercial pop imaginable to obscure metal bands, or bizarre experimental soundscapes that some people wouldn't even consider "music". Music is one of the constants in my life, and one of the few things that are guaranteed to bring me joy, or peace, or _something_.
> [...] because I'm the kind of person who bounces from hobby to hobby and project to project and rarely finishes anything.
Also sounds like me, 100%. Now I'm wondering if there's an instrument out there that I would be able to stick to. Goodness knows I could use something to keep my brain somewhat in line these days.
One thing that _probably_ helped me stick with accordion is finding a role model early on. He's on YouTube and plays the instrument very well and is super friendly and enthusiastic. He never says, "this is the only way to learn X," like a lot of music teachers do. His philosophy is, "I'll show you some techniques that worked for me, give them a try and see if they work for you." I figure I can call myself successful if I'm only ever as half as good as him, in terms of both musical ability and his general outlook on life.
The other thing is, first and foremost, play for fun! Yeah, it's a slog to get through some of the theory and repetition in the beginning but if you get burned out, find something more engaging to do for a while (e.g. mimicking a catchy pop song) and then come back to the theory later, knowing that grokking it will help you play cool stuff later.
> The other thing is, first and foremost, play for fun! Yeah, it's a slog to get through some of the theory and repetition in the beginning [...]
That's what I struggled with when I was attempting to learn. I felt like it required a bigger time investment than I could justify to myself, and with the slow progress I kind of just let it fall to the side. Which is weird, because I usually have no trouble pushing through learning a new skill if it's something I enjoy.
I'll definitely have to give it another shot, since I already have the instrument here. Trying out different instruments to see if one of them clicks also sounds like good advice, so thank you for that!
If you have a free moment and you have your keyboard hooked up to the computer use Chrome and give pianojacq.com a try, let me know if I can help somehow.
Some reasons:
- Wind instruments are fairly physical to play. That can be rewarding/refreshing after a day of playing in the geek world. As an aside, this makes them great for the many people with ADHD/ADD too!
- Most wind instruments are monophonic. The complexity of an accompanying/polyphonic instrument is its own can of worms...
- In many parts of the world, especially the western world, it's relatively easy to find a larger ensemble fairly quickly. The group can be a real anchor point.
Polyphonic instruments posing a problem with ADHD is not an absolute rule, but I've seen more than a few people, especially at younger age, benefit immensely from a change from piano or guitar to the saxophone specifically.
The reasons could be many. Less reading while still struggling with technicalities, more deterministic fingering, less going on are just a few.
That bit about them being good with people with ADHD reminded me of a friend I had in university. She had ADHD, and had been playing the saxophone since she was 14 or 15, and said that she found it very relaxing.
I keep coming back to this idea of learning an instrument every year or so, and the last time I thought about it I was considering the violin. I absolutely love the sound of it. But I might have to give this some thought, because apparently I've just been ignoring an entire family of instruments.
Don't get discouraged if you run out of wind quickly in the beginning, that will build up fast, and don't overdo it with practice until you've built up some lip strength or you'll end up with claret all over your nice reeds.
I’ve had this impression as well
not quitting alone will eventually make you better than most who tried and quit
speaking of personal experience
We hear stories of kid prodigies, but are we forgetting that kids have a lot of free time to practice if they focus their efforts?
https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart
https://en.wikipedia.org/wiki/Dinu_Lipatti
And many, many others besides. The musical child prodigy is a well documented phenomenon and even though 'a lot of free time to practice' is a common theme lots of people with a lot of free time to practice will never even get close to that level. Compare to math prodigies, and other ways in which some people appear to stand out from the crowd.
Of course then you can drag in all kinds of circumstantial evidence that amount to a 'no true prodigy' version of the one about that dude from Scotland but I think the evidence is solid enough to show that there is something there.
https://en.wikipedia.org/wiki/List_of_child_music_prodigies
FWIW I also know plenty of the opposite: people that have worked really hard their whole life long to master an instrument and who will never be at the level of one of these gifted children. They play beautifully and there is absolutely nothing wrong with them but they are not under any illusion that it came hard to them when it seems to come so incredibly easy to some others. Outliers do happen.