Dressing up thoughts in symbols may seem like a marketability approach, or maybe an attack vector in the best traditions of fiction (the best sci-fi is, after all, merely a glass darkly by which to critique contemporary social ills), yet as Blair reminds us:
>"In prose, the worst thing one can do with words is surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations."
So, jumping on pop-culture loaded symbols & jargon is a quick way to hijack sentiment or thought along well-dug rut of loaded connotation. Entirely valid critique.