Why Japanese Web Design Is So Different (2013)
randomwire.com
randomwire.com
Japanese web design feels like walking into a casino, but western design feels like having a dump truck emptied on you.
Even sites that remained dense in terms of color (like the Rakuten top page), have more white-space around text, less columns, larger hi-res images, and carousel banners. Oh, and Flash is gone for good now.
The Japanese web became a great deal more usable, and in the same time popups are still less trendy here than abroad (although coupon and campaign popups are all over the place in e-commerce sites).
But I still shudder when I encounter an oldskool site. I don't care about the minimalist design, and if done correctly it can be quite fast and fun to use. But usually it comes with hefty price tag:
- These sites are rarely ever responsive. If you're lucky, there's a mobile version that works based on user agent sniffing, and often suffers from feature parity issues.
- You can expect a regular monthly maintenance window where the site will be shut down for multiple hours during midnight. You should keep an eye for this announcement.
- There are no cookie banners popping up, but nobody said anything about blinking gifs or bleeding red text.
- Forms are complicated and have weird validation rules. You usually enter your name which must be in Kanji (or Full Width latin alphabet characters if you don't have a Kanji name), and then a phonetic name which would be either Hiragana or Katakana - but there is no standard for that, and the site doesn't try to be nice and help you with auto-converting these things (although it's quite easy to do).
- Entering your address is also generally painful, since you have to first enter your zip code, and then choose your prefecture (usually on a tiny drop-down list which is arranged from north to south!) and street address. This address is then verified against your zip code, although it could have been auto-generated from your zip code.
- Lots of complex web apps are still written in circa-2000 frameworks that try to keep all the presentational state in a cookie or a URL parameter and won't let you use the back button or open multiple tabs.
- Worst of all, these text-heavy sites are not necessarily as fast as they should be some times, owing to poor hardware, or perhaps log files that haven't been cleaned up for the last 10 years and are now clogging up the disk on the poor host machine.
If you want an example for an old skool site that suffers most of this problem, take the registration site for the ETC mileage club (this is the point rewards club for the nationwide automated highway toll gate payment card).
Top page: https://www.smile-etc.jp/
Registration form: https://www2.smile-etc.jp/NASApp/etcmlg/MlgReq?gvlddpef=1011...
Never have any problem whatsoever filling full-width romaji (as written on my Zairyu card) in Kanji section and katakana/hiragana in the reading section (depend on what is requested).
>These sites are rarely ever responsive. If you're lucky, there's a mobile version that works based on user agent sniffing, and often suffers from feature parity issues.
It does suck, but responsive design as a paradigm didn't really exist in the mid 2000's , even in the west (and as the article noted, tech takes time to cross the language barrier). These were the days where you had two web domains with one specifically designed for mobile and one for desktop. But I'm not quite sure how those pre-smartphone mobile sites scale to today's smartphone/tablet screens. Probably not well.
To me it feels like when you walk into a whitegoods store and a sales guy with a fake smile immediately makes a beeline for you. Look... sigh... I'm "just browsing".
Or when there's that insufferable person in the meeting (possibly called Karen) that literally puts her hand in your face to shut you up mid-sentence.
Like... we're adults here. I'm talking. You just shoved your hand in my face like that's normal! What... the... #%@(9$?
That's what modern web feels like. They see you reading the content, scrolling through it and... STOP! Read the hand! NOW!
I just hope that there is some Google Analytics event that is triggered on page closes within a few hundred miliseconds of the popup interruption.
So like this:
https://www.ukwhitegoods.co.uk
But maybe not this:
Layout wise... you can totally have a website designed like a whole casino of dump truck emptied on you. I'm not talking about Japanese websites or even pointing my figures, but it's a simple fact that you absolutely and unmistakably can have the worst of the both worlds, and everybody who visits taobao.com can experience that first hand.
perfect analogy
i think in general they have more of a "if its not broken dont fix it" mentality whereas in the west we seem to be "move fast and break things"
Why Japanese web design is so different (2013) - https://news.ycombinator.com/item?id=25148942 - Nov 2020 (207 comments)
Why Japanese web design is so different (2013) - https://news.ycombinator.com/item?id=16254569 - Jan 2018 (153 comments)
Why Japanese web design is so different - https://news.ycombinator.com/item?id=8975735 - Jan 2015 (6 comments)
Why Japanese Web Design Is So Different - https://news.ycombinator.com/item?id=6718067 - Nov 2013 (129 comments)
- https://event.rakuten.co.jp/campaign/supersale/?l-id=search_...
- https://www.amazon.com/gp/goldbox?ref_=nav_cs_gb
- https://www.ebay.com/e/row/shotime-ohtani
Japanese design can be wild and very different, but for anything with a very clear purpose, it will usually end up looking a lot like any other European or US page serving the same purpose.
Tax agencies are a pretty good barometer of what is considered to be the minimal effort, for comparison
- France: https://www.impots.gouv.fr/
- Germany: https://www.bzst.de/
- Italy: https://www.agenziaentrate.gov.it/
France would be on par with the JP, and I actually kinda like the Italian trade-off of high info density upfront and more spacing and pictures coming way below the fold.
Interesting to see the english version has a stereotypical animated background image / hero banner, and the japanese version foregoes it.
In the C2C second hand market, Mercari is a somewhat modernized design: https://jp.mercari.com/ while the classic Kakaku is a great info dump that I love specially because it isn't banner heavy: https://kakaku.com/
The thing I hated from a lot of Japanese web sites is they relied a lot in images for formatting and lay out, and put a lot of text in those images, difficulting the reading or translation of those sites for foreigns and people with visual impairment.
But also Yahoo is quite different there ( https://auctions.yahoo.co.jp https://www.yahoo.co.jp/ ) and major electronics retailers still keep very dense designs ( https://www.biccamera.com/bc/main/ https://www.yodobashi.com/ )
It’s a mess dealing with orders from Rakuten. I’m often searching for where I’m supposed to even buy the item. Amazon always has that link right at the top.
I think the site is a good reflection of the service itself, as in the end you're really going through the order with the individual shop, and not much with Rakuten itself in my experience.
Last time I ordered something I was on the phone with the guy preparing it, making sure everything was right and I didn't need any specific adjustments. There might be stuff that actually go through Rakuten, but I didn't come across any of them yet.
Very friendly and helpful overall, we could have dealt with all the details by mail but he went straight to the phone.
Previous to that I had a vendor request more details about my street to know if they could deliver directly from their truck.
For an example of what this looks like in English, check out Hitoshi Doi's web pages, which are still up in more or less their original form from the mid-late 90s. I learned basically everything I know about Sailor Moon from him back in the day: http://www.usagi.org/doi/
I prefer old “data dump” websites even in English - much better than whatever the current “hero image” design we have now where we do about five words per ten inches it seems.
I love hero images, but I get that on many sites it pushes the actual content below the fold, which isn't ideal.
Reddit's old vs. current design is probably one of the biggest examples of the user philosophy changing overtime. Not really a "hero image", but the focus of presenting text with small thumbnails to huge thumbnails and a small header likely follows a similar philosophy.
Do you know of any other sites like this you'd recommend?
I adore this page where he says "There are more pictures of me, if you are interested. Maybe not.. (^_^;;)"
http://www.usagi.org/doi/doi.html
I came across this page back in 90s when I got hooked on Anime and "seiyuu"
This guy is a legend. I'm glad he has a wiki page dedicated to him https://en.wikipedia.org/wiki/Hitoshi_Doi
Space isn't just about advertisement but also presenting information in a form that reflects the structure of the content. Dumping everything, as the word suggests makes it harder to figure out what is important, the order of what's being presented, and so on.
Compare for example the debian download page (https://www.debian.org/distrib/) to the new Fedora site (https://getfedora.org/). I find the latter much, much easier to navigate.
Example: try comparing https://hulu.com to https://hulu.jp.
If a thing worked, Japanese culture seemed to allow for and respect retaining it, even in the face of newer alternatives.
Text works.
The modern web is a bloody mess, and it’s ridiculous how far backwards we’ve gone.
I once read in a Japanese economics newspaper that the general sentiment is: if you ask your boss if you can use shiny new technique 'X' to solve a problem, you're going to be told "no." As a result, nobody bothers to ask.
Sometimes, I wonder if nothing short of that kind of deep-rooted hesitance at a societal level would have been necessary to stop today's Corporate Memphis web.
This is the reason for the so-called "full width" characters, to fit western writing into the same character boxes as Japanese characters.
https://ko.wikipedia.org/wiki/%EC%9C%84%ED%82%A4%EB%B0%B1%EA...
Japanese also has monospaced numbers but maybe they’re not super common.
https://ja.wikipedia.org/wiki/%E3%83%A1%E3%82%A4%E3%83%B3%E3...
As a foreign traveler, Japan makes everything uniform and easy; even if things are different (and they often are) they're very approachable. China and Korea do not have the same approachable-ness for a random Westerner.
Definitely not. I don't know if you live in Japan or not but the stuff I see walking around my neighborhood has plenty of stylized, varied, and even handwritten fonts and signs.
EDIT: Here's an example picture from google maps of a random corner (the first one I found, didn't have to look much): https://upload.i.ng/file/interpolatesdisarrangesocioeconomic...
Osaka is probably where you'll feel most like you're in an 80s cyberpunk movie.
Try Doutonbori in Osaka or Shin Sekai at night. There is an outdoor from a Blade Runner scene that's still there intact in Doutonbori (Glico). The atmosphere is very Willian Gibson-y.
Man, this didn't age well. Or rather, I really hope that it comes true sooner rather than later.
Technical Limitations → Skeuomorphism → Current "flat" design trends
Art Nouveau → Bauhaus and Contemporary → Postmodernism
Perhaps we are due for a maximalist wave in five years' time.
I think you meant 70s androgyny, surely - don't make Baby Bowie cry...
I'd say it's astounding that this is not considered normal and people put up with this extremely low standard of inconsistent product descriptions that apparently made multiple passes through translation software and are riddled with errors. I don't think it's unreasonable that I want to know what I'm buying.
https://randomwire.com/wp-content/uploads/japan-back-to-the-...
江戸時代から科学の子ども。
"From the Edo period, science's children."
My translation here may not be super great - it's backed up by looking up and seeing that the Shimadzu Corporation has always made instruments for educational scientific measurement and was founded in the Meiji, 1875, which is only in the decade after the end of the Edo period.
Tuition is usually called 学費.
It seems like that's also a typo or scanno of 科学. Aside from the one letter, everything else about that book matches the bibliographic information of another book whose alternative title (or subtitle) is "やさしい科学": http://webcatplus.nii.ac.jp/webcatplus/details/book/isbn/978...
>*Advertising* – Rather than being seen as a tool to enable people Japanese companies often see the web as just another advertising platform to push their message across as loudly as possible. Websites ends up being about the maximal concentration of information into the smallest space akin to a pamphlet rather than an interactive tool.
I think these cultural differences (if true) are a very interesting a -> b situation. adverts seem to work almost too well in western cultures so the focus revolved around removing them from view (adblock), and the battle became about ways to go around these technologies. If this is truly a trend, it sounds like asian cultures just create a natural filter, and their language allows ads to just... advertise their entire pitch instead. Get straight to the punch instead of clickbaiting.
Completely tangential, but this does explain the phenomenon of media in japan where the title just seems to be a plot summary instead of a title. If you can fit the synopsis on the spine of a book or on a ticker board, why not?
What I'm saying is, the first image covering the screen when reading why Japanese web design is so different looks like a lot of web design I have seen that was not Japanese.
u know less is more in zen.
<3
But there are many huge Japanese internet based companies, like Zozotown, that are extremely savvy at their UX experience and are extremely metrics driven. Not to mention the recent surge of internet based cellular providers that don’t have a brick and mortar storefront.
Meanwhile the fax machine anecdote is about ten years old at this point. Most Japanese purely rely on mobile devices these days.
My wife's small business included a fax, but it didn't get much use after around 2014-2015 or so, I think. The next couple of years you could occasionally hear a call to the fax machine but it was always just some random ad spam. We let it all go to /dev/null. Nowadays her work space is rented out to a small service firm and they don't use a fax at all as far as I know. Internet and phone services were super important to get set up though.
Even in the TV shows in Japan, it's a whole trashy mess of colours and patterns and huge subtitles flying around the screen.
That's a weird way to put that. American newsletters have an unsubscribe link because our Congress passed a law in 2003. But Americans lets prescription drugs advertise on television, which is an indefensible barbarism. So it goes. Every country has a different vision of what nuisances are and are not worth of regulation.
>Urban Landscape – Walk around one of Tokyo’s main hubs like Shibuya and you’re constantly bombarded with bright neon advertisements, noisy pachinko parlours (game arcades), and crowds of rambunctious salary men or school kids
The only American analogues to such a design would be some parts of New York City and Las Vegas. Not even Los Angeles, San Francisco, or Chicago as mega metropolitan areas have this kind of "density". Japan has a third of the population crammed into less than 5% of the land area. So adverts have a lot more incentive to just cram everything into a city block compared to any american city