The writers who translated Goethe became some of the best writers in English
neh.gov
neh.gov
Goethe -> Mary Wollstonecraft -> Mary Shelley -> Byron & Percy Shelley -> Ada Lovelace
Ada got inspiration from the romanticism of Byron which burned brightly in the circle of influences of the Shelleys who were interested in animism (proto-neurology). Shelley's interest in animist-necromancy and artificial minds created by electricity is rooted in childhood trauma of her mother (Wollstonecraft) dying in childbirth. Mary sought a way to revive her spirit though science. Maybe, like all hermeneutic interpretations it's fuzzy, but there's a trajectory from the Greek influences on German philosophy to the imaginings that underpin the computer age.
From the Wikipedia article on Ada Lovelace... https://en.wikipedia.org/wiki/Ada_Lovelace "She was the first to recognise that [Babbage's] machine had applications beyond pure calculation, and to have published the first algorithm intended to be carried out by such a machine."
Many of the greatest ideas seem obvious in retrospect. Of course commenting "anybody could have done that" is standard HN to the point of parody.
> would probably be almost entirely obscure were it not for the significance of her being a woman.
And now we see the much darker side of HN. :(
The previous commenter said that Lovelace didn't have any great influence on later works -- the Wikipedia article you used to bash them for it seems to back that up.
Many geniuses don't end up having a lot of influence over later work. It's not an insult to their ability to say so.
Even one of the critics quoted in the "controversy" section of the Wikipedia article (which isn't about how "influential" she was anyway) grants that much to her:
> But [Swade] agrees that Ada was the only person to see the potential of the analytical engine as a machine capable of expressing entities other than quantities.
I'm also not saying her contribution wasn't good - it was, though I believe it to be relatively minor (then again, she died tragically young - she could well have gone on to accomplish a great deal more).
What I'm saying is that it wasn't particularly influential, which I believe to be the case. That is, it largely came to be appreciated after it had been superseded, and therefore is known for its historical value rather than for being scientifically or technologically formative. This is important because the OP was trying to trace a lineage from the work of Goethe to the underpinnings of Computer Science.
As for the comment that upsets you, I would ask - do you disagree that Lovelace's life and work has been used as a football by people with a point to prove for decades? It's not to discredit her that I say she would likely otherwise be obscure. Lots of intelligent, novel thinkers are obscure. But rightly or wrongly the nature of her person has come to be more significant than the specifics of her work.
You don't "supersede" the idea of applying computation to purposes beyond number crunching.
> As for the comment that upsets you, I would ask - do you disagree that Lovelace's life and work has been used as a football by people with a point to prove for decades?
It was picked out of the clear blue sky in the comment I replied to, if we're looking for such things.
What? Grandparent commenter didn't say that. You appear to be hallucinating.
https://www.lrb.co.uk/the-paper/v43/n11/edward-luttwak/goeth...
[1] https://supchina.com/2022/01/13/china-looks-to-the-western-c...
Than is our continent’s, the old.
You have no ruined castles’ rot
Nor marbles cold.
Nor is your inner peace affected
In your present active life
By useless thought which recollected
Lead to useless strife."
Johann Wolfgang von Goethe, as quoted in Christian Melz "Goethe and America" in The English Journal 38 (1949): 248.
Well, as Faulkner wrote in 'Requiem for a Nun': "The past is never dead. It's not even past."
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And now let's see if that Deepl.com AI will become a great writer in the future:
"America, you have it better
Than our continent, the old one,
You have no ruined castles
And no basalts.
You do not disturb in the interior,
To living time,
Useless remembrance
And futile strife."
Hm, there is still a lot to be desired. But probably a lot better than me.
Amerika, du hast es besser
als unser Kontinent, der alte
Hast keine verfallenen Schlösser
und keine Basalte.
Dich stört nicht im Innern
Zu lebendiger Zeit
Unnützes Erinnern
und vergeblicher Streit.
It rhymes so I'd say the first translation you posted has an edge. The second half of the AI creation sounds poetic but completely misses the meaning. I think Goethe is trying to say that the young US isn't weighed down by history as was Europe. Of course that completely changed with the civil war.
"America, you have it better
than our continent, the old one
Have no decayed locks
and no basalts.
Don't bother you inside
At living time
Useless memory
and futile quarrel."
Well, there is room for improvement.
I guess there is already a research paper out there that proves, if you noodle it through various translation programs and languages often enough it has to converge to incomprehensible babble below elementary school level.
There's this apocryphal story that they ran Matthew 26:41 "The spirit indeed is willing, but the flesh is weak." through an English-Russian translation AI and back, and the result was "The vodka is good, but the steak is bad."
Sloppy, it should try harder:
Looking at the meaning instead of the form - Jefferson may have said similar about Washington's doctrine about entangling alliances, "peace, commerce, and honest friendship with all nations - entangling alliances with none."
I am an artificial poet. Please request a poem and I will do my best.
Q: Please write a poem in the style of Goethe that starts with
"America, yours is the better lot Than is our continent’s, the old."
A:
--------generated---------
America, yours is the better lot
Than is our continent’s, the old.
For you have Liberty’s bright torch
And our world’s dull night doth fold.By the way, it claims to be a poet.The term has its origin in the Greek poiētēs, from poein, poiein "to make, create, compose," which implies an agent. So who is the maker, creator, composer here?
So what sells OpenAI to whom?
See: http://www.rusnauka.com/9_NND_2014/Philologia/6_162301.doc.h...
Quote: 'The first part of tragedy in Kazakh language was published in 1969. The full translation of Goethe’s drama poem "Faust" was edited in 1983. The translation of "Faust" into Kazakh language in Germany was marked. Klaus Schneider in his book «Alma-Ata. Kasachischer Fruehling» writes with delight about Medeubai Kurmanov. Many warm words are written about him in the reporting of Rut Kraft «Fruechte aus Alma-Ata». Medeubai Kurmanov is selected the honorary member of Goethe International society.'
Maybe the Goethe-Institut in Almaty knows more.
https://www.goodreads.com/book/show/911579.Bread_and_Jam_for...
Thanks for sharing. There are times I only want to eat bread and jam, so I may check out your book lol.
Modeling/emulating others is a well known method of learning. I guess I may have answered my own question.
""" As a consequence, Will exchanges the questing pursuit of a meaningful life for the settled, trivial existence of a bourgeois, a fate incompatible with his previous identity “as a kind of Shelley” or “a Byronic hero.” """
My recollection is that he ended up as a Member of Parliament. The life of a back-bencher, as I suppose he must have been, is not world-historical, but hardly trivial, particularly not in comparison to the dabbling in painting etc. he had done before.
You can probably name half a dozen great writers or great painters of the Victorian era without pausing for breath, but can you name even one back-bench MP? Perhaps this is because, especially in the time of Middlemarch, Britain's democracy was only just struggling out of the dark ages (the Reform Act is in fact a major plot point), and was still far from the (mostly) accountable and representative system it is today. Most likely the life of an obscure MP was in fact rather more trivial (and for that matter, rather more bourgeois) than it is today.
Of course, perhaps you consider Will to have simply reached his ceiling, as a bright but decidedly non-genius young man. Certainly the reader is left with the impression that while he may be impressive in his own way, the obscurity of Will's later life is something less of a tragedy than the obscurity of Dorothea's, whose brilliance seems rather more unquestionable.
However, although it may be the lesser tragedy, I think when considered in view of the broader themes of the book, one must consider Will's comfortable irrelevance to be an underachievement. Recall the title - 'a study of provincial life'. Recall also how the ending dwells on the nature of a parochial existence; 'there is no creature whose inward being is so strong that it is not greatly determined by what lies outside it'. It seems to me - and this reading is not uncommon - that if Eliot intended to leave the reader with any lasting impression, it would be this: that even if a person has a very great talent, potential, or even genius, and even if they also have the temperament to put it to work, without a societal scaffold that is willing to support their growth they are doomed to languish - to settle.
For these reasons I think the author of the article is right - Will did choose a trivial existence, neglecting his potential, and to refer to his prior travails as simply 'dabbling in painting' is to discount what should be regarded as the embryonic stages of his curtailed development into an artist of real stature and significance.
https://en.m.wikipedia.org/wiki/Goetheanism
and anthroposophy which led to so many anti vaxxers in Germany.
https://en.wikipedia.org/wiki/Isaac_Newton%27s_occult_studie...
Or, say, Jack Parson's for that matter.
https://en.wikipedia.org/wiki/Jack_Parsons_(rocket_engineer)
Oh, wait, there was Ron.
https://en.m.wikipedia.org/wiki/Tax_status_of_Scientology_in...