1.5-Inch Hand-Carved Agate from 1500 B.C. Shows Sub-Millimeter Details (2017)
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The motif on it is the same as on a seal found in the Mycenaean grave circle with "Agamemnon's Mask" (dated 16th century BCE, centuries too early to be Homer's Agamemnon): https://www.alamy.com/battling-warriors-on-a-gold-seal-from-...
But the Minoans almost never produced goods for themselves depicting warfare until after the Mycenaean take over ~1450 BCE, after these seals were made.
While Minoan princes were often depicted nearly nude and with long hair and sometimes leaping, the Griffin warrior grave was for an actual warrior and among the items he was buried with was a comb for hair.
Just who were the warriors depicted across centuries and different locations in these Mycenaean seals, and what was the nature of their battle?
You can see in the Pylos combat agate that the long haired warrior is fighting above the body of another fallen comrade.
While the motif predates any possible historic Trojan War by centuries, I suspect that the tradition behind this scene is what eventually inspired Homer's story of Achilles fighting Hector after the death of Patroclus, reworked into the narrative of Troy with the original story lost to the ages in lieu of these seals left behind.
Should the Griffin warrior grave in the palace of Nestor turn out to be closer in time to the Mycenaean grave circle (dating off pottery isn't always the most reliable), I'd like to think that the Griffin warrior IS the warrior from the seal, with his greatest accomplishment immortalized in one of the finest works of art in that time, and that we have indeed found the grave of Achilles (or the inspiration thereof), just outside the timeline of various events compressed into a single fiction by 'Homer' and the oral tradition which survived the Greek Dark Ages.
“The landmark find shows a warrior battling against two adversaries, killing one enemy, the other already dead at his feet.”
There are no other elements on which to decide to whom the dead one belongs, except his weapons, his hair and his dress.
His weapons (sword and scabbard) are identical with those of the victorious warrior. He has long, tied hair like the victorious warrior and no helmet like that of the enemy is visible. Only his shorts might be more similar to those of the enemy, but even this is not certain, as most of the shorts of the enemy are behind his shield.
So, in my opinion, the evidence is overwhelming for the fact that the dead man is not an enemy, but a comrade.
Instead of those, they both had identical swords and scabbards.
Taking into account this very obvious difference in the military equipment, I cannot understand what prompted someone to state that the fallen man belonged to the enemies.
For the fallen man, you can see the back of his head, on which it is clear that the hair is shown, and not a helmet, as on the enemy.
Besides the head, at the edge of the stone, there is something that looks like a ponytail, in the same way as the hair of the victorious warrior is shown. Moreover, the ponytail of both warriors is tied with a chord, which has at its 2 loose ends some kind of knots or decorations. The 2 ends of the chord are seen for both the victorious man and for the fallen man, and they look the same.
The resolution of the photograph is not good enough to make the identification of the feature at the side of the head as a ponytail certain.
Nevertheless, the hair on the back of the head and the presumed ponytail look very much, at least at this resolution, like the hair of the victorious warrior, and very unlike the helmet of the enemy.
Because the enemy wears a helmet, we cannot know for sure whether his hair was short or long. We can presume that his hair was short, as otherwise the helmet might have been uncomfortable.
Also from the loincloth of the enemy we see just a narrow edge, which is not covered by the shield.
I agree that the lower edge of the loincloth is similar for the fallen man and for the enemy, and this is the only similarity between them.
So we have:
Pro the fallen man being an enemy: Similar lower edges of the loincloth.
Contra the fallen man being an enemy: 1. Completely different military equipment, spear and helmet and shield versus sword with a scabbard of an unusual form (common to the fallen man and to the victorious man). 2. Long hair tied in a ponytail versus presumably short hair under the helmet
The similar lower edges of the loincloth might be explained by all loincloths being similar. The victorious warrior might have been a richer warrior and he might have had some more expensive leather garment instead of a loincloth, like most other warriors.
On the other hand, while the enemy fought with a spear, the fallen man had both a sword and a scabbard of exactly the same type as the victorious fighter.
So based on the weapons, it seems more plausible that the fallen man was a comrade.
I can't help but thinking I see two bodies on the ground, or a representation of the spirit leaving the body of the fallen. Perhaps I just perceived it incorrectly and can't shake that false first impression. Any explainers?
Thanks!
It’s based on much past research, but this actually took me just about two weeks to prepare. Obviously unfinished.
I was thinking of developing something custom, but Miro is just about perfect, except for a desire to have pop up links (ie, click a title to expand info in the page)
May I ask about your interest?
In the past, I've used tools like FreeMind, only to be (eventually) be disappointed that the tool is dead, so now I have to migrate to (and learn) another tool, etc.
Thanks for replying and for sharing the link!
Lost knowledge usually happens because it stops being useful or because it wasn't actually widespread.
David Herlihy made the argument in The Black Death and the “Transformation of the West”, that much of feudal Europe prior to the plague was caught in a Malthusian deadlock, where labor was abundant and thus cheap enough that there was no return to investment in technology or capital. It was only when labor became scarce and expensive that investments in productivity were justified.
I believe you’re talking about the Flynn effect of rising IQs in the past several decades, which might have actually leveled off recently (or even reversed slightly) in developed countries.
If you look at older literature or school tests from the 19th century or similar it doesn't seem like people one hundred years ago were dumber than modern humans.
Here is one piece of evidence against it: for upper half of Americans (in terms of economic prosperity), the improvements in nutrition and material living condition have, to a first approximation, maxed out by 1960 at the latest. The wealthier half of Americans in 1960 had no lack of food, neither in terms of quality or quantity, and things have not got significantly better since then (if anything, you could argue that the diets today are less healthy now). Certainly, they ate much better than even the wealthiest people did back before 1700, and had much better material conditions of existence. However, the Flynn effect gains kept steadily growing decade after decade, until 2010 or so.
We have known all of this for more than 2 decades now. This thread is full of people saying completely inane things about psychometric and intelligence research. I don’t blame them: the field itself is very technical, and at the same time there are plenty of people who don’t like its findings, and then misrepresent them (often deliberately) to the general public.
For one thing, if you want to talk about anything related to IQ tests, but have no idea what the g factor is, please note that you are missing the absolute basics of the field, and you’ll be completely hopelessly confused by some easy to explain and understand facts.
This is a much more controversial view than as suggested in the comment -- specifically there is very little data backing up the hypothesis that intelligence is decreasing. This is compounded by the fact that we really don't have great tools for measuring intelligence or a deep understanding of how it develops and manifests in humans. IMO the jury is still out on the general direction human intelligence is moving, but realistically if you are concerned the best thing you can do is improve environmental factors and educational access.
2. We do not have genetic data to show that these mutations are happening. This is theory only without empirical data.
3. There's a lot of debate over the role of genetics and intelligence. It's very possible that our understanding and implementation of childhood development has a larger impact on intelligence than these presumed random mutations.
4. Intelligent people are more likely to pair with other intelligent people, so maybe there is still selection effect for intelligence. This effect could be increases as world travel means a greater geographic range for potential mates.
Bones from burial sites of past hunter-gatherer societies are associated with larger jaws and mouths, while bones retrieved from former farming cultures have decreased jaw size. [0]
I believe jaw development has effects on mental health. Thus, I think our non-genetic changes do happen to affect our mental capabilities. There must be other factors than jaw size that do so.
[0] https://en.wikipedia.org/wiki/Human_jaw_shrinkage?wprov=sfti...
Why? I am honestly curious.
It's important to note that the aforementioned are all extremely mainstream, with leading academic and corporate institutions adopting and promoting them.
Come on people. We’ve been down this road before. It’s not good.
Or if it does not, are we better off staying ignorant than trying to discover some knowledge, however fractional and incomplete?
I don't believe in either.
IMHO other intelligence tests are the same - they tend to measure familiarity with established systems of rationality and response within a given culture only.
Here's a thought experiment. Imagine a student who can't read, or who can't read the language the test is written in, or are an elementary learner of that language. They would tend to score poorly. All communication is like this, not just written tests. But the logical basis upon which rationality is measured within said tests is also a language, and its drawbacks exactly parallel that of language itself. Perhaps what IQ and similar metrics are really measuring is cultural indoctrination and familiarity as a highly tangential proxy to the basic cognitive abilities which they actually purport to grade.
As others have said before me, an IQ test measures how adapted you are to IQ tests.
There's a claim that the reversal of the Flynn effect is environmental (https://www.pnas.org/doi/10.1073/pnas.1718793115), by two Norwegian researchers, but they've argued in a way which is obviously fallacious-- they basically said that environmental effects explain the drop in Norway, but the drop in Norway is relatively low, around 1 IQ point per decade (although that is of course incredibly bad) and the argue that this is the case for the other countries as well, but that doesn't follow since the drops in the countries they do not even consider are so much larger. In fact, they could have made another argument, for example that the drops in the UK and France can't be environmental because those effects in Norway can only be made to account for one 1 IQ point per decade.
I have no opinion on this topic, merely pointing out the mechanism.
If intelligence were some super drug every life form and human would evolve to maximize it. As an extreme example, Koalas evolved to have extremely energy efficient brains that are as small as possible.
Having a powerful "CPU" is worth very little when it is mostly empty and idle most of the time. We send our kids to the program loader (school) for 12 years for a reason. It takes a lot of effort to get the most out of our brains.
People aren't getting dumber. They are getting more isolated and out of touch with the old way of living that was considered the only way 500 years ago. A lot more people are living a lifestyle that used to be associated with aristocracy. More children are being sheltered from the outside world.
It’s basically survival of the survivors.
Or, in other words, we are definitely selecting for and against certain kinds of intelligence differently now than thousands of years ago.
The better or worse element is a judgment call. But definitely different.
There is 1) survival of the fittest and 2) random genetic mutation and 3) survival of the luckiest.
You could be part of the fittest, most well-evolved tribe of people on the planet that gets hit by a meteor which completely obliterates your entire lineage, while a much less "fit" group of people on the other side of the world soldiers on. These survivors didn't survive the meteor strike because of any inherent strengths or benefits of evolution or genetic mutation, but they are the only ones left out of sheer chance.
It's about how their geniuses compared to ours, not how our average Joe compares to theirs.
And this is the proposed driving factors for that supposed reducing intelligence.
(I don't think it's something we should worry about, though: humanity has far more pressing and serious problems to deal with.)
No doubt, but the person(s) that produced this carving don’t have to be smart, just skilled artisans/craftsman.
This place is deep, I always have a very weird feeling when I'm there, it's like starring in those movies, where everyone is happy and joyful, however you know that something mysterious is lurking below all of this.
There are places that still are called by their Minoan names.
If you ever get there, don't miss the archaeological museum in Heraklion. Here is a small sample:
https://commons.wikimedia.org/wiki/File:Clay_oxen_wheel,_a_t...
https://interestingengineering.com/the-history-and-evolution...
She tells me that the feeling you get in Crete and the way Cretans think of life and death (what you call "something mysterious is lurking below") can be explained by the story of the Arkadi Monastery [1]: during the Cretan Revolt against the Ottoman empire in 1866 943 Greeks, mostly women and children, sought refuge in the monastery. After three days of battle and under orders from the hegumen (abbot) of the monastery, the Cretans blew up barrels of gunpowder, choosing to sacrifice themselves rather than surrender.
Super interesting if you have the time for it:
Other objects from prior epochs reflect the same levels of intelligence. The astonishing "Venus of Dolní Věstonice" (National Museum in Prague, Czech Republic) [0] is a ceramic piece made ~25-29K years ago. I was privileged to see it about 25 years ago, its patina resembles raku-like ceramics. I've asked myself, how did anyone know how to do this 25K years ago? How did the creator of the piece manage to get the elevated temperature (~750C) needed to make it work? It was the product of intelligence to be sure.
Of course there are many other examples of ancient human ingenuity to point to. It's evident our ancestors figured out solutions to problems in surprisingly effective ways. We're smart too, but probably no smarter than those who came before.
[0] https://www.historyofinformation.com/detail.php?entryid=2493
Things of note. Please respect the following text, which is civil and describes nude sculpture, bearing in mind Minoan civilisation was renowned for priestesses which wore bodices that exposed their breasts.
A few days ago I saw a Minoan figure of a female clay bust, which I have not found online, in the Heraklion Archaelogical museum, and it is the finest sculpture of breasts I have ever seen that predates modernity. I will try and upload an image if anyone is interested. Just perfectly sculpted and realistic.
Within the theme, I also discovered a 3500 year old sculpture of a woman which has over 100 breasts all over it. Oddly the sculpture was listed as having "nubs" quite why the museum did I have no idea why. While odd, what I found compelling , is that a figure of a multiple breasted woman is renowned in the city of Ephesus - called the Diana of Ephesus - (feel free to google). I have not found any link in museum of in texts, but it must be related, as Ephesus was also settled by Minoans. Just an odd similarity which I do genuinely is related.
I am not a historian so please chime in if there is a link.
But importantly - I just wanted to share my observation, that usual sculptures one associates with minoan civilisation such as the priestess holding the snakes - seems like an amateur attempt at sculpture compared to the more secretive, hidden pieces that I happened to come across. This helps to contextualise the quality of detail in the agate described in the article.
No conspiracy life is just surprising like that.
Just my take I hope it was of interest. PS - If anyone is interested in video just browse the Crete tag on tiktok as I know there is video there.
The Avogadro Project involved making silicon balls with a mass of 1kg and surface irregularities of the order of a few nanometres. Achim Leistner, a master lens maker, finished the spheres by hand as he was able to feel surface imperfections of the order of a few nanometres.
A similarly skilled person could have lived in 1500 BC.
[1] https://www.abc.net.au/catalyst/making-the-worlds-perfect-ki...
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https://news.artnet.com/app/news-upload/2017/11/31SCI-WARRIO...
[1]http://www.griffinwarrior.org/wp-content/uploads/2020/10/Hes...
Surely a straight copy made by pressing the original into something would have the dead body on the left, with their features going into the medium, not coming out?
Edit: I think I’m seeing the original wrong, I just can’t see how the figures stick in, rather than out. Part of it might be because All the photos appear to have been altered to allow you to see the figures, as the true colour version is much harder to appreciate. See the true colour version here:
https://aristomenismessinios.blogspot.com/2019/02/the-combat...
We often think that art was truly awoken during the renaissance and people started to understand the human form and realism then, but ancient art shows people have been doing it since the dawn of history.
What’s weird to me is how, for a period between the decline of Rome and the 1400s, Europeans seemed to forget how to realistically depict people in art.
If you look at modern art it would be easy to think that 21st century artist had absolutely no clue how to depict nature, even though it’s clear it’s a stylistic choice to create such works.
And I’m not saying realism is the pinnacle of art. I’m an artist myself. I just know that virtually every society made rapid gains into mastering realism pretty quickly, but I don’t know of any examples of truly realistic work or high craftsmanship in the European Middle Ages until cathedrals became a big thing.
My amazement isn’t that this is “realistic=good”, it’s that amateurs can’t crank something like this out easily. That’s what makes it impressive—someone was either devoting loads of leisure time to studying the human form and how to represent it independently 3500 years ago, or people were being taught it. Most people who do some art today with loads of resources at their hands and leisure time but no formal education don’t reach this point, which makes it all the more impressive that ancient people did. Egypt is also flooded with impressive work and people are amazed with it 6000 years later, and I used to think they were unique. But I’m seeing more and more that societies basically everywhere achieved similar degrees of craftsmanship.
How about using a Pantograph?
> The ancient Greek engineer Hero of Alexandria described pantographs in his work Mechanics.
I wonder what Eric Schmidt's robotic submarine project is upto - it would be wonderful to see lidar / ground radar along all sea-shelves/continental-shelves... to see submerged coastal cities.
I expect patience may have helped. If they did the carving with a slightly harder stone, it may have taken months to make (almost by keeping scratching it, rather than carving it), but it also would have been hard to mess up the work in a few seconds.
I get the meaning here, but I still find it slightly humorous that people are being moved to tears by an image depicting a human murdering another human (and a corpse on the ground)
http://www.griffinwarrior.org/wp-content/uploads/2020/10/Hes...
Secondly, jellyfish. One type, always washed up on my local beach, is a 3pi/2 arc - about the size and shape of a 3/4 donut. And perfectly transparent. Its optical qualities are something any curious human will investigate. It's a small step to use it to see and work on fine detail. And much smaller steps to experiment with which curvature gives the best magnification. Could also be used as a telescope. Jellypunk.
I looked it up because I was skeptical and found this: https://www.flickr.com/photos/149328524@N08/49759508281/in/p...
Apparently, not jellyfish, but sea snail egg sacs https://www.google.com/search?q=sea+snail+egg&source=lnms&tb...
There seem to be 0 comments on either of those pages.
I do wonder what tool they used. Perhaps a harder stone?
However it was done, it's a great, beautiful piece! What a find!
And if that's how they did it, this is still remarkable work.
It’s possible to “shrink” a stamp by pressing onto wet clay, firing, and then repeating the process multiple times (clay will reduce after firing).
I wonder if this could have been etched or pressed, potentially with a chemical process?
(I hope I got the measurements and units correctly. The numbers seem slightly too impressive, corrections welcome.)
Or did you mean "us" as in professional carvers who practiced their whole lives the skills passed down through generations? This thing wasn't carved by a rando from the peasant class.