$2,295 5-port Ethernet Switch for Audiophiles
positive-feedback.com
positive-feedback.com
Latency maybe, but the article doesn't talk about it, and this is typically solved the same way it is inside your computer when feeding the sound card: deliver too much info then wait. The real time delivery constraints that you can patch into the Ethernet stack on Linux are only necessary for reducing roundtrip time.
fiber as an ethernet link is packetized and has error correction. 1Gbps and 10Gbps stuff is just OOK blinking LED on and off. Pretty hard to screw up unless you have a chipped ferrule/facing, dirt on the fiber, or dirt in the connectors.
I'm going to say turbo product codes
can we maintain high fidelity satire close to the shannon limit? what do the varying code rate waterfall curves look like for satire FEC on modern equipment?
The best I can think of is Hamming codes, because "hamming it up", but improvements would be welcome.
I can see the logic behind a properly isolated switch - for example, I have optical everything as my amplifier has a terrible habit of turning switching power supplies into chainsaw noises. Anywhere I can isolate shared noise is a win. But that's achieved with amazonbasics toslink cables, not .. magical pixie dust, or whatever these guys are selling.
"Via the Ethernet Switch UEF, we have a much more defined and explosive brass section. You get the proper metallic blast and blatt without strain. The piano is now wonderfully fleshed out with plenty of timbral purity and proper weight. High hat cymbals have never sounded better. Exciting stuff!"
"When engaging the Ethernet Switch UEF, your room boundaries will evaporate in all directions. The band is now in the venue with you. The bongos are unleashed with additional color and tone and with a bottom end wallop that might just startle you. Goose bump city!"
I guess, if I had to stretch to say something nice, it's good that people like the author exist so that some engineers get to have a bit of fun designing a boring old switch with a no-compromises budget.
EDIT: their website (the maker, not the reviewer) is pure (oxygen free, directional) gold. They have a ten thousand dollar power cord with extra little plugs on it that you can attach to something called a carbon fiber tuning module to "voice your system."
For studio use, 24 bits offer some benefits for editing, but not because it sounds better, because we cannot hear better. Instead, if you mix audio it's useful to have some headroom over the dynamic range of your music (headroom you cannot hear), before you mix it back down to 16 bits for listening. Think about pasting pictures into a bigger canvas before cutting it back down.
Things like 96kHz or even 192kHz audio can actually be harmful for listening: Not because you can fundamentally hear a difference (you can't), but because if you have any nonlinearities in your audio playback chain, those inaudible frequencies above ~20kHz will cause intermodulation distortion in your audible range. Congrats, you've taken some useless crap over your hearing range and reflected it back as ugly crap into your hearing range.
Anyone who has invested time into understanding Fourier transforms and digital sampling on a fundamental mathematical level realizes that, and just gets angry at the lies. The Fourier transform and the sampling theorem don't know what an "open sound stage" or an "airier voice" is, if you think changes in sample rates and jitter translate into such human concepts instead of plain noise, you live in some phantasy non-physical world.
What is not solved is speakers and room acoustics. That remains notoriously hard, because a room easily can (and most often does) reflect parts of the spectrum such that it cancels itself out. No amount of equalizing can fix that (it's mathematically impossible), you need to change your room or speaker arrangement.
If you want to optimize audio, nerd out about that. Or if you absolute must, argue about lossy encoding formats (e.g. AAC vs. MP3) and bitrate. There is much less hard math in your way there, as they strongly rely on psychoacoustics. But anyone who claims that they hear a difference with 192kHz (on a provably linear audio chain) or an "audiophile Ethernet switch" shows that they're talking bullshit to begin with, so why would I trust their opinion on some potential real difference.
That said this product and audiophilia in general is just pure unadulterated BS.
Like with all things science, everything is only falsifiable, never 100% provable. But yeah, I think we're indeed on the same page, the claims that audiophiles make are often falsified already. Or make so little sense that it's akin to "eating an apple in the morning shifts Helium's absorption spectrum by a few nm". You can attempt (and succeed) to falsify that, but it's such a waste of time and energy...
It's definitely possible to tell the difference between the quality of audio from a shitty subwoofer ($50) vs something that costs $200... Not so much audio as perceived by eardrum but perceptible vibration felt by the body. The cheap one also is likely to rattle its own chassis and feet and vibrate on whatever floor you've placed it on.
Of course, the answer here is proper education as opposed to selling overpriced snake oil.
So, in a 5V system, zero is represented by 0V, and one by 5V. And sure enough, if you could look in enough detail at the voltages, you'd find that sometimes the zero was actual 0.001V and the one was actually 4.912881V.
The whole point of digital is that THE NOISE DOESN'T MATTER. Even in the presence of those fluctuations (which are real), the system sees only zeroes and ones, and everything is perfect, always.
Please don't be the modern EE who tells me that this is how things used to work, and it's not true anymore :)
Things don't work like that any more in e.g. QAM [1] and multi-level [2] (DLC/TLC/QLC/PLC) flash storage.
[1] https://en.wikipedia.org/wiki/Quadrature_amplitude_modulatio...
It’s way cooler than that. Sit back and watch the master explain it: https://youtu.be/eq5YpKHXJDM
(and little nit: there's more plusses than just eliminating noise. For example, multiplexing)
https://learn.sparkfun.com/tutorials/logic-levels/all#ttl-lo...
https://www.allaboutcircuits.com/textbook/digital/chpt-3/log...
ECL is a fun one with minus ~5V supply, and minus 1.3V switching threshold.
edit: I found it again! https://www.amazon.com/FosPower-Toslink-Digital-Connectors-S...
I wonder if it crossed any of these reviewers minds that the audio they listened to traversed countless switches, network routers, fiber amplifiers and who knows what else before it ever hit that switch.
I have zero clue who buys this stuff. Perhaps I'm in the wrong business!
So if you look at the setup with "vinyl goggles", where upgrading your stylus or pre-amp or cartridge _does_ have some impact to audio quality - since the physical diamond or sound chambre can vary - you can see how someone without any IT knowledge could conclude that, likewise, upgrading the devices in the "signal path" (network) for digital music would make an impact.
Now like, obviously that's wrong, but if someone is willing to pay you $2000 for a Realtek switch in a fancy case.. Clearly the market will oblige!
https://audiophilestyle.com/forums/topic/62753-nvme-ssd-desi...
https://www.synergisticresearch.com/cables/galileo-sx/galile...
Galileo SX Ethernet cables were designed around a brand new UEF Filter featuring Graphene and a special UEF Tech first developed for our award winning Blue Fuses to eliminate digital noise through an inductive process that takes place outside the signal path. UEF Graphene Shielding is now applied in a new Matrix Grid pattern for a striking lowering of your system’s overall noise floor so you hear detail and dynamics in the most holographic soundscape of any Ethernet cable in Synergistic Research history. We upgraded the UEF Ground Plane with new UEF Blue Fuse technology and treated the entire cable to a new UEF Blue Fuse treatment that both increases overall cable performance as it lowers the time necessary for cable burn in. Lastly the outer shield of the cable can be attached to ground with an included ground plug or can be attached to an optional SR Passive Ground Block or our SR Active Ground Block for a dramatic increase in overall system performance. If fail to recognize the superiority of these cables you are giving in to Them and their blasphemous ways which doom us all to inhuman toil for the One whose Name cannot be expressed in the Basic Multilingual Plane, he comes. And with new Gold and Silver UEF Tuning Circuits that change the yin and yang of the digital cable from detailed to liquid pain extinguishing the voices of man from the mortal sphere you can custom match them to your system and taste or try them without, the choice is yours.
===============
And if you are a system builder and want to make sure you're in the right class, let's talk about the final piece. We went back to the drawing board and developed an outer jacket and inner shield made from unbreakable material with customizable applications. With these exceptional cables we assure that your system will stand the test of time and will also stand up to the power of the Graphene RF head stage.
Galileo SX Ethernet Cable Features
1)High Strength Diamond Strand Spliced Cable:
-Band with closed, crimped jacket with 600 strand copper lacing that is non-conductive making it easier to splice using RCA terminals and soldering
-Unbreakable Diamond Strand Spliced Cable - 100% diamond strand, zero standing wave, perfect for any extreme use. This cable is MADE TO SHINE, ALL the way through. It is almost as shiny as it sounds.
-Unbreakable 900 Volt rated jacket, clad with Nomex.
2)UL Certified Platinum Wire Terminals:
-20 feet of unbreakable Platinum Wire Terminals.
3)Radial Wire Terminals and 4 Ohm Fitting:
-100 foot of Radial Wire Terminals and an 8 ohm Fitting (2.4 Ohm rounding up to 1.4 Ohm).
How to use Galileo SX Ethernet Cable
1)Communicate over USB:
-Use the included 3 pin high voltage USB cable to charge the Galileo SX.
2)Locate Transmitters/Transmitters:
-Pair the TX/RX cables on the Graphene wireless receiver to each transmitter on the radio to receive the signals.
3)Setup Channel:
-Use the included 1.5mm 4 wire installation kit to route the QRP channel to the channel provided.
Special thanks to:
For backing the Galileo SX system with your pre-orders, for testing the Galileo SX and answering our questions, and for helping us design this new Graphene Ethernet 3.5mm cable, we'd like to thank Ben McMullen from WinRadio Shack and Mike Schulz from Radio Shack.
To get a hold of us, you can email us at glynner (at) wryqr.com or check out our contact page on GrapheneRfans.com.
Again, thank you for your support!
,
B
BGN: -33h53m
Hang out on a website devoted to high end audio, like Meridian [1], and you'll see half the people starting threads about some new $10k cable they bought, and the other half studiously avoiding telling them they are wasting their money. Just don't get involved.
That sounds like a sunk cost fallacy, why does it matter how much was spent? It should be the other way around where "clean power" makes a noticeable difference with cheap playback equipment with flimsy filtering capacitors in their power supplies. So-called "audiophile" equipment of boat-anchor weight should not need "clean power", that should be handled by the power supply.
The whole "audiophile" scene is rife with mass-delusion, they fall for the same scams as those who e.g. buy "amulets for protection against evil spirits". Neither of these do anything but both may feel better by having them. The "audiophile" may get the same satisfaction from listening to whatever he plays as whatever random person does listening to his or her music using whatever equipment they have at hand. The difference is that the random person did not have to pay a scammer to achieve satisfaction. The same was true for the "audiophile" before he fell into the trap but now he's lost that ability.
You're paying top dollar for a placebo effect, but it's every bit as real as "sound" is.
And more accurate reproduction that enables you to hear everything in the recording is not subjective either. (And if you want certain equalizer settings you can always do that yourself on top of quality hardware.)
This has the same feel to it that those green magic markers they sold to audiophiles. You were supposed to use the markers on the edges of CDs to make the data reads richer and more vibrant and warm or some such hogwash.
I'm also reminded of "directional" audio cables, and the "DiscWasher" scam from the 70s, although heaven knows, LPs really needed help.
price?
DiscWasher was a popular LP cleaner in the 1970s. There was a fibrous cleaning pad attached to a handle, and some special fluid that came in a small eyedrops-style squeeze bottle. The fluid was the expensive part, $5 for one or two fluid ounces, quite expensive for the day. You'd carefully squeeze out a drop of magic fluid on the cleaning pad, and while your LP was spinning, let the cleaning pad drag over the surface of the LP.
Turns out the $5/oz ($40 a cup!) special DiscWasher fluid was distilled water. Lawsuits and hilarity followed!
This epic tale of audiophile gullibility is not even on the Internet, it appears. The past is dead.
two grand
Admittedly for $45 you get a sticker on the side and a product that "treats it with 1,000,000 volts of electricity in a process we call Quantum Tunneling for an amazing transformation in sound quality from this modest plug."
https://www.synergisticresearch.com/isolation/accessories/qu...
A: Yes, fuses are directional. Electricity should flow from the left to the right when you view the fuse. If you do not know the direction of flow you should listen to the fuse inserted in both directions. One direction will sound more detailed. This is the correct way.
https://www.synergisticresearch.com/fuses/blue/
This site is proof of the fact that there is no positive correlation between affluence and intelligence.
Maybe they should sell a fuse direction swapper which turns the fuse around 50/60 times per second so the "electricity flows" in the "correct" direction? Imagine a carbon fibre box around the fuse with that logo on it, containing one of those $0.02 fuses which they sell for $160 and a stark warning not to look inside the box or the magic will disappear. Add $1000 to the price and some audiophile snob will buy it.
https://www.google.com/search?client=firefox-b-d&q=expensive...
"This wasn't a subtle improvement and yet I did a fair few Volcano on, Volcano off comparisons before I could really accept what I was hearing. In all honesty despite hearing the positive effects the Vibradome Blue star had made to my other system I was still shocked and surprised this item could make such a difference by just sitting on the amps case. Its not heavy enough to damp it and yet it was making a difference and a positive one; frankly I don't know how."
I tried the manufacturer site: https://www.synergisticresearch.com/accessories/ethernet-swi...
I still do not know.
A $6,000 power cable.
If this is not satire, they have no shame.
Entry-level.
https://www.audiovisualonline.co.uk/product/8041/audioquest-...
It seems like there's enough market for this BS to sustain a legitimate factory operation with full-time employees. Now while there's no way to tell whether the founder is just a conman or delusional as he'd never admit it, I wonder what the employees think of all this.
This video also includes a good drinking game - drink every time he says "by hand".
The "lab" looks like a small repurposed kitchen. I've seen better labs at electronic hobbyists' homes.
This is what Russ Hanneman[1] startup would look like targeting people from three comma club
Though I suppose that would only allow you to buy a single component, as by definition only one could be at the zenith of interest. And then the rest of your life would be a letdown.
I guess even a company like that has to see how far they can go before even their whales scream in disgust.
I'm sure not all audiophiles are dumb and I think a few educated ones pay for expensive cables that are used for digital data. I'm really curious why.
Think of something like UDP traffic. If you have poorly shielded cables, you could corrupt a packet. In the case of UDP traffic, you will never get that packet back. Do this enough, and it may impact sound quality of eg. streaming audio.
Would it be ethical to push such person through double-blind test, which (I assume) would disprove that there is a perceivable difference?
https://web.archive.org/web/20090304012729/http://www.avguid...
https://www.synergisticresearch.com/accessories/turntable/ue...
I'm feeling almost convinced that this is deliberate satire.
Are you sure? Remember that a DAC in this context is also an audio circuit, not just an IC performing digital -> analog conversion. I can say with certainty that switching to a USB DAC made a big difference vs using the output on my motherboard, no computer noise + I lost an unnecessary amplification stage. Of course, I would never spend $$$ on a DAC, because as you mention it's a very low-impact component of the system.
The other thing is that DACs which support high sample rates can play your high sample rate music without software resampling, which is obviously not a useful feature for a lot of people but is definitely audible if you do have high sample rate music for whatever reason.
But like how much buffer do you need to completely eliminate any effects of jitter?