James Joyce’s Ulysses reviewed (1922)
theguardian.com
theguardian.com
Compare and contrast with this tiresome Guardian review, which leaves you very unclear about the performance but all too sure about what the reviewer likes and wants
https://www.theguardian.com/music/2022/jan/30/the-smile-revi...
I won't put words in your mouth but striving for some notion of apolitical art is folly. Especially if it's art by Thom Yorke, surely?
You could write this entire article by listening to half a dozen 5-second clips of the performance, giving the impression of a student who writes an essay about a book based entirely on spark notes.
Full credit goes to John Hunt, The Joyce Project at joyceproject.com for the annotations, I just found that site very tricky to use as I read.
This is profound. Replace “Ulysses” with “X” and it holds true for much of the hate spreading today.
I can't parse this. It reads like an OCR error; should it read "If I understand him alright, he sets out..."?
Long live the Grauniad. (That being a nickname given to The Guardian due to its tendency for typos.)
“The absence of corrections yesterday was due to a technical hitch rather than any sudden onset of accuracy.”
[0] https://www.theguardian.com/media/2021/may/12/guardian-200-t...
> If I understand him aright he sets out…
Reading Ulysses, on the other hand, I know there is a story there, so when I lose the thread I get a bit frustrated. It's an absolutely gorgeous experience, of course, but one riddled with such frustration. I'm not sure if maybe reading an outline of the story first would help, so that I have the general idea in my head before going into it?
Being able to refer to a guide and say 'oh yes, this is Bloom talking to his boss in the as agency right now helps a lot in keeping yourself grounded.
https://www.theparisreview.org/blog/2018/02/02/james-joyces-...